Hakoda: You okay, kid?
Zuko, laying face down on the floor: I’m depressed
Hakoda: Damn, me too
Hakoda: No, wait, hi Depressed, I’m Dad.
Hakoda: No, wait, what’s wrong?
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@leavesfromthevine-atla
Hakoda: You okay, kid?
Zuko, laying face down on the floor: I’m depressed
Hakoda: Damn, me too
Hakoda: No, wait, hi Depressed, I’m Dad.
Hakoda: No, wait, what’s wrong?
katara and aang's relationship would be so much better if they stuck to the platonic aspect and didn't force down our throats an awkward and uncomfortable romance. like, i adore their friendship, because it's clear they care so much about each other but i will never understand how the producers thought that them being a "thing" would be better. even if they decided to let them just stay friends, nothing about the plot would change. instead of aang refusing to let go of katara in order to get into the avatar state, he could have refused to let go of his friends in general – you know, sokka and toph, maybe even suki although they never really showed aang really interact with her and later, zuko. i believe it would be much more meaningful and impactful than what happened in the actual show.
in the end, they were just kids. they didn't need love interests.
Anyone notice how Aang greets humans and spirits based on their nation/culture?
Water tribe
Fire nation
Spirits
Air nomads
Yes! Noticed this in the series and loved it! A solid nod to the Avatar’s role as a whole – keeping balance, which is not just ending disputes in physical combat, but also includes one’s conduct. Acknowledging and respecting each culture and adapting accordingly.
Actually, I don’t think it was an Avatar thing for him. He constantly hung out with and befriended people (and maybe spirits) before he knew of his role as Avatar. Aang just really liked people and because he was so well traveled (practically nomadic) he was aware of other cultures habits and would endeavor to respectfully use them because he wanted to befriend others. What I found so wonderful about Aang was he didn’t really care about who you were as much as how you acted. He loved people and spirits and tried to connect with everyone, not because it was his duty, but because he would rather get along with everyone. It’s why he was so hell bent on not killing Ozai despite how terrible Ozai was, he wanted to believe that everything can be good as long as you allow it to thrive and change because of a positive environment.
Opp, I went on a rant but the bottom line is this: Aang didn’t greet others in a respectful way according to there own traditions because he was the Avatar. He did it because he was kind and wanted to get to know them.
Oh...him acting in such a way only because he was the Avatar was never what I meant to imply. I actually meant it as a way to point out the fact that his pre-existing ability to naturally respect and adapt accordingly shows how qualified and overall prepared he was for the Avatar role. That his ability to do so was also a great reflection of what a good Avatar would do and that it isn’t just one’s ability to dominate in hand-to-hand combat, etc.
source: @mjalti and @avatar-chang
If I see any post disrespecting Katara I just have to assume it’s Pakku behind the screen.
If I see any post disrespecting Suki I just have to assume it`s the warden from the boiling rock
If I see any post disrespecting Sokka I just have to assume it’s Hahn typing it up
If I see any post disrespecting Zuko I just have to assume it’s Ozai and Zhao behind the screen
If I see any post disrespecting Toph I just have to assume it’s Lao Beifong behind the screen
If I see any post disrespecting Aang I just have to assume it’s the Cabbage Man behind the screen
If I see any post disrespecting the fire nation I just have to assume it's Miyuki behind the screen
If I see any post disrespecting Pao’s Family Tea Shop’s tea I just have to assume it’s Iroh behind the screen
If I see any post disrespecting Mai I just have to assume it’s a coward behind the screen
If I see any post disrespecting Azula I'll just have to assume it's a person planning their own funeral behind the screen
If I see any post disrespecting Yue I'll just assume it's Zhao who somehow managed to get Wi-Fi in the fog of lost souls
Hot take: There should have been more episodes with Jet trying to get proof that Zuko and Iroh were firebenders but not in the stalker way. More in the "Man, it's so fricking cold in here. Sure would be useful if someone could heat the place up" kinda way
ASJKSJ
Jin: oh no my lanterns arent lit :(
zuko: ill light them dw bby💕
jet: its so cold out here. wish I had a fire
zuko: damn bitch i dont control the weather
Classics major Zuko and Aerospace Engineering major Sokka
Spending 15 hours at a time at libraries while studying for finals
Casual STEM v Humanities debates at 4 am after they've both been awake for 60 hours.
