Stranger Things

@theartofmadeline
Jules of Nature
almost home

shark vs the universe
Sade Olutola

PR's Tumblrdome
Monterey Bay Aquarium

★
One Nice Bug Per Day
No title available
Game of Thrones Daily

#extradirty
Three Goblin Art
Sweet Seals For You, Always

izzy's playlists!

Kaledo Art

Andulka
"I'm Dorothy Gale from Kansas"

titsay
seen from United States
seen from Singapore
seen from United States

seen from Malaysia
seen from T1
seen from United States
seen from United States

seen from Netherlands
seen from France
seen from Spain
seen from United States

seen from United States
seen from United States

seen from Malaysia

seen from Malaysia
seen from Spain

seen from United States

seen from Türkiye

seen from Malaysia
seen from United States
@lajeunessecollective
Karaoke Song List I Have a Lot of Feelings (Block T, Dublin)
by Oliver Laric
see also: http://www.specificobject.com/projects/art_by_telephone/#.UpaBS43y8y5
Hug box / Hug machine
Sophie Calle: Last Seen
Sophie Calle is well known for her work with photography and personal narrative, often placing herself in challenging emotional and psychological situations, and enlisting the participation of others. In 1991, Calle created Last Seen…, a series of works based on the 1990 Gardner Museum heist, in which thirteen works of art were stolen. Calle interviewed curators, guards, and other staff members, collecting their thoughts and memories of the missing works. The result was a meditation on absence and memory, a reflection on the emotional power that works of art have upon their viewers. In 2012, Calle decided to revisit the project. She had learned that in 1995 the Museum had restored four of the empty frames left behind during the theft and reinstalled them on the walls of the Dutch Room. Excited and intrigued by this visually organized framing of absence on the part of a museum, Calle made a new body of work and called it What Do You See?. The outcome is a portrait of absence that might, or might not, take shape through collective memories.
Die Vorfreude
Diese geht sowohl semantisch als auch zeitlich der Freude voran.
Sad
To feel great sorrow
or be pathetically
unfashionable
When Attitudes Become Form at Kunsthalle Bern, 1969
Walter De Maria