
Product Placement
noise dept.

ellievsbear
h
NASA
let's talk about Bridgerton tea, my ask is open
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Xuebing Du
★

roma★

Discoholic 🪩

pixel skylines
TMBGareOK. The Official They Might Be Giants tumblr
🪼
Sweet Seals For You, Always
PUT YOUR BEARD IN MY MOUTH
RMH
YOU ARE THE REASON
The Bowery Presents

@theartofmadeline

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@kyinhi
🌍 Oberhofen Castle, Switzerland | 📸 Christophe Cosset Photography
this hit me like a bus
I’ll reblog it till my fingers bleed
*slams reblog button*
the holocaust
Adama's Pick up Lines.
Pick up line #18
Pick up line # 82
Pick up line #1317
More! MORE! I need MOAR!
» We are bound by our choices, but we are more than our mistakes.
aesthetic asks: • send me a fandom/character/etc. and i’ll make a picspam/graphic. @cerscilannister requested Kate Beckett.
Hey, I figured out how to make gifs!
I’ve been wanting to see a gif set of this for a long time. One of my favorite scenes from Battlestar Galactica.
Don’t fuck with the teacher, she’ll destroy you.
Laura Roslin, my number one favorite Scary Bitch in Charge, forever and ever, Amen.
{insp}
This scene is beautiful for its subtly.
In the last episode, these two had said some angry words: “You’re so afraid to live alone! / “And you’re afraid to die that way!”
We needed to see them make-up, right?
Of course Laura will not die alone. Bill will be there, reading to her at her bedside, during every treatment.
As always.
The acting here is brilliant. GIFs cannot show this. There’s no dialogue beyond what Bill is reading in the book. But you can see Laura is grateful he’s there. He was right. She is scared to die.
And Bill is sorry. He’s telling her - through the book’s words - how much he loves her.
She will never be alone.
Because of him.
She understands and smiles.
Oh and the book?
Love & Bullets, by Nick Taylo, Chapter One.
“It started like it always did. With a body. This one was in the river. I could tell she had once been beautiful, but this bullet and fast current had taken away from her. All we are, all that we think we are. All that we are certain about is taken away from us.
When you’ve worked the streets and seen what I’ve seen, you become more and more convinced of it every day. Caprica City had been my teacher, my mistress. From the moment I open my eyes, she’s in my blood, like cheap wine.
Bitter and sweet, tinged with regret. I’ll never be free of her, nor do I want to be.
For she is what I am. All that is, should always be.”
Science! Happy #FanvidFriday!
Untitled
Reblog if you think Donald Trump should be the first man on the Sun.
Interview - Medici: Masters of Florence with Frank Spotnitz.
Think you’ve binged all you can binge on Netflix? Wondering what’s next with the wait for more X-Files uncertain and the holiday season usually being a bit barren of fresh tv drama? Well, wait no more and step right up because Frank Spotnitz, executive producer of The X-Files and Man in the High Castle, and Nicholas Meyer, the man who wrote and directed Star Trek II: The Wrath of Khan have an early Christmas present for you. Medici: Masters of Florence is set in 15th century Italy and follows the Medici family, wealthy bankers and political heavyweights of the time.
The Medici family is credited with helping to usher in the Renaissance with their support of the arts alongside their political capital at the Vatican. The show is shot on-location in Italy, providing gorgeous cinematography, and the story delivers a deep and human look at what might have brought along this revolution. The show stars Dustin Hoffman as patriarch Giovanni de Medici and Game of Thrones star Richard Madden as his son, Cosimo.
In short, grab some snacks, pick a comfy sofa, and don’t miss it.
Medici: Masters of Florence premiers today, December 9th, on Netflix in the United States, United Kingdom, Canada, India, and Ireland. Frank Spotnitz took a few minutes out of his busy schedule to answer some of our burning questions.
The ratings results in Italy for the first season of Medici were amazing, (congrats) it seems Italians really embraced this retelling of one of their most famous families history. How did you think audiences who are not as familiar with the Medici’s importance will embrace the show?
Well, I’m very curious to see. I think the success of the show doesn’t depend on whether you know the Medici, or even care about them (he laughs), I think our intention from the beginning was just to make a really compelling, gripping show - regardless of who the Medici were. That was the first thing we said, we said, “we can’t assume anybody cares about the Medici.” So why would you watch? So that’s why we took the approach of, you know, the historical “what-if”, What if Giovanni de’ Medici was murdered? And that leaves his two sons in charge of the bank, which is the starting off point for the show. So, I think it’s one of those shows, that hopefully can just be enjoyed on its own terms, and the history behind it is just an added layer.
Keep reading
You guys!!
Castle & Beckett (inspired by this)
Welcome to the final
we will ever have.
Despite loathing the last two seasons I am still quite verklempt over this.