ᵖʳᶤᵛᵃᵗᵉ & ˢᵉˡᵉᶜᵗᶤᵛᵉ 𝑆𝐸𝑃𝐻𝐼𝑅𝑂𝑇𝐻 ᵒᶠ 𝐹𝐼𝑁𝐴𝐿 𝐹𝐴𝑁𝑇𝐴𝑆𝑌 𝑉𝐼𝐼 ⁽ ¹⁹⁹⁷ ⁾ ᵉˢᵗ ²⁰²⁰ & ʰᶜ ᵇᵃˢᵉᵈ ... 𝑠𝑐𝑟𝑢𝑡𝑖𝑛𝑖𝑧𝑒 : ᵀᴴᴱ ᵖʳᶤᵐᵒʳᵈᶤᵃˡ ʰᵒʳʳᵒʳ ˒ ᵃ ᵖˢʸᶜʰᵉ ᵃᶠᶠˡᶤᶜᵗᵉᵈ ˒ & ʳᵉᵇᶤʳᵗʰ .
⁰¹ RULES / ⁰² ABOUT / ⁰³ PINTEREST
ᵃᶠᶠᶤˡᶤᵃᵗᵉᵈ ʷᶤᵗʰ ✫ ˡᶤᵐᶤᵗᵛᵉʳᵍᵉ & ✫ ᵛᵉʳᵍˡ ¹

tannertan36
KIROKAZE

PR's Tumblrdome
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h
Cosmic Funnies
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Three Goblin Art
Alisa U Zemlji Chuda

izzy's playlists!
YOU ARE THE REASON

祝日 / Permanent Vacation
Show & Tell
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PUT YOUR BEARD IN MY MOUTH
I'd rather be in outer space 🛸
TVSTRANGERTHINGS

Origami Around
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@kyuseshu
ᵖʳᶤᵛᵃᵗᵉ & ˢᵉˡᵉᶜᵗᶤᵛᵉ 𝑆𝐸𝑃𝐻𝐼𝑅𝑂𝑇𝐻 ᵒᶠ 𝐹𝐼𝑁𝐴𝐿 𝐹𝐴𝑁𝑇𝐴𝑆𝑌 𝑉𝐼𝐼 ⁽ ¹⁹⁹⁷ ⁾ ᵉˢᵗ ²⁰²⁰ & ʰᶜ ᵇᵃˢᵉᵈ ... 𝑠𝑐𝑟𝑢𝑡𝑖𝑛𝑖𝑧𝑒 : ᵀᴴᴱ ᵖʳᶤᵐᵒʳᵈᶤᵃˡ ʰᵒʳʳᵒʳ ˒ ᵃ ᵖˢʸᶜʰᵉ ᵃᶠᶠˡᶤᶜᵗᵉᵈ ˒ & ʳᵉᵇᶤʳᵗʰ .
⁰¹ RULES / ⁰² ABOUT / ⁰³ PINTEREST
ᵃᶠᶠᶤˡᶤᵃᵗᵉᵈ ʷᶤᵗʰ ✫ ˡᶤᵐᶤᵗᵛᵉʳᵍᵉ & ✫ ᵛᵉʳᵍˡ ¹
I’m begging of you even if you disagree with Israel (rightly so), do not fall into the enemy of my enemy is my friend mentality. Do not forget the atrocities that the Islamic Republic has committed and is committing against its own people, including children. Do not forget Mahsa Amini and Nika Shahkarami and the millions killed by the Islamic Republic.
Sincerely, an Iranian.
Bringing this back again. Stand with the people of Iran.
just found out that there is a sudanfunds website! like gazafunds, it is a compilation of funds for people facing genocide
Judith Kroll, Chapters in a Mythology: The Poetry of Sylvia Plath
鉄男 - TETSUO: THE IRON MAN 1989 | dir. Shinya Tsukamoto
as i'm sure you already know, israel has resumed aggressive bombardment of gaza as of march 18th. at least 400 people have already been killed, with hundreds more wounded or buried under the rubble. on top of this, israel has also been almost completely obstructing the entry of aid for the past several weeks, and cut off power to the last functioning water desalination plant on march 9th.
it is more important than ever that those of us outside gaza do not attempt to ignore the ongoing genocide in favor of the illusion of security. any small thing you can do is better than complacency.
