This azula been sitting there since november lmao forgor to post
Thought itd suit her perfectly… and it does 🥴

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@kyoruchi
This azula been sitting there since november lmao forgor to post
Thought itd suit her perfectly… and it does 🥴
one day, I saw that art, a different perspective on sirens, and how they could be bigger than what we expect. And it just clicked like, yeah sirens live under water where there's mass amount of pressure and everything so their bodies need to adapt. And ta - da! This version of siren Katara is my favorite.
Art by dachell_ART
it's a 50/50
Love their dynamics
Princess Mononoke AU
by sumiretsu
Fiyero: If a woman tells you you have "nice hands" she is doing everything in her power not to fuck you senseless. Please release her from her torment, her friends are receiving the kind of messages someone in prison would send. Elphaba: I don't think that's true, Galinda told me I have nice hands just yesterday. Fiyero: Yeah I'll let you sit with that one for a while.
"No One Mourns the Wicked" is about Glinda, not Elphaba
Okay, but hear me out. Wicked songs are so good at saying one thing and meaning something entirely different once you have more context. For instance, "I'm Not That Girl" is Elphaba singing about Glinda initially, then in Act 2 flips to Glinda singing about Elphaba. Because it turns out, Elphaba IS that girl and Glinda is not. When we meet the Wizard, he sings about how he always wanted to be a father. When you get to Act 2, you get the sad little reprise in the background music as he realizes that WHOOPS, he was one and he destroyed his only kid. "Defying Gravity" starts with "I hope you're happy" in the sarcastic sense and ends with them both using the same phrase to genuinely wish one another well.
"Thank Goodness" is set up as a cheerful engagement song where Glinda genuinely means "thank goodness for how great my life is" and ends in a place where she's insisting that she IS happy even as she realizes her engagement is a sham, her best friend is gone, and she's left with the Wizard and Madame M, who she doesn't even like.
You get the picture.
Basically, the whole musical is about subverting what you expect, starting with the base premise of "what if the Wicked Witch was the hero of the story" and digging in from there.
Honestly, I'd never paid much attention to the first song. It's a good opener, sets things up well, but it has some big competition with later songs. However, in the movie the staging and camera choices made me really notice it for the first time. Because you know what? Someone DID pay attention to that song, and you can really really tell.
For those who need a refresher, the lyrics to the chorus Glinda sings are: And Goodness knows The Wicked's lives are lonely Goodness knows The Wicked die alone It just shows when you're Wicked You're left only On your own I was always so busy noticing Glinda's grief over thinking Elphaba was genuinely dead that I failed to notice Glinda's grief over her OWN fate. The movie did such a good job with this because every time we get to the pink lines about being alone, Glinda IS alone. She is standing apart from the crowd who adores her. Standing above them. Standing at the center of a bunch of people yet still, isolated.
Because in the end, we know that Elphaba DIDN'T die alone. We know she wasn't on her own. We know her life WASN'T lonely ultimately. She had her flying monkey and animal friends. She had Fiyero.
And who does Glinda have?
Everyone, but realistically, no one. She is an ideal, not a person to most of Oz, just as much as Elphaba has become the token scapegoat. Where Elphaba is the "Wicked Witch," Glinda is "Glinda the Good Witch" - she is literally supposed to be the embodiment of goodness.
And what does Glinda have at the end of this whole thing (as of this song at least)? A disastrous end to her engagement, the death of her best friend, a sorceress who has hated her, demeaned her, and dismissed her from the start, and a con man who is also just a symbol more than a person.
I think it really hit me when Glinda throws the fire on the giant effigy of Elphaba. Ariana's acting was SO good there, because I'd expected us to see that private moment of horror or regret. What I didn't expect was the sort of determined and almost angry glare at the effigy.
But it makes sense. At this point, Glinda has realized that she lost everything and everyone she actually cared about.
As she so aptly puts it in "Thank Goodness"...
Though it is, I admit The tiniest bit Unlike I anticipated. But I couldn't be happier, Simply couldn't be happier, Well, not "simply" 'Cause getting your dreams It's strange, but it seems A little, well, complicated.
There's a kind of a sort of cost. There's a couple of things get lost. There are bridges you cross You didn't know you crossed Until you've crossed!
And if that joy, that thrill Doesn't thrill like you think it will Still-- With this perfect finale, The cheers and the ballyhoo! Who wouldn't be happier? So I couldn't be happier, Because happy is what happens When all your dreams come true.
Well, isn't it?
Happy is what happens when you're dreams come true.
