No title available
PUT YOUR BEARD IN MY MOUTH
Jar Jar Binks Fan Club
Love Begins
No title available
Aqua Utopia｜海の底で記憶を紡ぐ
sheepfilms
Kiana Khansmith
cherry valley forever
𓃗
shark vs the universe
"I'm Dorothy Gale from Kansas"
Not today Justin
2025 on Tumblr: Trends That Defined the Year
noise dept.
No title available
roma★
let's talk about Bridgerton tea, my ask is open
Origami Around
One Nice Bug Per Day
seen from China
seen from United States
seen from United States
seen from Malaysia
seen from United States
seen from United States
seen from Canada
seen from United States
seen from Singapore
seen from United States
seen from Italy
seen from Australia
seen from Colombia
seen from Philippines
seen from Canada
seen from United States
seen from Brazil
seen from United States
seen from Indonesia
seen from Canada
@kwiisatz
my name is a killing word.
a study in : the strangeness of heartbreak, the pressures of being the chosen one, loving people you shouldn't, losing yourself and not knowing who or what you're becoming.
a private, selective, &&. independent portrayal of PAUL ATREIDES of DUNE. currently iconless, and under construction. written by harrow. more information 𓂃 𓅛 | promo.
hello gang. i am alive ( and will be here shortly ) life has just beaten me with a pillowcase filled with soap.
i'm not dead i just literally got almost deathly ill and then went back to work so yk i feel extra shitty lmao. i'll be back here sooner than later ( probably within the next day or so ).
both, percy thinks privately -- he can't begin to understand the way paul's sight works, whatever abilities his mother has extended to him. it doesn't help he has a particular distaste for the fates and the thread they spin ( but they shoved it in his face, in all fairness ), though he tries not to extend that to the other demigod. it's not his fault. it's clear that he struggles with it, and when not afflicted with his puzzling visions, paul tends to be a smart, kind, and all around pretty cool guy. he admires him most of the time. really, it unnerves him more than he thinks he'd admit when he watches his friend get lost in time; there's a general sense of unease in seeing an indecipherable future, but some accompanying spike of fear in his sternum as well. like percy's afraid the other may not return to the present one of these days.
he reaches for paul on instinct as his eyes become unfocused, a steadying hand there to grip his narrow shoulder, to ground him. his breath catches and he feels the hairs on the back of his neck raise, the fate - speaker's words ricocheting with a chill down his spine. some sort of omen, one he can't even begin to understand. as always. ❝ hey -- you're good, right? ❞ without thinking, his hand moves to cover the one paul has placed upon his own chest, slotting their fingers to hold it properly. ❝ don't disappear on me. ❞ gods can't drown, as surely as he can't. ( for some reason, that isn't reassuring. )
he fades from the reality he sits in for even just a moment, and then he is elsewhere –– and the world roars open, all teeth and jagged edges. the hand on his shoulder is the first to be acknowledged; it is the one thing he feels when lost in the misty fields of his sight. he thinks, oh, there he is –– my friend, my percy, my anchor. but the visions are a biting, gelid thing; they chew at his mind as if attempting to sever anything keeping him tethered to reality. he feels as if he's dragged from beneath percy's hold and thrown into a abysmal sea. 〝 no, ” but he isn't particularly responding to percy's query . . . no, he is trying to plead for his freedom; he wishes only to return to the shore of this ichor ocean, skin glistening with gods' blood and starlight when he finally reaches the blackened sands. paul sees himself walk upon this beach, onyx beneath bare feet, watching the sea turn gold. the echoing bellow of fallen gods turns the world silent in its wake before from it, rises beasts of only darkness, only the crimson blood of mortality and hatred. help me. yet there is no assistance in the realm of present, future and past; there is only what was, what is and what may be. then a hand is upon his own, warm palm to the back of it, fingers slip between his own, callouses pressed to knuckles. the boy blinks and he is released from the chokehold of life - and - death's cruel dance. head turns to look at the other, dizziness ebbing from his vision as he focuses on bright eyes, on the hand still upon his own on his chest, on the tone of his voice. he feels he may sink into the earth beneath that gaze. quietly, 〝 disappearing on you is the last thing I ever want to do, ” but it happens, much to his dismay. and it always tarnishes moments when he contemplates taking hold of his visage, dragging him close, pressing their forehead together and relishing in even a moment of clarity.〝 I'm sorry –– ” he mutters, not yet drawing away from the other's hold but instead raising his free hand to brush against a sun - kissed cheek. 〝 –– if I scare you, I'm sorry. ”
a comprehensive list of scenarios
feel free to combine multiple prompts or add “ + reverse ” to switch roles ! for reference, the one sending in the prompt is the one committing the action.