if you need a place to start:
help Suad get urgent medical treatment for her baby and mother-in-law - @suad-khaled (#279 on @/el-shab-hussein and @/nabulsi's spreadsheet)
help Mahmoud reunite with his family in a safe place - @supportgaza (#151 on @/el-shab-hussein and @/nabulsi's spreadsheet)
help Amal take care of her daughter and provide for 20+ family members - @amalashuor (#175 on @/el-shab-hussein and @/nabulsi's spreadsheet)
help Firas and Nisreen continue their education and support their family - @firasmuhaisenn, @nisreenameen, @helphashemfamily (verified by @/90-ghost)
you can find more campaigns to support here, here, or here, or a big (nonexhaustive) list of gazan organizations and mutual aid initiatives here. if you have the fortune of disposable income, i highly encourage you to contribute something in any of these directions. it can truly help save lives.
ACT II, SCENE I : IN THE LAB IN THE DARK OF THE DUSK ORCHESTRAL
Enter @kyuseshu as SEPHIROTH . . . ( ophidian hero, cold- blooded as i ) :
DO YOU STILL DREAM OF DYING?
THE NIGHTTIDE SWALLOWS TWO MARBLE STATUES, gathering dust, caught in the cacophony of the OLD WORLD. the planet, in flames around us and here still we sit. the forked tongue of THE SERPENT shows itself with the glacial suggestion of a smile, a crimson lull that has not since childhood greeted my eyes. . . . BREATHE IN: welcome the sterile comforts of the operating room, see the scalpel trace lines in your arteries. come, friend, suck the venom out. when i wake with the sun, i feel like i’m falling / THE END IS NIGH ⁽ " ⁾
THE FINAL STEPS TOWARD A PERFECT EGO- DEATH, floating with the particulates in the distant light of the monitor, just slipping through the leather- binding of my fingers once more ( i dream too of a brother’s blood transfusion; coalesce a codependence and poison the lifestream that rushes in my vein, black as a river ) “ WOULD YOU GRIEVE IF I DID ? ”
𝐹𝑅𝐴𝐺𝑀𝐸𝑁𝑇𝐸𝐷 𝑆𝑇𝐸𝐸𝐿 / SEVER AND FLUX, SULFURIC TISSUE : bare memory brought to the fore. i remember the baleful lick of immolation and yet i stand unmarred. at dusk i linger near him, bereft however of a will that would lift my lucent eye to his own. here our olden effigies sit lorn, disrupted only by the machine - whir of the room.
but he utters forth a fated word and he is inscrutable, voice slipping into the ashen lacuna of my mind where my resolve had last paled as though bloodless. “ ... no, ” after a deliberate silence — ( an ARGENT STILLNESS BECOMES ME. had genesis’ countenance darkened ‘neath this sickly, wan light, i had not seen. ) “ you will not die. nor are your dreams presages of death. ” cold enfolds us now, a pall of some vestigial grievance. with our breath i glimpse rime along an instrument - edge and from my crescent mouth, austere : “ you would not ask angeal this. ”
While we continue to donate to personal evacuation funds, I think it is crucial to keep in mind that these individuals as well as millions more in Gaza are currently actively in need of basic necessities like food, water, shelter, and medical care. Keeping this in mind, and recognising that there is no way to know when the border crossing with Egypt will reopen, I think our attention should also be on raising funds for organisations currently on the ground who will have the widest impact on the lives of Palestinians who are still enduring the genocide in Gaza.
Below are some verified donation links of organisations that are currently providing assistance for the people in Gaza directly:
Food, water, and shelter
Taawon has launched a campaign to provide support in Gaza through food parcels, shopping vouchers, fresh produce, water bottles and shelter tents.
Watermelon Relief is a project initiated and implemented by a group of activists in Gaza, who work to provide aid to displaced families in Gaza through meals, support and activities.
World Food Programme (WFP) managed to provide assistance to more than 1 million people in Gaza in May by delivering food in shelters, makeshift camps and shops.
Life for Gaza is an initiative through which the Municipality of Gaza aims to provide basic necessities for the people of Gaza such as water projects, waste collection and the reconstruction of roads.
Arab Group for the Protection of Nature (APN) is working to plant farmlands in Gaza through their "Revive Gaza Farmlands" project, through which they had already started planting vegetables, fruits and leafy greens in Gaza.
Purchasing eSIMs is one of the only remaining ways to keep Gazans connected with the outside world, to get their stories out or even enable them to call for help after Israeli strikes.
