ANYA TAYLOR-JOY as Sandie LAST NIGHT IN SOHO (2021) dir. Edgar Wright
cherry valley forever

@theartofmadeline

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styofa doing anything

titsay

izzy's playlists!

JVL
noise dept.

roma★
Jules of Nature
art blog(derogatory)
dirt enthusiast
Stranger Things

#extradirty

⁂
Misplaced Lens Cap

Origami Around
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Xuebing Du
wallacepolsom
seen from United States
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seen from Malaysia

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@laborcreative
ANYA TAYLOR-JOY as Sandie LAST NIGHT IN SOHO (2021) dir. Edgar Wright
marramarra shack ~ leopold banchini architects | photos © rory gardiner
I'm scared to close my eyes, I'm scared to open them. We're gonna die out here.
The Blair Witch Project (1999) - Dir: Daniel Myrick, Eduardo Sánchez
the goat
JULY 2022 Reads
Rabbits Dark Tower III: The Waste Lands
Edie Sedgwick
I hadn’t known that a light could be a feeling and a sound could be a color and a kiss could be both a question and an answer. And that heaven could be the ocean or a person or this moment or something else entirely.
Megan Miranda, Fracture (via essequamviderinunc)
Marianne Faithfull in kenneth anger’s Lucifer Rising
Marjorie Cameron, Spanish Ghost (1958)
Indecent Desires (Doris Wishman, 1968)
aesthetic -
The Arrival // Thimo Ruppel
Setting.
Fresh off of his impactful December 2016 record 4 Your Eyez Only, North Carolina native rhyme god J. Cole, just dropped presumably the first conscious banger of the year. Produced by Elite and Cam O’bi the track follows up on “Eyez”. Clocking in at just over 4 minutes it tackles issues like hypocrisy and abuse. Also describing a meeting with President Barack Obama in which he asks what he thinks about the plight of the black man. Check out the track below and let the conversation begin.
What happened.... To me...
I used to be an artist. A photographer. Someone who made beautiful images and told stories. Then i stopped. I burnt out. I lost my way I squandered my talents.
From the Book: Kinfolk Home