A Momentary Lapse of Reason

Oh, dream maker, you heart breaker // whereever you're goin', I'm goin' your way

[nevver]

Drain the pool, Valeria Tofanelli

[nevver]

It leaves a mark, Shannon Cartier Lucy (prints)

[zegalba]

Maggie Cheung for The Face Magazine (1997)

[danicotine-deactivated20191115]

[blueblackdream]

Günter Brus, Self-Painting I, 1964

[psychotic-art]

Simon Kerola

[inferior]

Marta Bevacqua

[mediterraneanfeel]

Melenos Lindos (Greece)

[numbersinmotion]

[before-life]

by firelight-

[love]

[telojuropordior]

[cinescuincle-deactivated2022050]

Happy Together (1997)

dir. Wong Kar-wai

[givemefreshtofu]

Pink Narcissus (1971), James Bidgood

[funeral]

“‘Fantasy’ is a conscious reverie or daydream — it is something that a subject can have or indulge in at will — it belongs to the waking consciousness. The ‘phantasm’, on the other hand, is a 'deeper’ unconscious or pre-conscious experience or event, in the course of which the subject may find itself not so much a witness of the scene as a participant in it: ’[T]he phantasm is not the object of desire, it is a scene. In the phantasm, in effect, the subject does not target the object or what stands for it; rather he figures there himself, caught up in the sequence of images.’”

— David Musselwhite, Deleuze Goes to Xanadu

[dailyrothko]

[dailyrothko]

Mark Rothko, Untitled, 1968, 

Acrylic on paper laid down on panel

© 1998 Kate Rothko Prizel and Christopher Rothko

[frackoviak]

ALEXANDER McQUEEN SPRING 2007 | SNEJANA ONOPKA