kina.404 @kina404 - Tumblr Blog

jadeharleyinc

oooooh i got plany of disk space

LA MIKU ES ESPAÑOLAAAAAAAA

#world cup

anti-parent

teamwork makes the dream work. and dreamwork. makes shrek

anti-parent

fantastic. i love it. i posted this after my wife said it yesterday and as i was doing it i was like "this can't be an original thought. as soon as i hit post someone's going to say 'you stole this from a tweet from 2014' and i'll say 'no, i stole it from my beautiful wife.'"

kina404

yk i gotta give it to the star trek people those guys are fucking crazy

#to prev #reblog crazy homo stuff #“the guys” in question are the blorbos

pspsappho

& honestly there's no debate to be had the zendaya earrings are orders of magnitude worse than kim kardashian wearing that marilyn dress. yes that piece was a one of a kind unique textile made so specifically for marilyn monroe she had to be sewn into it. at the end of the day it was a ~70 year old usamerican cultural artefact being repurposed by an american for an american cultural event and everyone involved knows exactly where the dress came from + what happened to it + where it went afterwards. zendaya is wearing the looted (or forged) cultural heritage of a people her government is currently bombing & whose lives they have been deliberately making unliveable for decades to a movie premiere that has fuck all to do with iran. we don't know where those discs came from where they were found or by whom & we never will. AND the jeweller appears to have altered them substantially from their original condition. destroying a people's cultural heritage at the same time you destroy their country + their lives so you can look good on a red carpet One Time i want to fucking hurl

If you play videos in public at max volume im trying to blow you up with my mind

#404complains

pmamtraveller

Jean-Michel Folon: The Return of the Two Snails, 1979.

fairycosmos

(begging you to get me started) UGH don't get me started.......

absenteism

iamthelowercase

Hello, tumblr! I saw something on here the other day that worried me, so I decided to Do Science about it. But I can't do it alone: I need your help to build the dataset!

Here's what I need you to do:

If you see a post with a "mature content" label, and it's 2026, DM me a link to the post.

Yes, that's really it.

I am hoping to collect several thousand such posts, so that I have a decent sized dataset. I do not care what the post is about; if it's labeled as "mature content", I want to add it to my dataset.

If I get 10,000 posts in my dataset before August 31st 2026, I will post my preliminary findings then. I won't feel comfortable calling my findings "settled" before 2027, unless I get over 50,000 posts.

#find later

andpierres

you should have seen me a couple of years ago!

cookbookbutch

The decision to shoot in Moroccan-occupied Western Sahara, where the Indigenous people can’t tell their stories without fear of imprisonment

The simple act of holding a camera in my homeland of Western Sahara can be a crime. When Sahrawi film-makers and journalists attempt to document everyday life under Moroccan occupation, they can often end up in prison cells. For the Moroccan regime, a camera in the hands of a Sahrawi threatens its official narrative that Western Sahara is part of Morocco. In contrast, when celebrated international names in the film industry wish to capture an ideal picture for an epic journey, and decide that our land is exotic enough to shoot the desired scenes, they are welcomed, escorted and granted access by the same authorities that usually deny us that right. [...] Nolan’s choice to film in an occupied territory highlights the extractivist practices embedded in the western film industry. Western cinema has often been complicit in mining stories and immaterial culture from the global south at a scale no smaller than the material resources mined by the western colonial industrial complex. International film crews parachute in, shoot our faces, clothing, dunes and material culture, then fly off. For them, it seems we are simply decorative elements for their sets and back in New York, London or Paris, they gain prestige, box-office returns and awards. For Nolan’s Dakhla shoot, he appears to have neither sought our consent nor considered the ethics of in effect helping to prop up and legitimise Morocco’s occupation, thus making the space even more unsafe for Sahrawis living under it. He is actively participating in a state-sponsored PR campaign designed to legitimise an illegal occupation.

2026/07/16