It's not Elphaba's fault that Glinda has ended up this way. Glinda chose it every step of the way. Yet, if Glinda had never met Elphaba, (if she'd never known her, you could say), she might have stayed shallow and vain. She might never have been challenged to look deeper and realize how empty it all felt.
So as Glinda sings "No One Mourns the Wicked," she realizes that even if the Munchkins are singing about the "Wicked Witch," she's not.
She's singing about herself.
The one who traded her morals, friendship, and love for a taste of the admiration and power over those who don't really know her. The one who was so worried about being likable that she herself doesn't like who she's become.
Even after she makes things better for Oz and herself by sending the wizard away and getting rid of Madame M, it just leaves Glinda by herself as the leader and source of goodness in Oz. It leaves her on a pedestal she can never step off of.
It leaves her lonely.
Entirely alone.
Azula: you're done, you're done. 🫵
Katara: My dear, this is just the beginning—
shout out to Marked for Life by A_MX gotta be one of my favorite genders
@a-mx-writer fanart of ur awesome fic!!
omggggg that is so fucking cool! Holy shit I am blown away! What the hell, wow!!
Thank you so much OP, that is absolutely awesome and the biggest compliment ever!
! 😸 keep up writing, your brain is amazing to create toxic Yuri
还是约稿,请吃😙😙
Katara for my Azutara art inspired by a fanfic... it's prob hard to tell which one is it but it's a bop one trust me
SO HERE IS THE WHOLE STORY (SO FAR).
I am on my knees begging you to reblog this post and to stop reblogging the original ones I sent out yesterday. This is the complete account with all the most recent info; the other one is just sending people down senselessly panicked avenues that no longer lead anywhere.
IN SHORT
Cliff Weitzman, CEO of Speechify and (aspiring?) voice actor, used AI to scrape thousands of popular, finished works off AO3 to list them on his own for-profit website and in his attached app. He did this without getting any kind of permission from the authors of said work or informing AO3. Obviously.
When fandom at large was made aware of his theft and started pushing back, Weitzman issued a non-apology on the original social media posts—using
his dyslexia;
his intent to implement a tip-system for the plagiarized authors; and
a sudden willingness to take down the work of every author who saw my original social media posts and emailed him individually with a ‘valid’ claim,
as reasons we should allow him to continue monetizing fanwork for his own financial gain.
When we less-than-kindly refused, he took down his ‘apologies’ as well as his website (allegedly—it’s possible that our complaints to his web host, the deluge of emails he received or the unanticipated traffic brought it down, since there wasn’t any sort of official statement made about it), and when it came back up several hours later, all of the work formerly listed in the fan fiction category was no longer there.
THE TAKEAWAYS
1. Cliff Weitzman (aka Ofek Weitzman) is a scumbag with no qualms about taking fanwork without permission, feeding it to AI and monetizing it for his own financial gain;
2. Fandom can really get things done when it wants to, and
3. Our fanworks appear to be hidden, but they’re NOT DELETED from Weitzman’s servers, and independently published, original works are still listed without the authors' permission. We need to hold this man responsible for his theft, keep an eye on both his current and future endeavors, and take action immediately when he crosses the line again.
THE TIMELINE, THE DETAILS, THE SCREENSHOTS (behind the cut)
But still, you’ll love me. Despite it all, you won’t be able to help loving me. (Cute na Kanajo — Syudou)
Hey guys smiles we just need to walk back to them once in a while or else I end it :} these two URGH cough argh ark ueg
The Shape of Ideas
Tag game!!!
Do this quiz
And this picrew
And tag people(obviously)
@anartistwithamask @gummy-axolotl @shadowthegay @auseryoumayknow @copper-ichor @moonysfavoritetoast @alexthescaredenby @invaderxeya @fungal-boy-witch-yay @artists-void @hazbin-hotel-lucifer-simp @ka1-the-pr0ot @theautumnalcat
Thanks for the tag @jn3m0
Tagging
@withgirl-sq @akiizayoi4869 @ilikepjo24 @mayfay @ragzonacamrencruise @gold-fire @avatarfan11 and @prodogg
Thank you for the tag @waterfire1848🥰
Taggin:
@kyoruchi @lazyveran @mjsharizai @azutara-lover @the-genius-az
@withgirl-sq @745voiceofthepeople @itspronouncedjulia
Thanks for tagging me mate @gold-fire, here's mine:
This is why I read the reddit comments
I love how the notes for this are just chock full of examples of the most batshit specific things people research for their fanfics. Truly a treasure trove.
Some of my favorites
And my absolute fav