Betye Saar (1970)
Today's Document
The Bowery Presents
almost home
noise dept.
cherry valley forever
Mike Driver
taylor price

Jar Jar Binks Fan Club
let's talk about Bridgerton tea, my ask is open
YOU ARE THE REASON
d e v o n

if i look back, i am lost

Kiana Khansmith

PR's Tumblrdome
No title available

No title available
TMBGareOK. The Official They Might Be Giants tumblr

No title available

oozey mess

Product Placement

seen from Malaysia

seen from Mexico

seen from Türkiye
seen from United States

seen from United States
seen from United States

seen from Portugal
seen from United States
seen from Spain
seen from United States
seen from United States
seen from Ireland
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
@kurtis-blow
Betye Saar (1970)
Have the Cake and Eat It Too by artist Arte Gorda … a wonderful Sunday night treat!
“Black Intimacy” - October 3–16, 2017, Museum of Modern Art Exhibition
Black Intimacy explores the ways in which black familial, romantic, and platonic relationships have been portrayed onscreen, with a particular focus on black filmmakers’ attempts at navigating between intimate, personal stories and more broadly political material.
Rodney Evans, Photography students, Texas Southern University, Houston, TX, 1961
The Olympics but high fashion by Wisdom Kaye
Best creator on the internet, bar none.
He is Uber talented
it’s too late you’re hypnotized
she’s got dorothy dandridge eyes
and you love her, you love that girl
Remember Beyoncé's earthy black girl era?
Mark of Lilith (1986) directed by. Bruna Fionda, Polly Gladwin, and Zach Mack-Nataf
it deserved to be looped
Photographer Steve Mann shows us the pagentry of the Mardi Gras Indians.
Photos by Steve Mann
the Black Masking Indians (as they prefer to be called from my understanding) are one of the most beautiful and stunning displays of Black and Indigenous traditions I've ever gotten the chance to see.
The story starts with Black enslaved people developing relationships with local tribes (who were called American Indians and still legally call themselves American Indian, before white folks start demanding we get on the euphemism treadmill...) and it keeps going as these groups share and synthesize traditions and art and culture as they survive settler colonialism. Nowadays, the Black Masking Indians spend all year, every year, handsewing their elaborate regalia, as well as supporting and protecting their communities. You want practical examples of non-carceral justice and community justice? It's here, already, on this Earth - you just need to be willing to look to Black leadership to see it.
I could keep yapping or I could share some interviews so you could hear from elders directly. LISTEN TO YOUR ELDERS.
The world is a beautiful place!
"Born of the Broken" by Michael Aguw
This is a FLEX 🥹
green tech 💚