Nice, old town, CÎte d'Azur, France
photography by cityhopper2
todays bird

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Not today Justin
DEAR READER
Stranger Things
I'd rather be in outer space đž
Cosimo Galluzzi
đȘŒ
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Keni

ç„æ„ / Permanent Vacation
hello vonnie

Kiana Khansmith
PUT YOUR BEARD IN MY MOUTH
macklin celebrini has autism
he wasn't even looking at me and he found me
Three Goblin Art

shark vs the universe
2025 on Tumblr: Trends That Defined the Year

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@lafrancecestmoi
Nice, old town, CÎte d'Azur, France
photography by cityhopper2
My final piece for Ham4Pamphlet, the Hamilton zine curated by the amazing @jovaline to give to the cast when she got to go backstage this weekend! Â Iâm so honored to be a part of this project alongside so many other amazing, Hamilton-obsessed artists, aaaaaaand the fact that Daveed liked my piece is most definitely a bonus.
Thanks to @linmanuel for writing these words, and to Daveed Diggs for bringing them to life. Â As Arielle said, you guys definitely created the soundtrack for our workspaces. :)
Paris Rooftops Â
Photography
Still practicingâŠ.Â
I can see Francis going through a pious phaseÂ
on loving a fighter
Thatâs how we do it in France, sir. Beat the English and look good doing it.
Marquis de Lafayette (via incorrect-hamilton-quotes)
Wooded Path, 1865
Claude Monet
Can we have a collage of every face of France that you've drawn that represents how you feel about life?
// heyyy Itâs taking me a while to answer those character development questions but Iâm still at it ;**
- Jardin Casque d'Or. Casque d'Or (AmĂ©lie Ălie) Ă©tait une prostituĂ© bien connue pour avoir Ă©tĂ© l'objet de dispute entre deux proxĂ©nĂštes Ă la Belle Ăpoque. Les rixes entre les deux gangs Ă©taient racontĂ©es dans les journaux, les procĂšs Ă©taient bondĂ©s, des chansons furent Ă©crites Ă son honneur, elle fut engagĂ© par des théùtres pour jouer son propre rĂŽle, Toulouse-Lautrec l'a peinte (?). En 1952 le film avec Signoret et Reggiani, librement basĂ© sur son histoire, fut filmĂ© dans le Jardin Casque d'Or actuel.
- Jardin Casque d'Or. Casque d'Or (AmĂ©lie Ălie) was a well-known prostitute for being the object of dispute between two procurers during the Belle Ăpoque era. The fights between the two gangs was related in the tabloids, the trials were crowed out, songs were written in her honour, she was hired by theatres to play herself, Toulouse-Lautrec painted her (?). A 1952 French movie lossely based on her life was filmed in todayâs Jardin Casque d'Or .
So yes, Paris has given a prostituteâs name to one of its parks ^^
Zuiderkerk in Amsterdam, 1874
Claude Monet
42 character development questions!
PHYSICAL PRESENCE AND GESTURE. 1. How do they move and carry themselves? Pace, rhythm, gestures, energy? 2. How much physical space do they use, active and at rest? 3. How do they position themselves in a group? Do they like to be the center of attention, or do they hang back at the edges of a crowd? 4. What is their size and build? How does it influence how they use their body, if it does? 5. How do they dress? What styles, colors, accessories, and other possessions do they favor? Why? 6. What are they like in motionâin different environments, and in different activities? What causes the differences between these? 7. How do they physically engage with other people, inanimate objects, and their environment? What causes the differences between these? 8. Where and when do they seem most and least at ease? Why? How can you tell? 9. How do they manifest energy, exhaustion, tension, or other strong emotions? 10. What energizes and drains them most? 11. How are they vocally expressive? What kind of voice, accent, tones, inflections, volume, phrases and slang, and manner of speaking do they use? 12. How are they bodily expressive? How do they use nonverbal cues such as their posture, stance, eyes, eyebrows, mouths, and hands? DISPOSITION AND TEMPERAMENT. 13. How do they greet the world â what is their typical attitude towards life? How does it differ in different circumstances, or towards different subjects? Why do they take these attitudes, and why do they change? How do these tend to be expressed? 14. What do they care deeply about? What kind of loyalties, commitments, moral codes, life philosophies, passions, callings, or spirituality and faith do they have? How do these tend to be expressed? 15. What kind of inner life do they have â rich and imaginative? Calculating and practical? Full of doubts and fears? Does it find any sort of outlet in their lives? 16. Do they dream? What are those dreams like? 17. Are they more shaped by nature or nurture â who they are, or what has happened to them? How have these shaped who theyâve become as a person? 18. What kind of person could they become in the future? What are some developmental paths that they could take, (best, worst, most likely?) what would cause them to come to pass, and what consequences might they have? What paths would you especially like to see, and why? CONNECTIONS WITH OTHERS. 