i missed MMs 3 year anniversary...........
here's the spontaneous illustration i did in a couple of sittings cause i wanted to paint a spooky thing with a background lol
HELLLOOOO???!
Mike Driver
Xuebing Du
Not today Justin

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PUT YOUR BEARD IN MY MOUTH
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Love Begins

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2025 on Tumblr: Trends That Defined the Year
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@kitnewton
i missed MMs 3 year anniversary...........
here's the spontaneous illustration i did in a couple of sittings cause i wanted to paint a spooky thing with a background lol
HELLLOOOO???!
Hi internet, I'm sorry but I need to get this out. I'm listening to episode 674 of My Brother My Brother And Me, they're talking about a rave where there's 10 numbered rooms, each with its own level of rave intensity. They said you basically go from 1 to 10 over time as you rave harder, and room 10 is a dark room with a single man on a throne dressed in crazy colors with a candy crown, and when you get there he disintegrates and you become the new rave king. I'm posting about this because the funny brothers just wrote the next episode of Regular Show.
The art and the reference 💖🪓
just saw asteroid city last night, pls explain the proposed significance of the kiss!!
answering this publicly hope thats ok! cant do a readmore im on mobile *****asteroid city spoilers below beware*****
i dont remember anyones names so this is gonna sound partly unhinged. okay so the edward norton playwright and jason schwartzman actor (not character, in the black and white parts) are lovers right. tbh i thought this was kind of a gag and forgot about it. but later we find out that the playwright died 6 months into the production. i didnt make the connection that THAT’s why the actor-jason has to suddenly leave the stage and freaks out backstage about how he’s not sure he’s Doing it right. hes not talking about acting!! because he himself is literally grieving his lover while he’s playing a character who’s grieving his wife written by his lover so obviously it’s too much!!! actor-jason is trying to find meaning in his death through his writing but there isnt any meaning in death [gerris drinkwater voice] which is what the play is trying to say anyway. he doesnt think he’s performing grief right even in his own life!!! (and tbh it’s the 50s so he wouldnt be able to perform grief publicly anyway!!!!) the play starts with a car accident… anyone would search for some hidden meaning there, some sign…. so when he talks to margot robbie outside it’s not really about finding the CHARACTER’s motivations it’s about the actor himself being able to process the playwright’s death! and adrien brody director was probably also dealing with that too (him and norton seemed to be good buddies) so the whole “sleeping backstage” thing gets a bit sadder maybe? maybe everyone else got this in the theatre and im just stupid lol but crazy making stuff to me!!! the whole story is about sublimated gay grief that cannot be expressed?!?!
the tweet that caught me onto this was here which posits that the playwright’s death was a suicide but i think that’s pretty stupid and unnecessary because the whole thing about the play asteroid city is that death is random and meaningless. im pretty sure that’s what the alien represents— a shocking and absurd event that isnt outright evil or menacing, not something anyone can predict or make sense of, it’s just a thing that happens to you out of nowhere, it doesnt mean anything. he’s a little black figure, he’s death! giving and taking! aagh
yeah sure Across the Spiderverse is about being doomed by the narrative and knowing you’re doomed by the narrative, but also it’s about how different people react to that, and how no one reaction is the right one, like Peter B. has lived as Spider-man long enough that’s gone through most of the “canon events” and he’s in a place where he’s like “yeah, alright, I can work with this” and is afraid of doing anything drastic because after being a screw-up for so long and finally, finally getting it right wouldn’t you be afraid making a mistake again?
And Miguel is angry but resigned because the one time he tried to defy the narrative it spat in his face and beat him to the ground. So now he’s doing what he genuinely belives is to everyone’s benefit. Without a hint of flexibility. He’s even angrier when Miles suggests that fate can be defied both because he’s convinced Miles is wrong and is going to get people killed and also if Miles is right than Miguel has to reckon with the fact that he’s convinced so many Spider-people to just “follow the script” and let their loved ones died because he was convinced there was no fighting the narrative. That not everyone is as doomed as he is.
And Hobie, who knows he might be doomed but is dead-set on spitting in the narrative’s face for as long as he can regardless. A different kind of acceptance. A kind of acceptance that’s covered in spikes and has teeth. If the narrative is gonna take him down he’s taking as much bad guys as he can before he bites it. And he’s isn’t going to be nice or polite about it, and he sure as shit ain’t gonna be quiet. Proper fucking punk, right there.
And Gwen, who is on the fence, but is sad and tired and just doesn’t have the strength to try anymore. She doesn’t have a home to come back to, or at least doesn’t think so, she’s stressed out and angry and she found out that as Spider-Woman that was always going to happen to her. She’s ready to give up, because being doomed is kinda freeing, if she was always doomed to fail, lose her friend, lose her dad, than it takes the pressure off. Sad as it was she could live with that. Until she sees Miles bite and fight and scream when he finds out he’s doomed, and that one little push gives her the courage to try and find out just how doomed she really is.
And Miles!! Free spirit, radical free thinker, “just let him spread his wings, man” Miles Morales. Who is trying so, so hard to figure out what his narrative even is, but is determined that he can figure it out, that he can spread his wings and manage on his own and find his place and be himself. Miles finding out he might be doomed is a slap in the face that he’s completely unprepared for. And he denies it completely. He refuses to lay down and just take it, he’s going to punch and kick and save everyone, no matter that every other Spider-person, Ham and Miguel and Gwen and every one, who’ve been doing this spider thing for much long tell him he can’t. And this radical rejection earns him pity, and earns him enemies, but he’s not backing down. He can’t back down. Because even if he is doomed he’ll never be able to forgive himself if he doesn’t even make an attempt.
Across the spider-verse is so fucking good you guuuuuysss
hey everyone its april fools. but dont worry i dont have anything planned. just going to sit here and...
I LIED !!!! GET PRANKED
POST BELOW ME GET FUCKING WET
Will you treat him gently with his bread soft carapace...? (...)
THIS ONES FOR AMELIA
Statement of R.J. MacReady, regarding his final days at an Antarctic research station.
Quotes from the Everything Everywhere All At Once Directors’ commentary, part 1 of 2
Level 1: Missing the reference.
Level 2: Not really getting it, but having picked up enough though osmosis that you're pretty sure you know what it's a reference to.
Level 3: Understanding the reference.
Level 4: Feeling ambivalent about the reference because you're not sure whether your understanding of it is overthinking it.
Level 5: Actively resenting the fact that you understand the reference.
Level 2.2: Finding out that what you thought was an inside joke with your friends is, in fact, a reference to a piece of media they all know and assumed you also knew... which you have, in fact, never heard of in your life.
a special treat for those of us who enjoy watching sam reich torture his friends and/or employees
Oh no.
brennan is also SUPER competitive
my favorite part of glass onion is how mad Benoit Blanc gets when he realizes he’s not in an impossible mystery but in fact dealing with the dumbest string of blundered crimes ever committed