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New Yorkerâs Peter Schjeldahl Retracts, Apologizes for Stance on Detroit
New Yorker art critic Peter Schjeldahl has retracted his position endorsing the sale of theâŠ
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What we need now more than ever is better filters. And that starts with the person taking the image to the professional journalists who are editing them to the imaging folks who are toning them and eventually to the editors who publish them. We have an urgent and dire responsibility to disseminate meaningful and truthful images to cut through all the noise that is deafening us.
Jim Colton (via photographsonthebrain)
Flowering kale bouquet
Many Detroiters will recognize familiar landscapes, people and neighborhoods in the exhibition Motor City Muse: Detroit Photographs, Then and Now at the Detroit Institute of Arts (DIA) Dec. 14, 2012âJune 16, 2013.
Motor City Muse looks at Detroitâs history, diverse population and culture through...
...Rhein II is a digitally manipulated image â a factory building and some dog walkers were removed from the original photograph by a high-end version of Adobe Photoshop. When asked to comment on this, Gursky said: "Paradoxically, this view of the Rhine cannot be obtained in situ, a fictitious construction was required to provide an accurate image of a modern river."
YTO BARRADA âRiffsâ FotoMuseum, Winterthur 01.12.2012 - 10.02.2013
Yto Barrada â Riffs is the first large-scale museum exhibition by the French-Moroccan artist. In 2011 she was selected by Deutsche Bank as âArtist of the Yearâ 2011. The award includes an exhibition made possible by the financial institution, which was presented at the Deutsche Guggenheim in Berlin followed by stops in Brussels, Chicago, Birmingham, and Rome, and which can now be seen at Fotomuseum Winterthur.
For more than a decade, Yto Barrada (*1971) has confronted the political realities of North Africa in her photographs, films, and sculptures. Her work engages with life in her hometown of Tangier, Morocco, whose particular situation along the Strait of Gibraltar is emblematic of the historical upheavals experienced by many countries in northern Africa.
âIâve always been attentive to what lies beneath the surface of public behavior,â says Yto Barrada. âIn public, the oppressed accept their domination, but they always question their domination offstage. Subversive tactics, strategies of class contestation, forms of sabotage used by the poor â this is what I am most interested in.â Yto Barrada monitors the changes in her city with hawk-like attentiveness, responding to them with actions, images, and films that nevertheless maintain a remarkable calm, distance, and restraint. Neither iconic nor bellicose, they do not purport to be a weapon of enlightenment, nor do they offer a complacent, arrogant visual world that knows exactly how to behave and what to attain. As if the artist would always take a step back, her quiet, nearly static square color photographs offer visual fields opening up onto a landscape, an urban constellation, a being, a repose.
They reveal objects, buildings, and people so we might engage with them as observers, immersing ourselves, seeking, exploring, contemplating. We see here a sign and a gesture, there a rebellion; strikingly de-dramatized, real and allegorical at the same time. © Yto Barrada | Fotomuseum WinterthurÂ
New version of one of my mattpondPA favs.
Toy-like planes in this Heathrow timelapse.
The Last Pictures: An ultra-archival disc, micro-etched with one hundred photographs and encased in a gold-plated shell, will be sent in to space to become one of the longest lasting material artifacts of contemporary civilization. The Last Pictures will affix to a satellite and orbit the earth until the earth is no more.
Early morning construction glow
I guess if you're Ai Weiwei, you don't have a passport, aren't allowed to travel, have police monitoring your home and can't really practice your art, you have time for Gangnam Style.
The work is interesting and so are the true stories. My favorite: Solange et Bruno R.