Unbetitelt

[pinksunflowers-92]

Listen, there is so much I could talk about for season 2 of My Beautiful Man/Utsukushii Kare (because it was amazing and I loved it), but I'm actually just going to talk about how Kiyoi came back and slept in a pile a Hira's laundry because he probably couldn't sleep without Hira's sent

[peatchsoda]

hira x kiyoi + hand kisses

[xnoel]

this took me out

[allovelyhappily]

[emotionallychargedtowel]

re-evaluating pursuing & distancing in Utsukushii Kare season 1

I promised an analysis of Utsukushii Kare season 2 overall a while back. I ended up rewatching the whole series to try to get everything fresh and accurate in my mind, which was helpful, but it also gave me, well, too many ideas for one post. So now the plan is to address these thoughts in chunks that will hopefully add up to something useful. 

I started my examination of pursuer-distancer dynamics in Utsukushii Kare with a pretty strong assumption that while their ways of fulfilling their roles were sometimes unusual, Hira was definitely the pursuer in the relationship and Kiyoi was the distancer. As I watched season 2, I increasingly saw Kiyoi as pursuing Hira. But now that I’ve gone back and rewatched the whole series, I think I failed to recognize the ways in which Kiyoi was always pursuing Hira. I think this shift in my thinking really sheds some light on other aspects of their relationship and the story more broadly, and it shows more continuity between seasons 1 and 2 than I had previously noticed. 

I’ve mentioned this before, but there’s a real difference between the kind of pursuit where you are seeking to establish a relationship with someone and the kind where you are seeking intimacy with someone you’re already in a relationship with. And these differences often map onto role differences and relational styles, including gendered ones. Think about how things go in a stereotypical, heteronormative relationship. Before a relationship is established, men are supposed to make the first move (women, on the other hand, can face negative consequences if they try this). But once a relationship is under way, we’re more likely to see women pursuing and men distancing when it comes to intimacy. (A frequent exception is pursuing physical intimacy, which can often be an area in which roles are flipped, with pursuers becoming distancers and vice versa.) At the same time, intimacy-seeking can happen outside of a fully formed romantic relationship. In other words, the kind of pursuing that happens within a relationship can also happen before a relationship has fully gotten off of the ground. 

I’m going to try to maintain distinctions between the following types of pursuit:

Pursuing contact; making an effort to spend time with the other person. (This type can happen within an effort to form a relationship or within an existing one and these contexts can cause big differences.) 

Pursuing emotional intimacy, including showing vulnerability, self-disclosing, and processing/resolving problems in the relationship. (This type is most crucial after a relationship has started but not only can it occur before that, it really needs to in order for the relationship to start on a meaningful basis.)  

Pursuing physical intimacy; this doesn’t necessarily have to mean sexual contact only, but some non-sexual types of physical intimacy could be primarily/entirely about emotional intimacy and then they’d be a better fit with that category than this one.

(By the way, these aren’t from any sort of existing typology I found or anything like that. They’re just categories that came up and seemed significant as I was looking at examples here.)

Next, I’m going to to through a timeline of Hira and Kiyoi’s relationship in season 1 with an eye toward who is engaged in some kind of pursuit of contact and/or intimacy. This is a close read and rather lengthy but for folks who are engaged enough with this show to want to dig into the story deeply I hope it’ll be interesting.

This is also the kind of thing that I would expect folks to be able to legitimately disagree about. A lot of our perceptions of these things will be affected by our own frames of reference and the roles we tend to take up in relationships. 

I want to note that I think there’s a real difference between pursuing vs. distancing and the seme/uke trope. Actually, looking closely at Utsukushii Kare has really informed how I see this. I’m still working out what I think about it at this point, but for now I’ll just say that despite seeming like they’d overlap a lot, pursuer/distancer and seme/uke roles don’t map onto one other very readily. Actually, I’m increasingly finding that it’s often ukes who do more pursuing with regard to emotional intimacy than semes, which seems important. Anyway, I’ll circle back to that eventually.

