I don’t have the patience to go into more detail with this but!!! i think it was good practice…..
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I don’t have the patience to go into more detail with this but!!! i think it was good practice…..
One of the biggest issues plaguing female characters is that, because there are relatively few of them, there isn’t a lot of diversity, and the conversations around them push very specific traits as being “more feminist” — typically masculine traits like physical strength, emotional toughness, etc. — and there ends up not being a lot of room left for genuinely nuanced and organic female characters. Because when there’s only one woman in the cast, she has to be everything for everyone, and that’s not really possible. Every person is both strong and weak at the same time, and if you can’t show that weakness and you can’t show how there’s lots of ways to be strong, you don’t really have a real character. The best way I can figure to address that is to have way more female characters. Just, like, so many. Then it’s not on one woman’s shoulders to represent all women in a positive way. They can be heroes, villains, ambiguously moral, comic relief, femme, butch, strong, weak, etc. and what you’ve got are — people.
Noelle Stevenson (via hudsini)
“Is every monster a villain? Or is a monster simply a hero that was not wanted?”
— thoughts #136 | r.m
Garden.
“So you plant your own garden and decorate your own soul, instead of waiting for someone to bring you flowers.”
Jorge Luis Borges: “After a While.”
Excerpts from David Punter's lecture on the Gothic
I stumbled across these on Youtube and thought they were worth sharing:
The Origins of the Gothic
Terror and Horror in Gothic Fiction
Gothic Settings
The Sublime in Gothic Fiction
Transgressions in Gothic Fiction
Forbidden Knowledge in Gothic Fiction
Life and Death in Gothic Fiction
Hero-villains in Gothic Fiction
The Satanic
The Vampire
The Past and Inheritance in Gothic Fiction
Class in Gothic Fiction
Revenge
Gothic Women
A complete playlist can be found here. (According to the numbering on the playlist, there was originally a fifteenth video, but it seems to have been removed from YouTube.)
“I know you here in the darkness,”
— D.H. Lawrence, from The Selected Poems; “Everlasting Flowers,”
“Is it better to out-monster the monster or to be quietly devoured?”
— Friedrich Nietzsche (via quotemadness)
“I hate it fading away. I hate it echoing away. I hate it leaving me. I hate losing it.”
— Harold Pinter, from The Complete Works; “Ashes to Ashes & Other Plays,”
Sky Full of Song by Florence and the machine except it’s playing in a large, empty cathedral that you’ve wandered into, and you can’t decide between running around or dancing freely or laying on your back in the middle aisle and staring at the ceiling in awe of this rare moment.
requested by @elephants-eat-bunnies
“The night is trapped in me too, and the stars, / so small in its vastness, so weak, and so silent.”
— Mary Ann Honaker, from “Below Zero, With Wind Chill,” published in Drunk Monkeys
Sansa in A Game of Thrones
Sansa’s character arc in AGoT is one of the best, and was the first clear sign that GRRM wasn’t writing your typical fantasy novel. Sadly, GRRM proved smarter than most of his audience, and a lot of the nuance was missed in Sansa’s character. Revisiting AGoT, here’s my take on her development. A handful of themes and narrative elements are present in all of Sansa’s chapters, and laid the groundwork for how she perceives the world, and where her character arc will go for the rest of the series.
Family
GRRM created Sansa to be the “black sheep” of the Stark family, and her feelings as an outsider in Winterfell are key to her character. From her first chapter, there is a sense that she and Ned are not as close as Ned is to his other children, and her relationship with Arya is already strained. Of course, the events at the Trident heighten all of these issues to a boiling point, and cause most of Sansa’s internal turmoil.
Keep reading
Hello! Would you mind doing an example of not using filter words in a first person point of view? While I know that you can just switch out the pronouns for I/me/my, I just want to see it in action and when you should (and shouldn't) use the filter words. Thank you!
Hi there! I would love to! I think I’ll start out with an example with filter words and then cut out the filter words to show you the difference.
For those of you who haven’t seen my post on Filter Words.
Now, for the example:
I felt a hand tap my shoulder as I realized I had made a huge mistake. I knew the consequences would be unsettling, but I had no other choice. I saw the light of my desk lamp bounce off of the officer’s badge before I had even turned around. It seemed like I always found my way into trouble.
It was the first thing off the top of my head, so it’s a bit rough sounding….
Now for without filter words (And a bit of revision):
A hand tapped my shoulder as it dawned on me: I had just made a huge mistake. The consequences would be unsettling if I didn’t get out of this mess, but I had no other choice. The light of my desk lamp bounced off of the officer’s badge. I always found my way into trouble.
