A portrait of Kirsten Dunst done by artist Jenna Gribbon for Marie Antoinette, now on display at the Coppola Winery. Though two of her other paintings are featured in the film, one based off of the 1783 à la rose portrait of the Queen and the other the 1787 portrait with her three children, this one did not make it into the completed film.
Based off of the 2004 script for Marie Antoinette, it is most likely that this painting would have appeared in the montage at Trianon. When the Queen and her Private Society are shown reading Rousseau in the high grass and boating on the little pond in the shadow of the Belvédère (Scenes 103 - 104), the script reads “M-A poses in a gauzy dress, holding fresh flowers for a court painter”.
The artist seems to have based her painting off of Élisabeth Vigée-Lebrun’s 1782 portrait of the duchesse de Polignac in a chemise à la reine rather than Vigée-Lebrun’s scandalous 1783 portrayal of Marie Antoinette in the same muslin, pastoral style.