One final note before I get started: I keep forgetting to credit @lollipopsub​ for their excellent subtitles, which I’m referring to in almost every case here and in my other posts, so I’m circling back with an edit to add a tag for them here. I highly recommend checking out their stuff. They pay a lot of attention to important details, give well-placed translator’s notes, and have really helped with my understanding of the show.

On to the season 1 timeline!

Kiyoi “saves” Hira on their first day by walking into class late when he’s struggling with introducing himself to the class. Not really an interaction, per se. They do make strong impressions on each other that set them up for what happens later. Hira says Kiyoi “grabbed hold of me like a tidal wave” from that first time he saw him. Kiyoi sees Hira as a “useless loser” but he’s so struck by “the look in his eyes as if I were the only thing in the world” that he becomes curious about him.

Who’s pursuing here? No one, really. Except that Hira’s way of looking at Kiyoi is so intense and conspicuous that it could really be considered a kind of pursuit (a theme that continues as the story progresses). 

(screenshot via Foreigner on MDL )

Hira walks up to Kiyoi as he’s laying down (seemingly asleep) on a bank of lockers in an otherwise uninhabited classroom. Kiyoi is actually pretending to be asleep. “I didn’t care about him,” he says later, “I just wanted to see what he’d do–this guy who was always staring at me. That was all.” When Hira looks at him pretending to sleep and whispers “so beautiful” to himself, Kiyoi says it’s “the first time I’d received a compliment so earnest,” and that he “wanted those eyes on me again.” In retrospect, he realizes there was “a desire in me” that he “didn’t yet know how to name”–that he was starting to have feelings for Hira. Hira also thanks Kiyoi for what happened on “introduction day” and Kiyoi responds by saying, “What the hell. You’re gross.” 

Who’s pursuing here? Kiyoi set up the interaction in a way, but it’s also partly a matter of chance. Hira isn’t pursuing Kiyoi when he calls him beautiful as he doesn’t think he’s awake. Kiyoi’s rude comments could be seen as distancing (though they may appeal to Hira). 

(screenshot via amigo_love on MDL)

Hira and Kiyoi get assigned to cleaning duty together and stuff ensues. At first, Hira is distressed by this. “A king and a commoner like me aren’t supposed to mingle,” he thinks. Kiyoi uses the cleanup duty assignment to rope Hira into doing things for him and the whole Shirota crew. This is one of the few times that Kiyoi actively chooses something that leads to Hira being bullied or dominated, and it’s a decisive choice. He’s not thinking about it that way, of course. “It started out just as a whim. I had to know what he wanted from me. I had to know the emotions hiding behind those eyes.” But once Hira waits for a table at the diner for the group, his “gofer” role is pretty much established. 

Who’s pursuing here? Kiyoi. Neither of them chose the cleaning duty assignment, but once it happens, Kiyoi wrangles Hira into being a “gofer” in order to find out more about him. 

Hira follows Kiyoi after seeing him on the street and learns he takes dance classes; they have a conversation in which Kiyoi asks him to keep this a secret from the others at school. Hira isn’t trying to interact with Kiyoi here. He just wants to watch him. Kiyoi’s wise to ask Hira not to talk about the dance classes. Later events show that if their peers had learned about them he may well have been targeted for bullying. The interaction about the secret is important. Kiyoi is left wondering if Hira is “different from the rest” and finds his heart racing during their conversation, and Hira thinks, “it’s the first time I ever looked this directly at someone.” 