The Sameer Project is a donation based aid initiative that provides tents, cash aid, diapers and formula for displaced families in Gaza.
Care For Gaza is an organisation that works to provide essential aid such as food packages and cash to deliver to displaced families in Gaza.
Palestine Children's Relief Fund, through their "Gaza Relief and Recovery" campaign, plan to provide essential medical supplies and treatments, as well as food and clean water.
Mutual Aid for the People of Gaza is a fundraiser managed by Mona in Gaza, who personally purchases and distributes basic supplies including food parcels to families in Gaza.
Help Gaza Children is another grassroots effort operating on the ground in Gaza to support families with food, water and clothing.
Medical care
Medical Aid for Palestine (MAP) provides medical supplies and supports healthcare services in Gaza.
Gaza Wound Care is a medical team in a tent in Nuseirat, providing care to children and supporting pregnant women.
Children Not Numbers is an NGO dedicated to providing medical care for the children in Gaza including delivery of medical aid and medical evacuation for children.
saint maud.
dialogue prompts from saint maud (2019).
creative types tend to be rather self-involved.
what are you cooking up in there?
who's your saint?
you're prettier than the last one.
i'd be happiest to stay in my room.
may god bless you and never waste your pain.
why would someone like you end up in a town like this?
you should be around people.
why the fuck do you care so much all of a sudden?
darling, don't be petulant.
no one sees what they don't want to.
stay with me. i don't want to be alone.
have you seen a lot of death?
what made you leave?
when you pray, do you get a response?
nothing feels real anymore.
my little savior.
it's too late to be visiting now.
i'm trying to be respectful.
i didn't swear at you or anything.
do you think this is just a joke?
this is life and death. it's spiritual.
no hard feelings. i'm sure you're great in bed.
you're just a waste of time at the moment.
can you hear yourself?
don't tell ___ i told you, though.
how's it going? it's been ages.
are you taking care of yourself?
i thought you must have left town or something.
i don't see you out and about anymore.
my number. if you ever want to talk, or get a drink or anything.
it's no fun if you cheat.
i will go to bed when i damn well like.
don't run away. i'm talking to you.
what is it? am i indecent?
you know you shouldn't take anything i say seriously.
you should have some fun while you still can.
if you're trying to teach me something, i can't see what it is.
quite frankly, it all just seems like such a waste.
i remember you, you know.
you used to be out all the time.
please don't let me fall.
nothing worthwhile comes easily.
it was no small thing. it meant something.
never waste your pain.
do you mind if i sit?
that, as they say, is how the cookie crumbles.
how will i know what to do?
sorry, did i get you out of bed?
i just wanted to see how you are.
we could see you were struggling and we did nothing.
i'm so sorry. i was unkind to you.
you made me think of things i didn't want to.
you must be the loneliest girl i've ever seen.
you have no idea how dull it is to be dying.
nineteen claws and a black bird.
dialogue prompts from nineteen claws and a black bird: stories by agustina bazterrica.
human evil knows no limits.
take whatever you like.
did you just call me ____?
old age that's covered up irritates me.
do you mind if i put some music on?
you're consistent, if alarming.
you need to know how to look.
let's go. take me with you. you know where.
i don't need more men in my life.
i want to die with the style and dignity of a cartoon character.
i don't have a loved one.
i was just imagining your chest with a bomb inside it.
i don't know how to live through a real tragedy.
i love you more than my life.
you broke my heart into a thousand pieces.
you need to see a doctor.
i'm telling you this as a friend. you know that, right?
you know what i'm talking about. of course you do.
you'll learn to live with the fear.
you're always saying such strange and unfavorable things.
if i stop, i start thinking about the shadows of things.
you've always wanted me close.
i can't bear the thought of being close.
i just want you to look at me again.
i don't mind being ignored. i prefer the silence.
death is a pastime for you.
each of us is a wolf devouring another in exquisite eternity.
are you going to kill me?
you like it? take it.
all dead people go to the moon.
i think dust is the soul's filth.
sometimes the ghosts sing to me.
why are you so bad now?
you're not always a scary bad word.
what would happen if i drank holy water?
you don't sing to me anymore.
you're messing up my hair.
people will do anything to dissipate the monotony of their lives.
i only write to you so that i don't kill you.
no one will remember you.
it's like i never stop dying.
you have the smile of a porcelain antique.
you again.
i don't want to feel alone in my pain.
is this your little hell? your private torment?
i want to be a circle, round and infinite.
misery hides in vulgarity.
misery is destructive and, as such, ephemeral.
we love one another because we repulse one another.
i want to shrink to the edges of inexistence.
consider this your first glimpse of hell.
the silence is so sharp, it bleeds.
i just wanted to fit in somewhere.
why do i smell roses?
your hair looks better loose.
i need to understand if it's real.
i don't know what they did to me.
we have to make up for lost time.
what animal would you like to be?
you look like you know something.
in the dark, one is truly alone.
can you tell me where the exit is?
why won't you answer?
