keyesgen 💜

kiːzd͡ʒɛn | he/him | manager of the vocasynthesia initiative | vp and manager of cererune | ic turboking

[keyesgen]

I wanted to get my thoughts out regarding the past month, and go into a little more detail. I offer nothing but my deepest and most sincere apologies for my past negligence in understanding the severity of the actions taken before we met.

I have not spoken to her nor Daybreak since May 10th. I will never speak to either of them again.

Furthermore, there are past art, stems, and topline files dating as recent as early 2026. I deleted them on my end, but either of them may still have local downloads. If these songs do come out on any current or future aliases of theirs, please note that I was not involved. I will not be keeping up with either of them, so I won't know if they do.

If anyone needs clarification on anything, my line is open through any avenue you feel most comfortable asking me through. I am always open to connect with anyone that would like to. Thank you for your time.

[keyesgen]

i am back again to ramble about my album. i mentioned each song was about love, and i would like to explain how each track relates to it.

AUTOPSY and HEAVEN WEEPING, the opener and closer, are the only two story-based conceptual tracks, and they tie into each other. following the story of Harmony, who falls ill with hanahaki disease involving delphinium flowers and dies. AUTOPSY is about a negative subset of true crime podcasters and youtubers that stick their nose into cases and don't leave families to grieve privately. it's also about how people only care about someone when they're dead. HEAVEN WEEPING is Harmony in purgatory, waiting to see if she will be judged into heaven or hell. she is reminiscing on life, and felt that she died unloved and hated.

the rest each write about love in their own way. CHERRY MARTINI is the emotional intensity of alcohol and how it can make your love for someone feel stronger than it does sober. LOVE LOCK MODEL talks about the phenomenon of "AI boyfriends" or people dating their instance of a large language model. TAKEOUT is robot yaoi. i don't rly need to say anything else about that one. FEEDBACK LOOP is technology feeding delusions, and is also another case of the AI boyfriend phenomenon. DEPRAVITY is about sexual trauma. SALVATION is about finding sexual freedom. LOVE HIGHWAY is a virtual idol falling in love with humanity and wanting to sing for them. BRICK WALL is the concept of tough love, and how a lot of people put emphasis on the tough rather than the love. OXYCODONE is about feeling chemically addicted to your ex in a reliving trauma way. RED STRING is about the red string of fate myth, specifically about it tying you to a bad person. APOPTOSIATE and PARALLEL both touch on being a system, APOPTOSIATE the safety and protection, and PARALLEL the emotional comfort, both of which is this loving bond you have with yourself.

which brings us to SENSORY. it's an outlier. all the other songs touch on love as this kind of external thing, not directly involving me. SENSORY is about my love for MACHINA MORI. it is the only track very specific to the love i have for something.

i will also say, this album's promotional cycle will be very short. despite it being about love, it was written and conceptualized in such a turbulent and distressing whirlwind. as such, it feels like a massive wound, and in order to finally close it up and let it scar, this album needs to come out. it's important to me, and it's important that it comes out, but once it does it will rest. and i will move forward.

[keyesgen]

hi everyone!! i'm so happy to state that my new album, LOVE IS MY WEAKNESS, is releasing june 13th 2026!! wow!! that's in like 3 whole weeks i think

you can view the crossfade on youtube to get a feel for the tracks

i wanted to talk about it a little more in depth, since the development cycle and how i got here was initially in a very different form.

i started working on it thematically alongside the tail end of MtEEHt's development cycle back in april of last year, and continued to creatively work on LIMW until this year in march. i finished all the mixing and mastering this month.

a lot happened to me in this time frame. the biggest one is the loss of my closest companion, dagwood, who had been by my side for almost a decade and got me through some of the roughest periods of my life. part of my soul was cremated with him. it's why i wanted to write about love in the first place, because he showed me that unconditionally.

the album is loosely conceptual. MtEEHt told a very specific story, about a girl named Marie Palmira, her experiences, her trauma, her ascension into a cosmic being. LIMW instead goes into a different direction: single track concepts with a theme of love. a user falling in love with a chatbot. the ancient myth of the red string, and it tying you to an awful person. robot yaoi. cycles.

there were more tracks. it was initially called DELPHINIUM. everything i changed and scrapped made me sick to look at and listen to, and i almost entirely scrapped the album. i had considered it a wash and was preparing to start over.

but then i looked at all the work i did. the concepts i was so proud of. the story i wanted to tell. the initial reason why i wanted this album to be about love in the first place.

so, i kept the concept songs, spun them together under a new coat of paint, and titled it LOVE IS MY WEAKNESS because that's what it felt like.

to heal and to move forward, i need to take this song package and move it forward into the world, to show everyone this piece of my heart.

[retrotenn]

📻 FINALE∞FOREVER 📻

a 24-song collaboration album celebrating vocaverse’s final episode at WNYU 🎶

hear it first TOMORROW on wnyu, may 8th, at 10:30pm et!!! our show is an HOUR LONGER THAN NORMAL!!!!

check out the tracklist preview below as well!!! ⤵️⤵️⤵️

[keyesgen]

i'm on this!!!! i wrote a song yaaayyyyy. i hope everyone likes sensory!!!!