19. How do they behave within a group? What role(s) do they take? Does this differ if they know and trust the group, versus finding themselves in a group of strangers? Why? 20. What kind of individual relationships do they have with others, and how do they behave in them? How are they different between intimate relationships like friends, family, and lovers versus more impersonal relationships? 21. What kind of relationships do they tend to intentionally seek out versus actually cultivate? What kind of social contact do they prefer, and why? 22. How do people respond to them, and why might these responses differ? 23. How do they respond to difficult social moments? What makes them consider a social situation difficult? 24. How do they present themselves socially? What distinguishes their âpersonaâ from their âtrue selfâ, and what causes that difference? 25. What do they need and want out of relationships, and how do they go about getting it? 26. How do they view and feel about relationships, and how might this manifest in how they handle them, if it does? ACTIVITIES AND PREFERENCES. 27. What do they strongly like and dislike, in any category? Why? 28. What are they likely to do if they have the opportunity, resources, and time to accomplish it? Why? 29. What kind of activities, interests, and hobbies do they have? What significance and impact do these have in their lives, both positive and negative? 30. What is their preferred level of activity and stimulation? How do they cope if they get either too little or too much? 31. Is there anything that counts as a âdealbreakerâ for them, positively or negatively? What makes things go smoothly, and what spoils an activity or ruins their day? Why? 32. Do they have any âpropsâ that are a significant part of their life, identity, activities, or self-presentation somehow? What are they, how are they used, and why are they so significant? How would these propsâ absence impact them, how would they compensate, and why? THINKING AND LEARNING. 33. How do they learn about the worldâwhat is their preferred learning style? Hands-on learning with trial and error? Research, reading, and note-taking? Observation or rote memorization? Inductive or deductive reasoning? Seeking patterns and organization? Taking things apart and putting them back together? Creative processing via discussing, writing about, or dramatizing things? 34. How do they understand the worldâwhat kind of worldview and thought processes do they have? Why? 35. How and why do they internalize knowledge? What effect has that had on them? 36. How much do they rely on their minds and intellect, versus other approaches like relying on instinct, intuition, faith and spirituality, or emotions? What is their opinion on this? 37. Have they had any special education or training that colors their means of learning about or understanding the world? Conversely, do they lack some kind of education considered essential in their world? What kind of impact has this addition or lack had on them? 38. Is there anything they wish they could change about their worldview or thought processes? What, and why? 39. What sort of questions or thoughts recur in their lives, either specifically or as a theme? Why are these never answered, or answered permanently to their satisfaction? 40. What do they wonder about? What sparks their curiosity and imagination, and why? How is this expressed, if it is? FREE FOR ALL. 41. What associations do they bring to mind? Words or phrases, images, metaphors or motifs? Why? 42. I have a question of my own!
lafrancecestmoi
[A low growl and a not-so-subtle shift of Francisâ hips against the other man were the only answer to that. At first.] Youâ you tosser. Iâm about to show you how well for a âman in his dotageâ I can function. You can tell it certainly isnât making me any softer, for now.
[The movement pulled a low hum from Arthur and, with an abrupt yank, he pulled his hands free.] I canât quite make up my mind which part - [And he loosely wrapped his arms around the older manâs waist now, sliding open palms up along his spine.] - of what you just allowed to spill out of your mouth - [His lips tilted into a crooked grin around the words, casual and languid, even as his hands traced their own path back down, nails pressing down against bare skin almost hard enough to bite.] - was the worst.
[Hisssssssss] Easy now, rosbif. [takes Arthur by the wrists again and pulls his nails away from his gorgeous butt, thank you very much] I thought we were trying to get along for once?
@lafrancecestmoiâ | x
Last time I checked keeping bedroom activities private was not considered âshyâ but rather plainly âdecent behaviourâ. And clearly the problem has re-established itself by now; we should solve it again.
Oh please, stop talking as if you actually cared whether your actions are decent or not. I thought we were both past that point. Decapitations are so out of fashion, though. Please refrain.
We are liars. We are beautiful and privileged. We are cracked and broken.
We Were Liars - E. Lockhart (via dreawritings)