M.C. Escher | METAMORPHOSIS II (1940)
woodcut print in red and black, 19.2cm x 400cm
seen from Hong Kong SAR China
seen from Netherlands
seen from China
seen from United Kingdom

seen from China

seen from China

seen from United States

seen from China
seen from United States

seen from Poland
seen from Türkiye

seen from Russia
seen from United States

seen from United States
seen from United States
seen from Germany

seen from United States
seen from China
seen from China

seen from United States
M.C. Escher | METAMORPHOSIS II (1940)
woodcut print in red and black, 19.2cm x 400cm
'Initial H'. M. C. Escher.
i also dont know if it has any meaning but i am OBSESSED with the camouflage mv referencing mc escher's art a ton. really big escher fan here i actually almost jumped out of my seat when i saw some of that shit.
if you don't know escher art here are some pieces the mv referenced
You see emptiness here is the purported familiar and your house is endlessly familiar, endlessly repetitive. Hallways, corridors, rooms, over and over again. [Mark Z. Danielewski]
The Magnus Archives, episode 47 // M.C. Escher’s “Relativity” // Twin Peaks // House of Leaves by Mark Z. Danielewski // “Labyrinth” by Kenyatta Rogers // Severance // House of Leaves // The Magnus Archives, episode 101 // Twin Peaks: The Return // Twin Peaks: The Return // House of Leaves
Alt text version here
Valérie... or maybe Japhet? It's impossible to tell from this angle. Maybe we can get his mouth open to check for feathers? But Valérie is the name of a cat, so it's probably him I think.
Regardless, he was very polite.
In the style of "White Cat" by M.C. Escher
Relativity by M. C. Escher (1953)
Other World (1947) M. C. Escher, woodcut print, 31.8 cm × 26.1 cm