Who’s pursuing here? Neither of them. They get to know each other better and end up sharing a secret, but neither intentionally created the situation or took advantage of it much. (

(screenshot via Vanessa Ferey on MDL)

Kiyoi suggests having the summer break get-together at Hira’s house and he chooses to come with Hira to get ice cream when he could easily have avoided it. The fact that Hira lives alone is a handy excuse to meet with the others there. We never get any detail on Kiyoi’s perspective on this interaction, but it would stand to reason if he had remained intrigued by Hira. After the girls protest when Kiyoi draws the short straw that would make him accompany Hira to the store, Hira offers to go on his own. But Kiyoi leaves soon after and catches up with him. It’s completely his decision. This leads to Kiyoi riding on the back of Hira’s bike and the two of them getting in trouble. Hira, of course, comes up with other reasons in his mind for Kiyoi’s decisions, such as wanting to make sure Hira was really keeping his secret. 

Who’s pursuing here? Kiyoi. He creates the situation by initiating the hangout, then makes a point of going with Hira on his errand. 

Hira and Kiyoi speak alone after Kiyoi loses the contest. Hira plays a more active role in creating this situation. He follows Kiyoi backstage and sees him cry and punch a wall in response to not performing as well in the contest as he’d hoped. Then, when Kiyoi leaves the diner, he follows him to, well, whatever that place is with the circular bench and the fairy lights. I’d actually forgotten something important about this scene. Hira follows Kiyoi, but Kiyoi does something surprising once he sees him. Well, first he calls him “stalker.” But then, pretty much out of the blue, he tells Hira, “As a kid, I dreamed of getting inside the TV,” and goes on to confide in him about his childhood dreams of becoming a performer. This is very out of the ordinary for him and involves seriously vulnerable stuff. This is probably one of the reasons he turns on Hira so quickly afterward–he seems to feel overexposed. At that point, he pushes Hira away more strongly than at any other point in season 1, responding to his declaration that he likes him “like crazy” by saying, “I hate you like crazy! You’re fucking disgusting.” 

Who’s pursuing here? Hira is literally pursuing Kiyoi by following him around at two different points. But it’s notable that Kiyoi pursues Hira emotionally by opening up to him in such an unguarded way (even if he does become guarded again super quickly).  

Shirota dumps tomato juice on Kiyoi, Hira defends him, and they talk in an empty classroom afterward, leading to the famous hand kiss. Neither Kiyoi nor Hira initiates the event that brings them together–it’s obviously not either’s idea for Shirota to bully Kiyoi in this way. Hira responds with a degree of loyalty (and violence) that makes a huge impression on Kiyoi. Hira also goes and sits with Kiyoi afterward of his own accord. Their subsequent conversation is a turning point in their relationship. Kiyoi guides the conversation into very personal subject matter, asking if Hira “likes men.” Hira, of course, completely misses the subtext that this would be something he’d have in common with Kiyoi. He responds by telling Kiyoi that he is the only person he is now, or has ever been, attracted to. Then Kiyoi asks Hira if he wants to kiss him and offers him his hand. He fakes him out at first, pulling his hand away at the last moment. But he still presents it again and lets Hira kiss it. 

Who’s pursuing here? Hira does take some initiative, both by defending Kiyoi and going to sit with him. But it’s Kiyoi who controls the conversation and steers it toward personal topics and subject matter related to their relationship, and it’s Kiyoi who offers to let Hira kiss his hand. 

Hira and Kiyoi start hanging out together regularly. After the juice incident, they start spending time together pretty often. Hira doesn’t seem to invest any meaning in the timing of this, but it’s obvious that between the way he defended him and the significance of their interaction afterward, there’s been a shift in how Kiyoi sees their relationship. Kiyoi actually hinted at their spending more time together even before this, like after their water-fight when he tells Hira that he needs to stay stocked up on ginger ale at home (and then good ol’ oblivious Hira thinks, “Why would he say that?”). But the day of the juice incident clinched it for Kiyoi. He still has his doubts about Hira in some ways, but his loyalty and protectiveness at a time when others abandoned him was a big deal. As Kiyoi puts it, “he sacrifices everything for my sake.” 

Who’s pursuing here? We don’t see anyone initiating hanging out, but let’s get real. It was Kiyoi. Hira would never. 

