I'd rather be in outer space 🛸
Alisa U Zemlji Chuda
Sade Olutola
Show & Tell
Mike Driver
AnasAbdin
will byers stan first human second
Keni
NASA
wallacepolsom
Kiana Khansmith
Monterey Bay Aquarium
noise dept.
if i look back, i am lost
Origami Around
trying on a metaphor
JVL
almost home
Lint Roller? I Barely Know Her
izzy's playlists!
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from South Korea
seen from Indonesia
seen from China
seen from Croatia
seen from Ireland
seen from United Kingdom
seen from South Korea
seen from Malaysia
seen from Bangladesh
seen from Germany
seen from United States
seen from United States
seen from United States
seen from United States
@lachpillenonkel
Die Zeitlupen-Monotonie der privaten Warteschleife als asthmatische Chronik. In den Splitterwochen kollabiert das Vertraute. Persönliche Statusmeldungen, alles…
“Splitterwochen”
idea & realisation: Stephanie MĂĽller & Klaus Erich Dietl
starring: Mirjam Stutzmann & Michael Jandejsek
music: Christian Nothaft
Listen to Lachpillenonkel & 480billion Live @ RH Releaseparty @ Rote Sonne Munich 9.2.17 by Stopfbulle
Raketenbasis Haberlandstrasse Release Party @ Rote Sonne / Munich Again Thursdays
Thanks Émilie & Upstart and the whole Rote Sonne Team !!
Raketenbasis Haberlandstrasse
Raketenbasis Haberlandstrasse Release Party @ Rote Sonne / Munich Again Thursdays
Thanks Émilie & Upstart and the whole Rote Sonne Team !!
Munich Again Thursdays @ Rote Sonne Do., 09.02.: Raketenbasis Haberlandstrasse Releaseparty mit Betwold Nanning 480Billion Lachpillenonkel https://www.facebook.com/events/673687492834671
https://www.facebook.com/events/673687492834671/
Oh. MUNICH AGAIN Thursdays’ schedule for February at Rote Sonne is now OUT!
2.2 : Punkra Wandler LIVE / DJ Marcelle / BELP 9.2 : Raketenbasis Haberlandstrasse Release Party 16.2 : Eshna_TRON Soundsystem 23.2 : QUEER SQUAD opening night / Hansen_Windisch LIVE
Please come over! Here’s the motto of the serie :
“Munich again stands for : Once again, magic comes from where you don’t expect it. You don’t expect Munich to be a city of hidden beauty, but it is : for a respectable number of people, Munich is a meeting point to make great things happen. Let’s make it known. The Munich Scene is not defined by borders, but by people gathering together to touch audiences, here.”
Can’t wait to share all this magic with you guys!
spokenword by vroni voss discounternoise by betwold nanning (rh031) arranged by pille
It was a sunny day in december. The dangerous mexican criminal got of his horse, took off his head and started to ride on a naked bastard called the shittaker. This was the beginning of a true love st
 feat. zimt bindemittel vs. pille ... thanx!!
Sounds & Samples by Zimt Bindemittel Arranged by Pille
22 track album
out now !!
get it here or on sunday @ favorit bar
https://www.facebook.com/events/195968300836526/
special guest “mr. amba” on waschmaschinenfest 2k16 this sunday @ favorit bar
https://www.facebook.com/events/195968300836526
live: yullippe & rohbart ratford / listening party of waschmaschinenfest 2k14 - 2k16
VENDERSTROOIK / DANIEL DOOR / LACHPILLENONKEL / BELP JAHMONI NACHT @ TAM TAM TANZLOKAL (07.10.2016) Achtergrondmuziek improvised by Pille Thanks to David Sardelle, Zimt Bindemittel, Zombieflesheater,
A thank you
to all who were there last friday at the TAM TAM in Munich. We really had a great time! Never seen so many people smiling and dancing simultaneously on our music and meeting all the people we only knew via Internet.Â
Special thanks to Sebastian for letting us have a place to crash and fixing stuff for us. Thanks to Matthias of TAMTAM, wich is a great place with a free spirit Atmosphere. And ofcourse everyone els we met and had laughs with. Pictures / recording / films etc. will be uploaded upcoming days.Â
Just before we hit the autobahn to Berlin last saturday we had a nice meeting and coffee with the Raketenbasis Haberlandstrasse big boss himself, Sascha. It was great to finally meet, and share some knowledge about schlager.Â
At 01:30 we arrived in Berlin were we had a gig at the NOISEberg DATfestival at 03:00. We did a improv of some electronic Noise. But sadly the recording didnt worked out well. Now we are all well rest and working on our set for Oppositaer the 15th also in Berlin. Which is gonna be cool too.
Anyway, i’m sure we see each other more often in the future.Â
bye bye bye bye bye bye bye bye byeÂ
What a night !! :) Thanks to all of you ... Pille
Freitag !!
Recorded at "heute.morgen.lärm" (Kösk München / 28.08.2016) Alligator Gozaimasu Schlagerhygiene Thanks for the samples to David Sardelle / Zimt Bindemittel Thanks for the beats to David Coquelin (RH
heute.morgen.lärm @ kösk münchen
Why Brit Pop and Bavarian Schlager are similar (understanding Lunsen Trio)
Well. So these educational posts suck, maybe. BUT, we may explain, and this is unusual, yes, because it IS unusual, why someone like Nick McCarthy, but also Seb-I, can be doing Brit Pop, then again Reggae / Dub / Dancehall, and then again Bavarian Folk, if not straight Country.
For instance, some people approach Dub from Techno, and would never go into Schlager. However, some approach Techno Dub thru things like Gabber and LOVE Schlager (see for instance Raketenbasis Haberlandstrasse and more precisely their project Schlagerhygiene on this).
SO when you dig a genre, you might not dig the other genre, but then the other person might dig both genres.
It may be noted, that folk, is just another form of song-writing, its has the pop song principles of recurring multiple parts, and lyrics + harmonics very much connected, mostly.
So what do you learn from Schlager? Good song-writing, maybe. Schlager is just basically the german Chanson, sung in German, not French, if it was English, you’d call this Jazz Ballad these days, sound much better, eh? Or Anthem, or Chant. Or Childrens Song. Or, its simple. Its easy, so you can sing along, you don’t have to be a musical expert to understand this, in other words, its POP, in the sense of popular and not unpopular music.
So popular music for bavarian schlager fans - means - you can play this at the Oktoberfest, and OK, we hate the Oktoberfest, its nationalistic and right-wing and such, BUT, apart from that, its not so easy to come up with music that everyone, after 5-10 liters of Beer, can still sing, right?
So the Lunsen Trio aims at song-writing 1) Bavarian Schlager but with more 2) modern non-nationlistic and very much open minded / open values Lyrics exactly 3) aimed at the People for instance at Oktoberfest so that they MIGHT get some better music but especially BETTER VALUES than the other mostly stupid “we are so happy in our little nationalistic world” - Lyrics they usually get from Bavarian Schlager and that will of course never really happen because, oh well, there is this big mental distance but NONETHELESS The Lunsen Trio tries and ends up…. where? In high culture, the theatre. Of course. But hey, still great, isn’t it, and its all about making simple powerful songs and lyrics happen, that are compact, not too complex, earworms, and whether you call that brit pop, or bavarian schlager, or folks, or dancehall, is really just up to you, its basically all the same, just in different languages intended for slightly different audiences…
Kunst im Karree
TAMTAM
wave, synths, voice, poetry