Project S
@moonshed / 𝒄𝒍𝒐𝒔𝒆𝒖𝒑 𝒉𝒆𝒂𝒅𝒄𝒂𝒏𝒐𝒏𝒔, ⁰⁸ nose, ¹³ jaw, ¹⁷ shoulders
08. A SLIGHTLY MORE DISTINCT feature adorning their countenance … his is fairly straight, seamlessly easing down from the narrow arch of his brows. the dorsum is long, only befittingly so, with a subtle raising along its ridge nearer to the dip of the root. the end is faintly tapered, and the base : even and proportionate. there exists no blemishing to his complexion.
13. WITH SOFT PROMINENCE does his jaw complement the angular, albeit delicate, facets of his face. from a rounded cheek, an elegantly curved stroke giving way to the chin. looking upon them face to face would render their jaw slim, partly obscured by bangs silken and silver ; in profile, a sharper curvature catches the eye. their allure is a profoundly uncanny one. here, too, can no blemishing be seen.
/under affliction will he sometimes tense the muscles below but fleetingly.
17. WIDE IN BREADTH, the bridge of his shoulders befit his stature. standing at 6′7″, they possess an imposing air, notably upon donning the weight of two engraved, steel - plated pauldrons. well - used, they have conditioned him to regularly maintain a firm and level bearing and one could liken their company to a poised, unyielding presence. moreover, a perusal of these pauldrons will unveil the scores of battle, and thus, wounding of their own flesh is rare.¹ should a wound be inflicted, they will tend to it quietly ; to do so with another near is unusual … allowing another’s touch is even more so. their shoulders also remain unblemished.
delving further, it is through rigorous training, missions, and regimens as a part of SOLDIER that their physique has been honed. for deft combat and wielding the grand ōdachi, masamune, one - handed, resilience is a must and their musculature is evidence of such.
¹due in part to the nature of their genes in which tissue mends itself swiftly.
Portrait of Jennie (1948)
CHARACTER STUDY : 𝐵𝐴𝑇𝑇𝐿𝐸 𝐸𝐷𝐼𝑇𝐼𝑂𝑁
rules : bold what consistently applies, italicize situational
does your muse while fighting … fight honorably / fight dirty / prefer close-quarters / prefer range / chat during (seldom) / go silent / low pain tolerance / high pain tolerance / attack in bursts / attack steadily / go for the kill / aim to disarm / fight defensively / strike first (dependent) / provoked easily / provoke their opponent / tease / get visibly frustrated / shout while attacking / use strategy / focus on their battle / experience conflicting thoughts during battle / rush in recklessly / reads their opponent before fighting / fight wildly / fight calmly and, or apathetically / fight with anger / fight with excitement / fight because they have to / fight because they want to / fight without regard to wounds / run away when