And then we come to the final moment of their time in high school: the graduation day kiss. This is almost entirely Kiyoi’s doing. He goes off by himself to a secluded place after making sure that Hira hears him announcing he’s leaving. It’s up to Hira to follow him, which he does. Kiyoi desperately wants Hira to make some kind of declaration of love or put the moves on him somehow, but as usual Hira is way too oblivious to pick up on any hint of that. So Kiyoi has to take action himself. He kisses Hira, freaks out, and runs off. To most people, kissing someone is interpreted as a sign that you might be interested in them romantically and/or sexually. Naturally, Hira interprets it as “a kiss given out of pity,” Kiyoi’s way of “telling me to stop chasing him.” It’s pretty frustrating to hear Hira go on from there to say that “every word that passes Kiyoi’s lips never leaves my mind….I embrace everything that Kiyoi gives me,” when he’s actually rejecting what Kiyoi is offering him and putting words in his mouth. I guess he’s just working overtime to convince himself. And then, of course, he changes his phone number for no actual reason.

Who’s pursuing here? It’s Kiyoi again. Hira followed him to the back of the school, as he was intended to. That’s his contribution. Kiyoi orchestrated the whole thing and when it was clear Hira wasn’t going to do anything, he planted one on him. And then Hira pulled a massive distancing move. He misinterpreted Kiyoi to an extent that seems almost willful, stopped trying to see him, and changed his phone number, making it impossible for Kiyoi to reach him. 

Aaaaaand then after more than a year apart, Hira and Kiyoi meet up again when Koyama takes Hira to the play Kiyoi is in. Kiyoi hears about someone named Hira from the older Koyama, one thing leads to another, and he arranges for Hira to be invited to the play. He’s not exactly friendly when they do see each other, but for Hira, being called “stalker” is a form of flirting. Hira provides his trademark stare which, to be fair, seems to be a big part of what Kiyoi was hoping for. But he doesn’t stay for the afterparty or do anything to maintain contact with Kiyoi. 

Who’s pursuing here? Kiyoi pulled all the strings and all Hira did was do his trademark stare. Though maybe I shouldn’t downplay that since it’s actually a pretty big deal to Kiyoi. 

(screenshot via Ginger Ale on MDL)

Hira goes to the play a second time in a terrible disguise, attends the afterparty, and hangs out with Kiyoi in the park, after which Kiyoi asks him if he’s dating Koyama. Did Hira actually make a move this time? Maybe. He went to see Kiyoi’s play again, without Koyama this time, while wearing a really obvious disguise that made him stand out even more than his usual appearance. Kiyoi invited him to the afterparty again and he went. Those two weirdos spent the whole party obsessing over each other from across the room, drank too much because they were too worked up, and ended up sobering up in the park. They have a pretty decent conversation where Kiyoi dropped lots of hints and Hira got none of them, culminating in Kiyoi asking him at the train station if he’s dating Koyama and an oblivious Hira being like, “why do you ask?” 

Who’s pursuing here? Well, Hira does come to the play of his own volition, which is something, but his disguise implies he wasn’t actually trying to interact with Kiyoi, just watch him from afar…unless a part of him knows it sucks? Kiyoi makes a good effort with the hints and making cute lil faces at Hira. It’s all for nought but at least he’s trying. 

Kiyoi calls Hira (while pretending it was a wrong number), uses it as an excuse to ask if he can rehearse at his house, then shows up and finds Koyama clinging to him. Kiyoi plays off the phone call like it was an accident, which is somewhat shitty. But at least he reached out. Hira says yes to the rehearsing thing. It’s not his fault Koyama tackles him just as Kiyoi is walking in (on purpose?). Kiyoi pulls his usual “I don’t give a shit” thing in response.

Who’s pursuing here? Kiyoi initiates contact, albeit in a fairly cowardly way. Hira is receptive but doesn’t do much. But it’s not his fault Koyama cockblocked him. 