1. GUEST : for one muse to offer the other a place to stay. 2. STORM : for both muses to find shelter from a severe storm. 3. MEDIC : for one muse to show up at the other’s doorstep injured. 4. SURPRISE : for one muse to come home and find the other already inside. 5. TRIP : for both muses to road trip or travel together. 6. BABYSIT : for one muse to help the other home while they’re drunk. 7. INSOMNIA : for one muse to find the other still awake at 3am. 8. AMBUSH : for both characters to come under attack by the same enemy. 9. DANCE : for one muse to ask the other to dance at a party. 10. STRANDED : for one muse to help the other who’s stranded on the road. 11. SERVICE : for one muse to cover the cost of something for the other. 12. SAFEGUARD : for one muse to save the other from being hit by a vehicle or from some other life-threatening event. 13. DAZE : for one muse to wake somewhere and find the other hovering over them. 14. STOWAWAY : for one muse to find the other hiding on the same ship. 15. TAXI : for both muses to share the same taxi ride. 16. MAKEOVER : for one muse to help the other with a new outfit or hairstyle. 17. LIFEGUARD : for one muse to rescue the other from drowning. 18. DISASTER : for both muses to work together to escape a fire, flood, or other disaster. 19. TRANSIT : for one muse to sit next to the other on a public transport. 20. SPRAIN : for one muse to carry the other after spraining their ankle. 21. EMPLOY : for one muse to be hired as the other’s bodyguard, tutor, assistant, etc. 22. QUEST : for one muse to help the other with a task in exchange for compensation. 23. SOOTHE : for one muse to calm the other during a panic attack. 24. RECOVER : for one muse to return the other’s lost belonging. 25. UMBRELLA : for one muse to share their umbrella with the other on a rainy day. 26. HEAL : for one muse to nurse the other back to health from a sickness or injury. 27. NIGHTMARE : for one muse to comfort the other after a nightmare. 28. REUNION : for one muse to run into the other again after a long time. 29. PRIZE : for one muse to win the other a prize at a carnival. 30. NUDE : for one muse to walk in on the other while they’re changing. 31. BED : for both muses to wake in the same bed, naked or fully clothed. 32. TRAIL : for one muse to notice the other has been following them. 33. EVADE : for one muse to pull the other into an alleyway to escape their pursuer. 34. THIEF : for one muse to confront the other after having something stolen by them. 35. CAUGHT : for one muse to walk in on the other singing / dancing. 36. FESTIVE : for both muses to decorate for a special occasion. 37. PRESENT : for one muse to give the other a (birthday) gift. 38. WEARY : for one muse to wake up after falling asleep on the other. 39. CAPTIVE : for one muse to hold the other against their will. 40. SNAP : for one muse to yell at or push the other out of frustration. 41. SLEEPOVER : for one muse to stay the night at the other’s place. 42. TRESPASS : for one muse to trespass on the other’s property. 43. BREAK-IN : for one muse to discover the other robbing their place. 44. MERCY : for both muses to come across an injured animal. 45. UNKNOWN : for both muses to wake and find themselves in a strange place. 46. ACCOMPLICE : for one muse to assist the other at the scene of a crime. 47. ASTRAY : for both muses to take a detour and lose their way. 48. RELAX : for both muses to share a hot tub or hot spring. 49. MUSE : for one muse to model for the other’s art project. 50. ACCOMPANY : for one muse to give the other an extra ticket to an event. 51. SALVAGE : for one muse to retrieve the other’s belongings from a thief. 52. MEAL : for both muses to prepare and share a meal together. 53. CEMETERY : for one muse to find the other at a gravestone. 54. REFUGE : for one muse to shelter the other from enemies. 55. ARRANGED : for both muses to date or marry out of convenience. 56. FAVOR : for one muse to owe the other a favor. 57. VACATION : for both muses to book the same hotel on vacation. 58. DEFEND : for one muse to save the other from one or multiple assailants. 59. CATCH : for one muse to return the other’s pet that escaped. 60. RESTRICTED : for both muses to sneak into someplace they’re not supposed to be.