[unikhroma]

how it feels to look at/listen to your own creations and enjoy them and appreciate how far you've come as an artist

[keyesgen]

hi everyone :) i wanted to do a small little writeup. i am openly and proudly transmasculine. and i write vocaloid music. i just wanted to share the songs in particular i wrote that relate to my own personal experience.

please note that while more songs of mine can definitely resonate, these are the ones i can recall having this be explicitly referenced. my experience will weave its way into everything i create.

first we have my album, Music to Experience Existential Horrors to. this album is so transgender. being trans (and a system) is the core behind the album's concept. that being said, there are a couple of songs that are very upfront in their themes and messaging

1. Cracks in the Window is about coming to terms with your identity and starting your transition in an unsupportive household. This one is the most blunt.

2. verticillium is about abusive partners forcing detransition and cutting people off from their support networks.

3. GENETIC DISASTER is about transitioning as a system.

outside of MtEEHt, i've written a few others

1. OTT is mostly about being a system but also about self-love, including embracing being trans.

2. Reflection is about loving who you see in the mirror after transitioning.

3. Driver's License is about societal pressure, mismatching IDs, and dealing with transphobia.

4. fracture is a bit vague and touches on several things, but part of it is gender dysphoria and being guilted by people after you start transitioning.

5. mushroom forest is just verticillium. verticillium is a direct extension and remaster of mushroom forest, so they both share this theme.

i'm very proud of everything i've written, and i hope you can resonate!!

[roachedtea]

death penalty ‼️

[keyesgen]

cererune STARLIGHT is being updated to v2.1 within the next two weeks, to improve his stability.

this improved stability will go hand and hand with the recent v2.5.1 update to diffsinger itself, which fixed a bug in how cross-lingual phonemes were treated.

this update also includes added support for greek phonemes and a fix to his integration with the filipino phonemizer.

i will state when the update goes live. thank you!

[keyesgen]

Announcing vocasynthesia, a digital distribution initiative for collaborative compilation vocal synth albums. 💚

[thymehaspassed]

[cryoshad]

the rivalry ever

[spookyballoontimetravel]

Bringing this back around

[notnaruse]

waow

[odysseyre]

Mandatory Shadow propaganda.

[knuxze]

Since the Robotnik family now lives in my head rent-free, here’s my another take on possible events.

Gerald doesn’t have the heart to say "no" to his beloved granddaughter. It’s thanks to Maria that he starts to see Shadow as a person, not just an experiment.

[pluralmedia]

keyesgen is another plural creator ; he has confirmed on his Bluesky that his album "Music to Experience Existential Horrors to" is largely based on his own experiences, and multiple songs on the album specifically mention plurality & dissociation

Oh, awesome! Thanks! He has been added!

[keyesgen]

hi hello! i just stumbled upon this and wanted to state that this is correct, as well as give some more insight. i deeply appreciate the acknowledgement, and knowing that something i wrote about my experiences is being catalogued as notable plural media really has made my entire week.

mteeht has a storyline based off of my experiences, and my experiences as a system is the main influence for the turn it takes in the second half. it is worth noting that the protagonist, marie, wasn't written to be system herself. she's able to hear and see the thoughts and experiences of other humans when she becomes an omnipotent being.

the songs that i would consider to be directly about being a system are:

- eyes OPEN!

- VISIONS (and its extension, I SEE VISIONS)

- GENETIC DISASTER

- MANY MIND MIGRAINE

- I AM ALL OF ME

furthermore, eyes OPEN! being the catalyst and bringing in that storyline is a direct parallel to me discovering my own system, medical therapy, and recognition when i first fully understood what was happening.

i also wrote Switchblade and OTT about this as well. and one final additional song, amalgamate, probably is influenced by that but its main idea was this one post i resonated with by viridianmasquerade:

"I make my ramen the way a friend taught me in eleventh grade. Every fall, I listen to a playlist made for me by a boy I drove across a border to hook up with. I eat sushi because a girl who won't talk to me anymore made me try it, and Indian food because my best friend's parents ordered for me before knew what I liked. There are movies I love because someone I loved loved them first. I am a mosaic of everyone I've ever loved, even for a heartbeat."

if you want to know anything else, please let me know.

[keyesgen]

update: i have a website!! some aspects of it aren't done, mainly on the design end, but the information is all there.

furthermore, there is a section currently accessible at the bottom of the music page. this is where instrumentals and vocal synth files currently live, and where stems will live!!

i want to include svp, ustx, and vpr files for every song. vpr files require extra care after conversion to work properly, so they're not available for every song just yet. i am actively working on it.

as well, please note that due to a combination of sample licensing, clearances, project file loss, and other unforeseen factors, not every song will be able to be listed in every section. i'll do my best to include as much as i can! please be patient with me!!! i still need to render everything out, after all.

[keyesgen]

also because i'm extra, i format all my files the exact same way. they all have a single vocalist named vocal, and if there are overlapping parts they go into a second vocalist called backing.

svp and ustx files don't have a synth loaded, and vpr files have miku v4. if they are not in this format exactly i start shaking like a chihuahua.

i had to fix a couple that were wrong so i need to update all my vocaloader entries. i'll do that later though.