Hira fills in for the lighting person at Kiyoi’s play, stuff happens, yada yada, he licks the blood off of Kiyoi’s hurt finger, almost kisses him but doesn’t, then tells Kiyoi he can’t date him because he’s a king and he’s just his servant, after which he totally ignores Kiyoi telling him he likes him back. This is all after Koyama tells Kiyoi what Hira told him about the one beautiful person he’d taken photos of and how he loved them beyond reason and arranges for Hira to pick up that lighting shift so they’ll have a reason to see each other. Kiyoi kicks a table leg out of frustration and they end up getting knocked down by a bunch of junk and Kiyoi’s finger gets hurt, which leads to the licking situation, and almost-kiss, and Hira full-on rejecting Kiyoi whether he realizes it or not. 

Who’s pursuing here? Well, honestly, Koyama’s doing more to help than either of these two goofballs. Kiyoi’s fed up from the start and I can’t blame him. Hira’s inability to process information that doesn’t match up with his personal mythology is on clear display here. There’s a reason this is their lowest point during season 1. 

Hira tells Kiyoi over voicemail that he’s going to the place he first “saved” him (their high school) to “dedicate the night” to his love for him, after which he’ll forget him (sure you will, buddy). Kiyoi shows up, there’s a chase and a scuffle, and they finally have it out, then get together. Hira does something decisive here for once. He says he’s serious about putting their relationship behind him, but he’s clearly disappointed when he thinks Kiyoi won’t come. It’s extremely on-brand for Hira to reach out to someone not by explicitly seeking connection but by expressing his (supposed) resignation and hoping they’ll swoop in. Kiyoi tells himself he won’t come, then does, then runs away as soon as Hira sees him. When they do start to talk, Hira says a lot of the usual Hira things. Talking about how much he loves him, begging him not to go. But he offers little else until Kiyoi shifts things by opening up big time, including telling him yet again that he returns his feelings (in a really angry way–I’m pretty sure it’s the only confession I’ve seen in a drama that involves someone yelling “baka!” at the object of their affections–but it’s understandable). Kiyoi goes through their history and points out example after example of how Hira expressed through words and actions that he loved Kiyoi but failed to follow through, even though at times he was pretty clear about reciprocating his feelings (especially when he kissed him). We know from season 2 that Hira doesn’t really internalize the part about not viewing Kiyoi as a “king,” but at least in this moment, he seems to at least sort of get that Kiyoi likes him back and that he needs for him to see that and respond instead of talking himself into an imaginary rejection. Hira does put himself out there in one really notable way: he asks if he can touch Kiyoi, hugs him, and then lays him down on a danged desk and makes out with him. It’s honestly a red letter day for Hira showing some guts.

Who’s pursuing here? Although it’s in a backhanded way, Hira initiates this interaction. And in a way, he shows vulnerability and genuinely tries to engage Kiyoi. But things only start to change, start to open up the possibility of a real relationship, when Kiyoi opens up about his feelings for Hira and how Hira’s behavior has affected him. That said, Hira makes a big contribution too by literally reaching out to Kiyoi and initiating making out with him like he’s an “ordinary” human being. 

That’s the timeline. Now, a few big themes and tendencies to note:

Most opportunities for contact were created or facilitated by Kiyoi.

When someone showed vulnerability or made the first move to connect emotionally, it was almost always Kiyoi (though both characters are still very guarded at this point).

Hira’s declarations of love and frequent compliments are tricky to categorize here. There can be an element of vulnerability in expressing these feelings, but it’s not the same as the kind of self-disclosure Kiyoi engages in, and sometimes Hira’s idealization of Kiyoi is itself a form of distancing (e.g. not being able to date “the king”). 

Hira’s way of looking at Kiyoi–like, literally, the staring, meaningful looks, eye-fucking, whatever you want to call it–does seem to function as a kind of pursuit at least some of the time. It often impacts Kiyoi in that way. But it’s not exactly a straightforward move. 

Both characters seek physical intimacy in different ways/at different times. Kiyoi proposes the hand kiss and kisses Hira on graduation day, while Hira does the hand thing (!) and initiates touching, hugging, and eventually the whole classroom table makeout situation. 

