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DEAR READER
Janaina Medeiros
todays bird
sheepfilms
he wasn't even looking at me and he found me
Kaledo Art
h
Stranger Things
Keni
roma★
izzy's playlists!
Monterey Bay Aquarium
Jules of Nature
JVL
祝日 / Permanent Vacation
d e v o n
trying on a metaphor
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@keir3d
Neural Passages from Keir3D on Vimeo.
The pentagonal platonic solid shifts and changes akin to our memories over time.
Made in MASH with trails, Redshift Maya. Inspired by the golem.network/ website. Music credit to Leiklist Litir by Yan Terrien licensed under CC BY-SA 4.0 on freemusicarchive.
Keir 3D Showreel from Keir3D on Vimeo.
NEW Featured works portfolio from Keir 3D Rendering and Visualisation. Full Videos: Earth Moon Earth Portable Radio Telescope - youtu.be/dJWeVOtZD6A Jordan Street VR Tour - youtu.be/tsMTaAqnF-4 Keir 3D Personal Project Staging Simulator - youtu.be/czeogFnjhWE Aktio Warehouse - youtu.be/vWaaru_0b8g Hibiki Liquid Natura Gas - tba
Music credit to: A New Beginning by Bensound from bensound.com Creative Commons License Attribution-NoDerivs 3.0
Disney Cloud from Keir3D on Vimeo.
Not a spinning cloud, but a camera rotating around a cloud with object source lighting from the sun! The cloud is an OpenVDB Disney research asset. Created with Maya and Redshift volumetrics. Music credit to Underwater Organ Happy Theme(Easy) by Lobo Loco licensed under CC BY-NC-ND 4.0 on freemusicarchive.
Impossible wide from Keir3D on Vimeo.
75 Lighting Environments in 15 Seconds from Keir3D on Vimeo.
Experimenting with Grayscale Gorilla HDR Collections. I wanted to recreate a visually similar image to Fluctuate by Maria Pan using Redshift Maya instead of Blender 3D. Music credit to Aerial(Content) by Bio Unit licensed under CC BY-NC-SA 4.0 on freemusicarchive.
3D Industrial Warehouse Flythrough from Keir3D on Vimeo.
Flythrough of an industrial warehouse project. I worked on the textures and lighting. Also I managed to get the render times from 20 minutes down to 20 seconds. Impressive! Music credit to Ladybirds Theme(Commercial) by David Szeztay licensed under CC BY-NC 3.0 on freemusicarchive.
Lucky Spinning Cube from Keir3D on Vimeo.
Unwind while watching the rhythmic, spinning cube. May it grant you fortune in your future bitcoin trading. Created in Maya using curvature node to get the texture, extrusions to get the shape, and RSNoise to get the specularity.
Music credit to Bitcoin Day(Startup Nation) by Anonymous420 licensed under CC BY 4.0 on freemusicarchive.org/
Pre Construction Planning Simulation from Keir3D on Vimeo.
Interactive Realtime Staging Simulator. Useful in the planning phase of project management for showing clients a timeline of the construction process. Built with Unreal Engine using Unreal blueprints. Music credit to: Creative Minds by Bensound from bensound.com
Jungle Block from Keir3D on Vimeo.
A short video of a tangled chain of vines on a block, does that make it a Vine? Painting on a 3D surface with The Vine Brush using PaintFX, Maya, and Redshift. Music credit to: Usual Fight(Neon Wind) by Andrew Codeman freemusicarchive.org/
star gate from Keir3D on Vimeo.
Dust Particles Bokeh from Keir3D on Vimeo.
Experiments with sunlight. I wanted to create a good looking depth of field with a dusty atmosphere. Created in Maya with nParticle Instancing. Used redshift bokeh and lots of rsNoise for texturing and driving the volume scattering. Music credit to: There Is Only This Love by Siddhartha freemusicarchive.org/
Robotica Invasion! from Keir3D on Vimeo.
Robotica Invasion! Created using Maya and Redshift volume scattering. Robotica 3D Model by Shira: thingiverse.com/thing:614366 Music credit to: We are Saved by Borrtex freemusicarchive.org/
Rainbow Invasion Clouds from Keir3D on Vimeo.
Unknown forces scan Earth's clouds with their colourful lasers. I'm sure they mean us no harm. Rendering OpenVDB clouds in redshift using incandescent materials and brute force GI. Music credit to: Cuisine by Nctrm freemusicarchive.org/
Ballnado: Redshift nParticles Spheres from Keir3D on Vimeo.
A twisting mass of spheres bent on destruction �️ As the balls move further from the centre they adopt a reddish glow. This was achieved with nParticle Spheres in Maya. Music credit to: Sith(reflect) by - freemusicarchive.org/
Acer japonicum - Japanese Maple. Lately I have been inspired by vegetation. For this project I used redshift materials, displacement, and particle instances. It is presented with studio lighting, depth of field and a slight bloom effect.
Pine Forest Aerial Shot - I wanted to see if I could recreate a scene from a television show I saw recently. Lately I have been inspired by vegetation. For all the images I used redshift proxy particle instances. For image 1 I used daylight lighting. For image 2 I used studio lighting. For image 3 I used daylight but tried to create a snow like effect.
Did anyone else catch Annihilation on Netflix? I created this prior to watching it this week. It reminds me of the shimmer. Coincidence? Made in Maya with Redshift particle instances.