wounded / hide wounds / take a blow to protect another / prefer a blade / prefer a gun / prefer to use their ability / prefer a bow / prefer a shield / prefer a pole arm / prefer a personalized weapon / prefer magic or spells / prefer their fists / their greatest weakness is physical / their greatest weakness is mental / their greatest weakness is emotional / transform for battle / fight as they appear / rely on strength / rely on speed / use everything they have / hide their full potential / exhaust quickly / high stamina / doubt their strength / proceed with caution / behave arrogantly (through remarks) / brag after landing a hit / belittle their abilities / use psychological tactics / use brute strength / avoid civilians / strike down civilians / damage surroundings / avoid damaging surroundings / signature fighting style / making it up as they go / mastered skill set / learning their skill set / use improvisation / fancy footwork / sloppy footwork / messy fighter / elegant fighter / accept defeat / refuse defeat / beg for mercy / compliment their opponent / insult their opponent / use flamboyant movements (flips, twirls) / move efficiently / barely move / prefer to dodge / prefer to block / defend their blindside / has no blindside / use all available advantages / strictly use one main method / play around / hold back / fight ruthlessly / show mercy / wait for opponent to be ready / strike when opponent isn’t ready / fear death / fear pain / fear killing / has PTSD / avoid fighting / has lost a fight / has won a fight / has killed / refuses to kill / want to die standing / would succumb slowly (their existence is perpetual nevertheless)
𝐶𝐴𝐿𝐼𝐺𝐼𝑁𝑂𝑈𝑆 𝐸𝑇𝐻𝐸𝑅 𝑀𝐴𝐷𝐸 𝑀𝑂𝑅𝐸 𝑁𝐸𝐵𝑈𝐿𝑂𝑈𝑆 BY THE COMING EVE. ⁿᶤᵍʰᵗ ᵇᵉᶠᵃˡˡˢ ʷᶤᵗʰ ᵗʰᵉ ᵈᵒʷⁿˢᵗʳᵒᵏᵉ ᵒᶠ ᵃ ᵇᶤʳᵈ’ˢ ᴮᴿᴼᴬᴰ ᵂᴵᴺᴳ˒ ᵉᵃʳᵗʰ ʷʰᵉˡᵐᵉᵈ ᵃⁿᵈ ᶜʳᵒᵒⁿᶤⁿᵍ 𝑖𝑛 𝑖𝑡𝑠 𝑤𝑎𝑘𝑒. ˢᵖᵉᶜᵗʳᵃˡ ᵗʷᶤⁿᵏˡᵉˢ ᵃʳᶤˢᶤⁿᵍ ᶠʳᵒᵐ ʰᵃᵘˡᵐˢ ᵒᶠ ᵍʳᵃˢˢ ᵇᵉˢᵉᵗ ʷᶤᵗʰ ᵈᵉʷ ᵇᵉᶜᵏᵒⁿ ᵐʸ ᵃᵇᵉʸᵃⁿᵗ ᵍᵃᶻᵉ˒ ᵗᵉᵗʰᵉʳᵉᵈ ᵗᵒʷᵃʳᵈ ᵗʰᵉ ⁿᵒʳᵗʰᵉʳⁿ ˢᵏʸ ʷʰᵉʳᵉ ᵗʰᵉ ᵐᶤⁿᵈ coalesces a temporal SINGULARITY. ( 𝑖 𝑎𝑚 ) / 𝑎𝑠 𝑎𝑏𝑦𝑠𝑚𝑎𝑙, 𝑎𝑟𝑐𝑎𝑛𝑒, 𝑎𝑛𝑑 𝑡𝑟𝑎𝑛𝑠𝑐𝑒𝑛𝑑𝑒𝑛𝑡𝑎𝑙. ᵗʰᶤˢ˒ ᶤ ᵍʳᵃˢᵖ ᵃⁿᵉʷ ‘ⁿᵉᵃᵗʰ ᵗʰᵉ ᴱᵀᴱᴿᴺᴬᴸ WAXEN MOON ; ᵐʸ ᵍᵃᶻᵉ ⁿᵒʷ ᶠᵃˡˡˢ .
@/vairuler / 𝒔𝒆𝒏𝒕 " what were you looking at? "
ᶤᵗ ᶤˢ 𝑟𝑖𝑣𝑒𝑛. —— ᵒⁿˡʸ ᵗʰᵉⁿ ᵈᵒ ᵗʰᵉʸ ʰᵉᵉᵈ ᵗʰᵉ ᵃᵘʳᵉᵃᵗᵉ ᵖʳᵉˢᵉⁿᶜᵉ ᵒᶠ ʰᵉʳ ʷᶤᵗʰ ᵃ ᵖᵒᶤˢᵉ . ᵃˢ ᶜʰᶤⁿ ᵇᵒʷˢ˒ ᵈᵉˡᶤᶜᵃᵗᵉˡʸ ˢᵒ ᵈᵒᵉˢ ᵗʰᵉᶤʳ ᵖᵃˡᵉ ⁿᵉᶜᵏ ᶜᵘʳᵛᵉ . ˢʰᵉ˒ ( ᵘⁿᵇᶤᵈᵈᵉⁿ˒ ) ᵃ ʷᵃᵛᵉʳᶤⁿᵍ ᴾᴱᴺᵁᴹᴮᴿᴬ ᵈʷᵉˡˡᶤⁿᵍ ᵇᵉʸᵒⁿᵈ ᵗʰᵉ ᵃˡᵃᵇᵃˢᵗᵉʳ ˢᵖᶤʳᵉ ᵒᶠ ᵗʰᵉᶤʳ ʳᵉᵍᵃʳᵈ . “ a sight you are not privy to. ” 𝐵𝑅𝑈𝑀𝐴𝐿 𝑇𝐼𝑀𝐵𝑅𝐸 / 𝑇𝐻𝐸 𝑊𝐻𝐼𝑇𝐸 𝑂𝑊𝐿’𝑆 𝑆𝑈𝐿𝐿𝐸𝑁 𝐶𝐴𝐿𝐿. ᵃʳᵍᵉⁿᵗᶤⁿᵉ ᵗʳᵉˢˢᵉˢ ˡᶤᵐⁿᵉᵈ ᵇʸ ᴹᴼᴼᴺᴸᴵᴳᴴᵀ ᵛᵉᶤˡ ˢˡᶤᵗᵗᵉᵈ ᵉʸᵉˢ . “ why have you come? ”
