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Dialling a Strowger
For some time I have been planning on making an old rotary dial telephone control the Strowger switch, as this is what they are designed to do!
A telephone exchange consists of banks of Strowger switches able to route telephone calls from a dialled number. Dialling a three number code between 000 and 999 would support 1000 telephones, each with their own three digit number.
After some research digging around in the archives of the internet I discovered the wiring secrets behind the Strowger switch that would enable it to respond to a dialled number.
The back of the Strowger has 16 pin connector plug which locates onto a socket in the rack of the exchange. I needed to determine which of the 16 connectors at the back were for power, and what the rest were for. I took pictures of the back of the surplus Strowgers in the stores, hoping to decipher the key to the coloured wiring but could not find any information on what the colours meant.
Finally after browsing through hundreds of images of Strowger switches, I found labelled pictures of the connector plug on a blog with the catchy title “Final Selector”!
The picture shows how to connector power, each pin has two contact sides and the cardboard is used so power only goes to one side. All the pins were described and also a simple method of connecting a phone via the inbuilt test socket:
I connected the power and the phone, then dialled, but the switch only responded to the first number and not to two numbers as described on the blog.
After further research and much technical reading I discovered that there are two types of Strowger switches, Group Selectors and Final Selectors. The one I had found in the stores was a Group Selector and works differently from the Final Selector. For a three digit number the first number activates a Group Selector and the second two numbers control a Final Selector. Group Selectors are used to find a free Strowger unit that is not being used to handle another call, it does this by scanning through the connected units until one is located that is free, in this case it would be a Final Selector which then deals with the second two numbers. As the unit I had found was a Group Selector I wanted it to also try and scan looking for a free second Strowger switch.
More research led to the discovery of an essential control mechanism in the exchange, the “p-wire”. The p (private) wire enables Strowger switches to signal when they are being used and when they are free. On another website I found a method for fooling the Strowger switch that all its connected units were busy, which meant it would scan, searching for a free Strowger unit and not find one.
The video shows how fast the unit scans round after receiving the first number, as no free unit is found it goes back into its reset start position. The speed and noise it makes are quite impressive!
My next challenge is to try and locate a Final Selector and perhaps connect a few old phones to it so people might ring each other in the museum or instead connect other devices - lights, sound machines which would then be activated by a dialled number from the phone… One Final Selector on its own would enable a maximum of 100 phones to be connected. Or one of a 100 different devices could be activated by dialling a two digit number - 42, 21, 99, 77,12, 00.. By dialling a number, a recording might be made and played back, artefacts in the museum might come to life, or numbered light bulbs illuminate on a map or a poster..
Review: The Kraken Wakes (book)
Author: John Wyndham
Genre: sci-fi, post-apocalyptic
Year: 1953
Notes: the title is a reference to Alfred Tennyson’s poem “The Kraken”.
Mike Watson works as a reporter for the EBC, and his wife Phyllis writes documentary scripts and works as a reporter as well. It’s during their honeymoon, however, that they witness a strange and important phenomenon worth being reported. They are on a cruise, and from the ship they see five “objects” fall from the sky and land in the ocean. Meteors of some kind, they guess. Watson still reports the event, but it doesn’t get much attention from the public. Later, Watson and Phyllis find out that it’s not the first time it happens: similar “objects” have fallen into oceans before, always in the deepest zones. From what they gather, they come from outer space - from a gas giant, speculates a scientist, and that would explain their need to reach high pressure areas - and they have to be some form of intelligent life. The first attempts to reach this lifeform result in death and the sinking of several ships. These aliens start rebuilding the ocean soil to suit their needs, and it becomes clear that there can’t be a peaceful relationship between humans and them, especially when the attacks on the beaches start… And that’s only the beginning of a bigger catastrophe.
Rather than a “sudden” apocalypse, like in The Day of The Triffids, here we witness a different one. A gradual disaster, which is effective as a writing strategy because it feels very realistic. Here it’s aliens, but aren’t the planet’s conditions slowly worsening in our reality as well? Could humanity have prevented the actions of their alien invaders? It’s unclear, but it could have done more and that is for sure. Economy and events happening only in distant, “exotic” lands blind the eyes of many, who fail to see that it could happen everywhere. Watson and Phyllis are aware that something terrible will happen, but they can’t do anything to prevent it.They witness the horror from the deep firsthand, and they believe in professor Bocker, a scientist who tries to warn humanity of the upcoming danger but is labeled a catastrophist. And saying “I told you so” is not that effective when thousands have died.
Like in the best horror stories, we never actually see how these creatures look like. We see their actions, their methods, even their weapons, but we can never be sure of their form. It’s also striking how this species adapts to human response to their actions: if a strategy stops working they will come up with a new one, or change the conditions of the battlefield until they can have the upper hand. They become an interesting foe because their goal is identical (and thus opposite) to humanity’s: survival.
Another striking point in this novel is the couple of main characters: the story is told from Watson’s pov, and yet his wife Pyhllis is even more interesting than him, a badass documentary writer with a passion for construction (she literally build walls and structures), she is always in the front lines with Watson, determined to find the truth about the mystery that lies in the deep. The chemistry between the two is incredibly well-built and pleasing to read: they aren’t a perfect couple, they argue and have moments of sadness, but they’re ultimately very united. A couple that plans together survives together, right?
The abyss theme gives the novel a half-Lovecraftian, half-Jules Verne vibe, and yet it manages to be more realistic than both. Which, in turns, makes it even scarier. A must for fans of apocalyptic realities.
Vote: 8,5
GINZA
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Taisho Dori, Osaka, Japan. by Akira Watson
It’s Bigger Than Us, David Schermann
Vienna-based artist and photographer David Schermann explores concepts of existence, space, and love in his ongoing series It’s Bigger Than Us.
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