There are also some obvious contextual factors that should be kept in mind here. The big ones that come to mind for me are:

Their power differential–Kiyoi has a great deal more social status and related power than Hira, particularly in high school.

The fact that they first got to know one another in this hierarchical context is bound to set them up for certain habits and expectations. Hira literally acted as a kind of servant for Kiyoi and the rest of the Shirota crew at first! 

Both characters are deeply affected by their past experiences with peers. For Hira, this mostly involves a history of bullying, being ignored, and being excluded (in part due to ableism). For Kiyoi, his past experiences looked favorable on the surface but were seriously lacking when it came to authenticity or real intimacy. 

We shouldn’t lose sight of the fact that Hira’s stuttering is a disability. The negative peer experiences I just mentioned had at least some basis in ableism and really, it might account for all or nearly all of them. The wear and tear on his psyche of dealing with pervasive ableism and the bullying and aggression that comes with it can’t be overstated. This also helps with understanding some of his maladaptive coping strategies (which it seems were actually pretty adaptive in the past). 

I’ll return to the pursuer/distancer thing in another post about season 2 and I have some additional thoughts about how to put it in context with BL/yaoi tropes as well as some other relevant ideas.

[antatee]

S2

[emotionallychargedtowel]

“I mislead audiences on purpose”

I was talking with @firepony67 a while back about something I noticed even further back, and I realized it’d probably be worth putting in a post. And then I sat on this draft for a while longer. But I’m trying to write up some of my lingering thoughts about Utsukushii Kare now, so I’m finally circling back to this. I’ve written before about how Sakai Mai (Utsukushii Kare’s director) has stated that she tries to follow the yaoi manga tradition that places semes on the left of an image/frame and ukes on the right and how this plays out in Utsukare. If you’re interested in more depth on this topic, this post is a good place to start, but you might want to work your way up from my last reblog and then move upward. I got a lot of help with finding background quotes on this from @xnoel and relied on translations of press material from @sparkling-rain (as usual, I highly recommend checking out their master post of translated Utsukare articles and other stuff). The screenshot-as-pull-quote below is from @sparkling-rain’s translation of this interview with Sakai Mai from the first season’s visual book.

When I was looking into this issue, I came across a quote from Sakai about the seme left/uke right thing that included a reference I didn’t quite understand at first.

(A quick note, because I had to look it up: your “oshi” is a celebrity/idol that you support/root for/are a fan of/advocate for. And I gather it sometimes applies to other types of people or even things? But it seems it’s mostly used in reference to famous people and related stuff.)

So, what did Sakai mean about misleading the audience on purpose in the hand-kiss scene? It was only when I went back to re-watch season 1 a while back that I figured it out–or at least, figured out what I think she meant.

In episode 3 of season 1, we see the hand kiss from Hira’s perspective. It’s one of the few times Kiyoi is on the left side of the frame. And it seems fitting for him to be in the seme spot. He’s initiating a few different kinds of closeness with Hira in this scene. Not only does he initiate physical contact by asking Hira if he wants to kiss him and then offering him his hand (even though he pulls it away the first time before Hira can get close), he also asks him a bunch of personal questions and drops some hints about associating with Hira more (like when he tells Hira to always keep his camera with him in the future, showing an investment in Hira’s availability to do certain things that suggests they’ll be spending time together). Basically, he’s moving towards Hira, in his prickly way. If he’s pursuing in a sense, then he belongs on the left side, right?

But Sakai said she was misleading the audience here. And in episode 5, which is the first episode in which we see things from  Kiyoi’s point of view, we see this scene from another angle, both in the literal and figurative senses of the phrase.

At first we see the hand kiss from the same angle as before. But after that, we get this counter-shot. I wish I knew how to make gifs because Kiyoi’s expression here is only truly visible when he’s in motion. In a screenshot like this one, you might think he doesn’t look terribly affected, but his eyelashes are fluttering like mad. (If you’re familiar with the show it’s a pretty memorable moment, so in that case you may not need to see it again to recall how significant an effect this has on Kiyoi.)