By taking out filter words, you get right to the point.
I’d also like to add a few more notes that I didn’t have the chance to post previously.
Some Examples of Filtering:
I heard a noise in the hallway.
She felt embarrassed when she tripped.
I saw a light bouncing through the trees.
I tasted the sour tang of raspberries bursting on my tongue.
He smelled his teammate’s BO wafting through the locker room.
She remembered dancing at his wedding.
I think people should be kinder to one another.
How can you apply this?
Read your work to see how many of these filtering words you might be leaning on. Microsoft Word has a great Find and Highlight feature that I love to use when I’m editing. See how you can get rid of these filtering words and take your sentences to the next level by making stronger word choices. Take the above examples, and see how they can be reworked.
FILTERING EXAMPLE: I heard a noise in the hallway.
DESCRIBE THE SOUND: Heels tapped a staccato rhythm in the hallway.
FILTERING EXAMPLE: She felt embarrassed after she tripped.
DESCRIBE WHAT THE FEELING LOOKS LIKE: Her cheeks flushed and her shoulders hunched after she tripped.
FILTERING EXAMPLE: I saw a light bouncing through the trees.
DESCRIBE THE SIGHT: A light bounced through the trees.
FILTERING EXAMPLE: I tasted the sour tang of raspberries bursting on my tongue.
DESCRIBE THE TASTE: The sour tang of raspberries burst on my tongue.
FILTERING EXAMPLE: He smelled his teammate’s BO wafting through the locker room.
DESCRIBE THE SMELL: His teammate’s BO wafted through the locker room.
FILTERING EXAMPLE: She remembered dancing at his wedding.
DESCRIBE THE MEMORY: She had danced at his wedding.
FILTERING EXAMPLE: I think people should be kinder to one another.
DESCRIBE THE THOUGHT: People should be kinder to one another.
See what a difference it makes when you get rid of the filter? It’s simply not necessary to use them. By ditching them, you avoid “telling,” your voice is more active, and your pacing is helped along.
The above list is not comprehensive as there are many examples of filtering words. The idea is to be aware of the concept so that you can recognize instances of it happening in your work. Be aware of where you want to place the energy and power in your sentences. Let your observations flow through your characters with immediacy.
Ok, sorry for the lengthy answer, I know you just wanted an example…. sorry!
If you have any questions, feel free to ask at my ask box
THIS IS SO GREAT. I dind’t even know there was a term for this (I should have figured, right, because writers have words for everything), but it’s one of those things that being aware when you’re doing it (and editing it right the fuck out) will improve your writing SO MUCH. Removing the filtering helps to draw your readers more intimately into the action of your story, and as the text above says, adds power and immediacy to every sentence. THIS IS SUCH AN IMPORTANT TIP I WANT TO SCREAM ABOUT IT.
“I am the blood of the dragon,” she whispered aloud as she followed, trying to keep her courage up. “I am the blood of the dragon. I am the blood of the dragon.” The dragon was never afraid.
requested by @bynightafangirl
creatures of myth ♡ angels.
“when angels visit us, we do not hear the rustle of wings, nor feel the feathery touch of the breast of a dove; but we know their presence by the love they create in our hearts.”
Medusa with the Head of Perseus, Luciano Garbati, 2008
I adore how she carries his head low, at her side, and not aloft in triumph. This is not a self-aggrandizing hero lauding her great deed. This is a woman who wanted to be left the fuck alone.
Also look at her body. The double hips. The asymetrical boobs. She’s thin, but she’s realistic as hell. That’s a real woman.
And the look in her eyes. Damn.
“The angels at the end of the street call this town P a r a d i s e. And they will tell you stories about hollow prayers and damnation That tastes of a soul and a slant of lips. The saints crying in the rain and calling it g o d. And the demons with phantom pain beneath their shoulder blades A memory of something holy. In this town, the streets are painted by martyrs with poor pockets and rich hearts. And the sinners and the saints pass each other on the streets like old friends. Saying hello and not really seeing. Hundreds of lonely souls trying to forget About their chipped edges in the glow city light stars. Because, in this day and age, our ghost towns have people in them.”
— Ghost Towns Published in Saleh Magazine // L.H.Z (via lhzthepoet)
today’s tea is that abrasive and/or feminine characters are disproportionately treated with disrespect by fans and characters, and are expected to apologize for stuff that either wasn’t their fault or that a male character could have gotten away with