Send "What if they kissed?"
and I'll write a scene where our muses kiss, even if they aren't shipped together. it is it's own thing and doesn't have to lead to an official ship. a "what if scenario"
DUNE: PART 2 (2024) Dir. Denis Villeneuve
i'm a liar and will try to be here or on discord but lmao under a severe thunderstorm AND tornado warning so woohoo !!!!!
last night was uhm ,,, very bad. I will passively be here today ( I'll be drafting and queueing responses and asks. ims are open to mutuals if you want/need me. )
i'm a liar and will try to be here or on discord but lmao under a severe thunderstorm AND tornado warning so woohoo !!!!!
DAAAAAAARLIIIIING GUESS WHO ESCAPED THE PSYCH WAAAAARRRRD!!!!!!!!!!!!! hello i'm home from work
REPRISE !!!!!!
𓏭 give amir a kiss, paul. you know you wanna ᝰ @roseguided ⨟ just homosexual shenanigans .ᐟ
amir, in all his fedaykin glory, was quite a sight to behold. the laugh that escapes him rings through paul like a bell, setting his nerves alight as they sprint across the open plane of sand to slide beneath the crawler. the rest is a blur, but exhilaration leaves him burning. success has always meant more to the fremen than he could understand –– them, driving away their enemies and oppressors with open sabotage; paul could not blame them for it. it is not until that night, as he sits upon a high dune and the blue satin above clear but vivid, that amir's presence feels like it blankets him. his gaze shifts over at him, secure in the lack of distance between them even if he desires it to be closed further. his endearment to the fedaykin is horrific; it comes in waves that leave him nauseated and wanting. a gloved hand is raised to rest upon the other's cheek, to beckon him to look up. muad'dib is gentle with his people in a way that could render him weak but he is also a hungry beast of a boy –– so little is desired besides freedom, besides the realness of touch. he shifts across sand, to be kneeling beside amir, head tipped to the side. his voice is too soft when he speaks, nearly inaudible to himself, 〝 would you hate it if I kissed you with only the hand of god as our witness? ” surely it wouldn't be so horrible; just them and the dew of night. his lips press first against temple, cheek, jaw; then, the corner of his mouth, pausing as his confidence withers with each breath he inhales of spiced air. the initial kiss is a chaste press of mouths before he once again finds his courage, kisses him fully. there is a reverence in him; in the way he cradles the other's jaw, sand shifting beneath them in his attempt to get closer. the world swings out of balance, and he fears the stars themselves might've gone supernova behind his eyes. this is all fine, he needn't overthink it in the least, he knows.
Paul & Chani
today has been outrageously taxing on my mental health so we shall act like i don't exist for a bit <3
so uhm I have bad anxiety and that's why I don't personally send many prompts to people who aren't like jacy or nesta bc I feel like an annoyance but ,,, if yall would do me a favour and like this if it's okay for ME to send you prompts randomly ahshdhd i would appreciate it
anyways while i finish things. give me AUs give me chaos.
DAAAAAAARLIIIIING GUESS WHO ESCAPED THE PSYCH WAAAAARRRRD!!!!!!!!!!!!! hello i'm home from work