And where’s Hira now? He’s on the left. This whole thing was Kiyoi’s idea, yes. But has he stayed in control of the situation? For all his posturing and faking Hira out and everything, in a very real sense he has lost the upper hand. He offered his hand, yeah. He knew Hira would probably try to make use of the opportunity. But how could he have known that Hira would literally bow down to him in such an abject way, that he would kiss his hand in such an intense, devoted manner and turn this gesture into something so loaded with meaning? Or, maybe more to the point, that he would give him such a case of the vapors? 

This is actually a prime example of the way Hira, by ostensibly debasing himself, actually takes control of an interaction with Kiyoi. In the act of making himself a “servant,” he also simultaneously makes himself “Lord Hira” (the one who “gets stubborn about the weirdest things”). That’s a whole other topic I also mean to write a post about, but for now, suffice it to say that Hira has taken the leeway Kiyoi gave him by offering his hand and has used it to turn the tables on Kiyoi in a certain (very real) sense. When you get the full picture by adding in Kiyoi’s perspective on this moment, you can see that Hira is still very much a seme in this interaction.

I have an additional side note about the little fragment of subtitle in this screenshot (which uses @lollipopsub​‘s subtitles, which are no longer up as of this writing but I hope will be available again at some point–they’re very thoughtfully done, with an attention for detail that you don’t find in either Viki’s or GaGa’s subs for this show). Echoing Hira, Kiyoi says here that they were like “two dots that never connected.” Kiyoi continues by saying, ”until the last day of high school.” But for Hira, even the events of that day, kiss and all, didn’t constitute a connection. When he says the same thing about himself and Kiyoi as “dots” that “never connected,” he just follows it up by saying, “and eventually the last day of high school came about.“ I find it really interesting that Hira can assert himself in his sneaky but undeniable way, blow Kiyoi’s mind with this tiny gesture, and still look back and tell himself, “nah, we never connected.” 

Anyway, that’s what I think Sakai Mai may have been implying by flipping Hira’s and Kiyoi’s usual positions in the frame for this scene initially but then reasserting them when showing the same event from Kiyoi’s perspective. And I think that’s what she meant when she said she “misled” us.

[my-boys-love-boys]

Who's watching season 2? I'm obsessing over Kiyoi wanting to show Hira off, but getting jealous when others see what he sees.

[respectthepetty]

My Beautiful (Colorful) Man

Over the course of two seasons and a movie, we have witnessed My Beautiful Man/Utsukushii Kare's Hira and Kiyoi be the most dedicated color-coded boys in love.

Hira is a Blue Boy. He is stable and sincere.

But above all else, he is loyal to his idol, Kiyoi. Obsessively so.

Because even though all of the world sees Kiyoi as an arrogant, sophisticated, and secretive Black Brooder

Hira sees him as a Heavenly Human.

To him, Kiyoi is a god who should be worshiped, so Hira always lowers himself as he believes he could never be equal to such an ethereal being.

But what Hira misses is that Kiyoi is not a god in all white, but a man devoid of color and love.

Hira worships Kiyoi, but Kiyoi just wants Hira to love him, not as a god, but as a man.

So when Hira finally shows Kiyoi that he not only worships him, but loves him, he finally gives Kiyoi some of his color.

And Kiyoi quickly picks it up since all he has ever wanted is for Hira to love him.

Because as much as Hira openly admires Kiyoi, Kiyoi loves Hira immensely more.

Kiyoi's entire world is Hira, and without him, Kiyoi's world would be colorless.

Which is why Kiyoi demands that Hira sees them as equals.

He knows Hira would never cross a line with him, so Kiyoi always crosses the line first, but it's to lift Hira up and make him understand that they both love each other and are both worthy of this love.

