꧁ᬊᬁ WELCOME ᬊ᭄꧂
Thanks for checking out my page. Discover my fics on ao3:
Aftg:
fox.hunt.hound | 32k, apocalypse au, dark comedy
blood-things | 24k, raven!andrew au, a tender slasher
Voltron:
cola | 30k, sheith, dark!shiro, teacher-student au

❣ Chile in a Photography ❣
Not today Justin
i don't do bad sauce passes
h
I'd rather be in outer space 🛸
DEAR READER
noise dept.
dirt enthusiast

祝日 / Permanent Vacation

Kiana Khansmith
Stranger Things
we're not kids anymore.
Jules of Nature
taylor price
trying on a metaphor
Cosmic Funnies
Cosimo Galluzzi
Monterey Bay Aquarium

tannertan36
he wasn't even looking at me and he found me

seen from Brazil
seen from Türkiye
seen from Türkiye
seen from United Kingdom

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States

seen from United States

seen from United States

seen from United States
seen from United States
seen from United States

seen from United States

seen from Argentina
@larkangel
꧁ᬊᬁ WELCOME ᬊ᭄꧂
Thanks for checking out my page. Discover my fics on ao3:
Aftg:
fox.hunt.hound | 32k, apocalypse au, dark comedy
blood-things | 24k, raven!andrew au, a tender slasher
Voltron:
cola | 30k, sheith, dark!shiro, teacher-student au
"I love you but you're doing wrong in a way I cannot condone" and "I hate you but you're being wronged in a way I cannot stomach" are top tier and I need more of them.
"She envied Tommy and his utter animal sadness. He was complete in it, he could not be made separate from it."
The Quick and the Dead, Joy Williams
Sanity by Caroline Bird
when a character is so badly hurt/sick that their demeanour switches up entirely
chatty characters pale-faced and silent
quiet and reserved characters rambling deliriously
character who always resorts to humour clearly trying to think of a quip but coming up empty
no-nonsense character so loopy that they can’t stop giggling
a stoic character’s hands trembling in panic
an easily frightened character so far out of it that they aren’t aware of what’s happening to them, much less afraid
intelligent characters who can’t think straight
protective (self-sacrificial) characters letting someone else take the fall for them because they’re too weak to object
patient characters snapping at whoever comes near
affectionate character who wants to be alone
lone wolf who begs you to stay a minute longer.
Anaïs Nin, from a diary entry featured in The Diary of Anaïs Nin, Volume 2: 1934-1939
Yeah... I'm sure it'll come together somehow.
Check out my latest fic: A New Beginning on Ao3! (and mind the tags)
I know I took this fic down >_< should I put it back up? I've been thinking about it
characters raised to be tools
Weapons. Trained, tested, forged in steel and fire. Failure is an inevitability that ends in death. Pain should not be felt--it should be recognized, familiar, and inconsequential
Martyrs. In the form of servants and princes, of leaders and underdogs. If blood is necessary, the martyr will lift their hands and offer it all
Shields. Like tempering a sword, but only to bear and not to lash out. Wounds are medals--not symbols of pride, but symbols of worth. A pretty shield is useless; scars mean a job well done
Experiments. Raised on the cold comfort of a lab table. Restraints are only necessary when they're not in their right mind. Is it honorable, to be twisted beyond recognition? Or is it just a necessary evil?
Monsters. Cruelty, caution, and regarding one as a creature beyond reasonable thought is tempering in its own right. But if you keep a leash at the right length, perhaps the massecre won't reach you. One can hope.
Idols. Pretty face, pretty name, pretty hands around their shoulders and throat. There to seduce, manipulate, force any feeling to come to the surface and twist it to their favor. Any genuinity stays locked behind the guilded cage that surrounds their pretty little heart
Trophies. Status and wealth and the traditions that keep someone at their heels, on their knees, to display and serve and decorate one's ballroom.
Sacrifices. Drenched in honorable clothes, prepared and adored and cleansed. The gift of hope at the cost of one's life. Is it taken with no fight? How can you escape the ropes you were born in?
There’s something so heartbreaking about a soft ‘Can we go home now?’ Doesn’t matter the situation. It’s always so good.
Some situations:
Home is destroyed or otherwise inaccessible
Whumpee’s in a hospital (maybe waiting in emergency or admitted)
Kidnapped
They’re at an event and feeling unwell
They’re already heading home but it’s far
They are home (and delirious)
“As long as I am acting out of love, I feel I am doing best I know how.”
-Boris Pavlikovsky from Donna Tartt's The Goldfinch (2013)
Donna Tartt, The Goldfinch (2013)
Donna Tartt, The Goldfinch (2013)
I have become something wonderful, she thought. I have become something terrible. Was she now a goddess or a monster? Perhaps neither. Perhaps both.
R.F. Kuang, The Poppy War (2018)
Nikos Kazantzakis, from a letter featured in The Selected Letters of Nikos Kazantzakis
Brideshead Revisited 1945, Evelyn Waugh
"Oh God, make me good, but not yet."
Brideshead Revisited 1945, Evelyn Waugh
Martha Gellhorn, from a letter to David Gurewitsch featured in The Selected Letters of Martha Gellhorn