Rondokubistický bytový dům (Rondocubist building) Prague, 1923–1924 Otakar Novotný
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❣ Chile in a Photography ❣
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2025 on Tumblr: Trends That Defined the Year
Aqua Utopia|海の底で記憶を紡ぐ

if i look back, i am lost

Game Changer & Make Some Noise
Sweet Seals For You, Always
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Andulka
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blake kathryn
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Rondokubistický bytový dům (Rondocubist building) Prague, 1923–1924 Otakar Novotný
Anarchy, issue number 49, March 1965. One of many issues of this British journal that I picked up at the Newberry Library Sale in Chicago. More to follow.
Santiago Taccetti at Galerie Rolando Anselmi 2015
Oscar Tuazon at Le Consortium, 2015
Carl, Andre, Drawing for ‘Fall’, 1968
Rest Home for Tokai Senko Company, Near Ise-Shima National Park, Japan, 1971
(Aoshima Inc.)
Ana Mendieta, Energy Charge, 1975
Still from 16mm film transferred to high-definition digital media, color, silent
Hopefully it is that he is compelled to admit the equality of other genders
Extremely Rare Bactrian Ceremonial “Lock” Idol with Inlaid Bulls, Late 3rd ML BC
A carved stone tent weight with bull images and inlay; accompanied by an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: ‘Ancient Alabaster “Weight” 29cm, high 25cm diameter. This is roughly oval with a hollowed out hole near the top, creating a handle. The edges are rounded and on each side a bull in deep relief with inlay of turquoise and brown stone appears. Much detail is used in the depiction of the bulls. The bull on one side is shown with head facing forwards, while on the other side it faces backwards. In details also the two bulls are quite different. The object is generally in good condition, though some of the inlay is lost on one side. This is an extremely rare object, though certainly from West Central Asia. It dates to c.2000-1700 BC. Its purpose is not certain, but most probably it was carried in some religious rites.’
Among the most iconic Intercultural Style objects are the so-called “lock weights”. These were probably not weights at all, but were likely badges of high office, carried to indicate authority. Fragments of similar objects have been found throughout Mesopotamia, the islands of the Persian Gulf, on the Iranian steppe, as well as the Indus Valley. The production of them seems to be concentrated in two areas, the Gulf island of Tarut, as well as Tepe Yahya in south central Iran, that has produced the only known mine for the stone. The artistic styles on these chlorite objects represent a fusion of art and religious themes from the diverse regions that they are found in, representing both Mesopotamian and Indus culture. The bull was a popular, and sacred animal in both Mesopotamia and the Indus civilisation. In Mesopotamia it was often associated with storm gods, such as Ball. In the Indus region it appears on seals and is often associated with a horned deity that has been identified as a proto-Shiva type figure.
Lille, photo by Romain Pruvost
Cover design for magazine “Klei”, 1920 by Theo van Doesburg
BRUNNO TAUT, Bauhaus Ringsiedlung, Berlin, 1913 - 34
Centennial Planetarium (1967). Calgary, Alberta. McMillan Long and Associates.
Paris, 20e arrondissement
Rudolf Bauer (1889-1953), Space, 1932. Ink, watercolor, colored pencil, and graphite on paper.
Jugend 1900 1. Januar.
Little Review, 1926. Plus The Modernist Journals Project (archive). Plus Archive.org (idem)