Because when this all began, Hira wouldn't even look Kiyoi in the eyes.

But slowly, Kiyoi continued lifting Hira up.

Until finally, Hira rose on his own to meet Kiyoi where he was instead of admiring him at a distance from below.

So even though on the outside, Kiyoi comes across as dark and guarded

When it comes to Hira, the Blue Boy who gave his world color,

Kiyoi really is heaven sent.

Hira gives Kiyoi the support and love he needs. Hira gives Kiyoi color.

And as a result, Kiyoi gives Hira confidence and purpose. Kiyoi gives Hira's life meaning.

Although Hira would gladly give up his life for Kiyoi,

Kiyoi would never let that happen because he needs Hira by his side just as much as his Blue Boy needs him.

At the core of their relationship is a Blue Boy whose love for Kiyoi is deeply rooted and firmly planted in his heart.

And a Heavenly Human whose love changed him from a boy devoid of love into a man with a devoted partner.

Even if Kiyoi has to be the one to cross the line first

Hira will always follow him without question.

Because they would be adrift without the other. They are equal in life and in love. They are both beautiful men whose world is made brighter by the love they have for each other.

Their love is eternal and not even the heavens could contain it.

Gross.

[bigandlittlejane]

The uncut cut scene from episode 4 I can't believe they cut the rest of the leg part off, that's my favorite part lol

[arnoldtua]

We always talk Rain using the Daddy™️ card to get out of doing his summer reading, but why don't we ever talk about PAYU FORCING RAIN TO READ BECAUSE HE WANTED RAIN TO CALL HIM DADDY?!

They match each other's energy so well — the epitome of kinky, unhinged soulmates and we love to see it. But this interesting discovery raises a few questions: Did Payu always have a Daddy kink? Or did Rain's baby boy energy awaken his dormant inclination? Most importantly, how many days of reluctant reading did it take before baby boy Rain got the hint?

[bigandlittlejane]

All of this in episode 4 the boxset really be holding all THAT😳

[delusionalblfan]

i always have something to say to Way and the 10th episode is no exception. you stupid frail depiction of human being. you deceitful animal. you… how dare you being hurt by Babe's words? how dare you sound surprised that he is accusing you? does he think you could hurt someone he loves? news to you: YES! it's called trust issues after someone you love betrays you for years. it's called losing hope on someone. it's called descending to earth and face the realities of ones life. you were for TEN FUCKING YEARS what Babe considered the only friend he had! and what? you lied during that amount of time because in your own fucked up world you thought you would be of immense help if you seduced him or just fucked him so you could have kids and Tony would leave you all alone. in your fucked up world Babe was yours because 'i was here first'. grow up. and not for a second you told him you were in Tony's life too. i believe you heard stories from Babe's mouth on how Tony made this and that. and Babe was trusting you these information and you still did and said nothing. he could have protected you too. he would understand you. he would help you. but no, you still decided to keep deceiving. and shut up about the 'for your own good', it's not, it is for yours. to the point of trying to sa him! that is not fitting into the 'i could never hurt my own family'. what a moron. just… i know the end you have in the novel, my advise is for you so seek a new life and happiness somewhere else. please. go far away. be alive. and build your own better self. free of that self-pitying shit and delusion you are building based on a love you thought you had for someone and realise the piece of shit you are and stop being it

[delusionalblfan]

still stuck on the truth-revelation scene. now i am fixated on how Babe's voice trembles because he is so hurt and full of emotions while telling Charlie he knows pretty well Tony is taking advantage of him. almost as if he is breaking while realising Charlie, the love of his life, is also part of the scheme. and then he gradually raises his voice so it doesn't tremble anymore and to try showing a more stoic figure while stating he has been running away and doing a pretty good job doing it by himself

[zhaolusi]

PIT BABE THE SERIES (2023)

[first-khaotung]

babe's little kisses

[tanrak]

In the past I couldn’t calm down and you were able to help me. Now if you can’t focus, can I help you?