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minthara

A F T E R L I F E

ULTIMATE MASS EFFECT MEME ↳ one/three me2 locations

#mass effect

faremises

👻THE SIMS 2 (2004) dev. Maxis

#the sims

moonlightsdream

FILMS in 2025: 65 | Panic Room (2002) — dir. David Fincher

#panic room

retvenkos

2/3 pining idiots for @missameliep ★emma woodhouse x george knightley “tell me, emma. have i no chance of ever succeeding? my dearest emma, for dearest you will always be, my dearest, most beloved emma, tell me at once. i cannot make speeches. if i loved you less, i might be able to talk about it more. but you know what i am. i have lectured you, and i’ve blamed you, and you have borne it as no other woman in england could have borne it. god knows i have been a very indifferent lover, but you understand me. you understand my feelings. will you marry me?”

#emma

waifu4waifu

im sorry but what other anime can like replicate the absolute cinema of death note. the omnious latin chanting. the blatant mental health disorders of every single character. the saucy trombone as ppl drop dead. the swoosh of the pen, hand jerking around, arm fully extended. the fucking helicopter shootouts over literally a notebook. the dark catholic imagery. the typeface. the significance of a single letter. the sexy lesbian goth model with a bubbly personality and undiagnosed bpd. ok. the autistic honor student who has to be god or else he really is a criminal. the autistic detective who immediately solves the mystery and nobody believes him. the dramatic irony of every aspect. the bury ur gays trope. the bury most of the cast. the diabolical laughter of a shinigami with a gay earring and snatched waist with a crippling apple addiction who set up the whole show. random bondage. ok. doomed yuri. doomed yaoi. everyone who uses this book is doomed.

#death note

tatooineknights

THE EMPIRE STRIKES BACK (1980) Dir. Irvin Kershner

#sw

duncan-tashi

"The whole film is a jigsaw puzzle of locations in Rome and studio builds. We built the elements of the Sistine Chapel with the amazing craftsmen at Cinecittà and the rooms and corridors of the Casa Santa Marta. This film is about juxtapositions between what we think we know and what we don’t. We discussed playing with those elements to create a more dramatic visual story. Rome is beautiful with amazing ornate architecture, but it also has contemporary architecture that we decided to play with. The feminine shapes and gold, softer side were juxtaposed against hard black lines, and the whites, blues, and blacks against the gold and rich reds." — Suzie Davies, Production Designer for CONCLAVE (2024).

#conclave