i’ve made a small note of this before but to elaborate, seph’s ego death during the nibelheim fire, i think, better interlaces itself with the (albeit, noncanonical) events of last order in which he makes the conscious decision to fall down into the depths of the reactor. this also touches a bit on the autonomy i stress and the idea/nuances of self-surrender: “To hear and profit, however, one may have to submit somehow to purgation and surrender”. this will likely be integrated permanently as it’s further attestation to the strength of their will and so forth
𝐋𝐎𝐔𝐃 & 𝐃𝐄𝐀𝐅𝐄𝐍𝐈𝐍𝐆 𝐒𝐈𝐋𝐄𝐍𝐂𝐄 (a series of nonverbal prompts . ‘ my ’ muse belongs to the one who posted the meme - send “ + REVERSE ” to reverse the prompts .)
→ 𝐈 . GENERAL
❛ hush . raise a finger in a gesture to silence my muse . ❛ sit . gesture for my muse to sit down . ❛ door . hold a door open for my muse . ❛ tap . tap my muse on the shoulder to garner their attention . ❛ hunger . give my muse something to eat / drink . ❛ cook . present my muse with home - cooked food . ❛ brush . work a brush / comb through my muse’s hair . ❛ read . silently read a book alongside my muse . ❛ hand . hold out a hand for my muse to take . ❛ dressed . help my muse put on an article of clothing . ❛ note . give my muse a note saying : [ content ] . ❛ amplify . turn up the music in the car .
→ 𝐈𝐈 . ANGST
❛ patch . help my muse patch up a wound . ❛ night terrors . hold my muse after they wake up from a nightmare . ❛ company . silently sit with my muse to comfort them. ❛ hospital . my muse is told that yours is in the hospital . ❛ revelation . show my muse evidence of a lie they told . ❛ indulge . find my muse drinking to cope . ❛ downfall . find my muse collapsed on the ground . ❛ console . comfort my muse as they cry . ❛ nurse . give my muse company in the hospital .
→ 𝐈𝐈𝐈 . AFFECTIONATE
❛ wink . wink at my muse . ❛ wrap . wrap an arm around my muse’s [ shoulders / waist ] . ❛ caress . gently caress my muse’s face . ❛ tousle . mess playfully with my muse’s hair . ❛ chest . place your head on my muse’s chest . ❛ comb . comb fingers through my muse’s hair . ❛ grasp . run to my muse & jump into their arms . ❛ lean . lean on my muse’s shoulder . ❛ tender . kiss my muse on the [ forehead / cheek / nose ] . ❛ abrupt . kiss my muse out of the blue . ❛ chaste . chastely kiss my muse . ❛ good morning . kiss my muse the morning after . ❛ volumes . gaze at my muse in a way that silently says ‘i love you’ .
→ 𝐈𝐕 . VIOLENT
❛ strike . [ slap / punch ] my muse in the face . ❛ gun . wield a gun at my muse . ❛ twist . twist my muse’s arm behind their back . ❛ throttle . aggressively wrap your hands around my muse’s throat . ❛ parch . burn my muse with a hot object . ❛ take down . forcefully bring my muse to the ground . ❛ gouge . wield a sharp object at my muse . ❛ shunt . shove my muse backwards . ❛ stickup . yell at my muse to put their hands in the air. ❛ shoot . [ fatally / non-fatally ] shoot my muse . ❛ stab . stab my muse with a [ knife / other object ].