Sokka trying really hard to understand his boyfriend infodumping on this one emperor who apparently pissed zuko off PERSONALLY
Zuko proofreading Sokka's essay like "In theory all of this makes sense but if you say in conclusion one more time i swear to god-"
Actually i originally wrote this post because i imagined them going to the Smithsonian but Sokka got distracted in the Air and Space part and Zuko was busy in natural history so then they had to spend the second half of their day tickets looking for each other because its a huge museum and it ends in Sokka getting someone to put an annoucement out looking for a hot broody nerd guy named Zuko and if he could please pick up his boyfriend from the air and space west wing that would be great
So we’re all in agreement that making Toph a cop was a pretty bad move in hindsight. That leaves us with the question, ‘What should Toph have done instead?’ Well, I have an idea.
One day, Toph travels to one of the mountain ranges near the center of the world and then completely levels an entire mountain. She spends weeks, months, digging into the earth, shoving boulders thrice her size, meeting everything head on. Once she has a large enough chunk of land, she begins to build. Walls climb towards the clouds. Furniture is carved from stone. The detail is immaculate. When she invites the others to come help her, they can only gape, because she’s single-handedly built an entire multi-room mansion.
Sokka is able to set up a lighting system, reminding Toph that other people will need to see in the hallways. He’s also in charge of stocking the large kitchen, at least for the first wave of arrivals. Katara sews together fabrics for things like curtains, rugs, blankets. She also makes sure that the drawers are filled with various healing ointments. Suki checks to make sure that everything is safe for bodies of all heights. Zuko and Aang travel the world and use their influence to spread the word that this place exists.
What is this place exactly? Well, it has a name, but it can best be described as a combination of a halfway house and a foster home. A place that exists for any child who, like Toph, has to escape their abusive parents but don’t have anywhere else to go. Toph will take them in. She’ll make sure that they get ‘toughened up’ and that they’re not a bunch of ‘weak fuddy duddies’ from the things their parents did to them. And if an abusive parent comes along to try to take their kid back…I mean, really, do you expect anyone to get past Toph? Come on! Not that she’s the only one who fights them off. One by one, the other kids become confident enough to stand at her side, fighting away the abusive parents, fighting away the abuse. She raises them to be strong. She raises them to be confident. She raises them.
Some leave, of course. She’s Aang’s best friend. She knows that some people are just destined to travel the world. That’s why it’s also a halfway house. Any child can stay with her for as long or as little as they need. And of course that includes children who are escaping the law. What does she look like, a cop?
So, yes, some leave, but some stay. Some call her ‘Mom’. She calls two, ‘daughters’. The eldest daughter tells her that she wants to go be the Police Chief of Republic City. (”You’re going against everything that your parent taught you? I am so proud of you!”) The younger daughter tells her that she wants to do what Toph did, only to a new extreme, building an entire city. Toph is proud of her, as well. She’s proud of all of the kids who come and go, who stay and leave, who learn and grow.
Aang stops by to tell them all stories of his adventures. Zuko stops by to offer genuinely good advice about how they can grow into someone new, someone who isn’t defined by their past or the abuse they faced. Katara is everyone’s surrogate aunt and often stops by to heal the children with the worst injuries. Suki and Sokka teach all of the nonbender children. Iroh travels there several times a year to brew tea for everyone and offer his own advice. He always leaves after a few days, to travel back to Ba Sing Se, but that’s okay. For some, it’s a place to visit. For others, it’s a home.
And what does Toph name that home?
What else?
The Runaway.
I WANT this!
So my brother and I were just talking on the phone and we realized: Aang might have mastered all four elements but Sokka mastered the non-bending styles from all four nations!
He already knew how to fight with Water Tribe weapons/regalia:
Then, in what’s likely the first Earth Kingdom village he’s ever visited, he learned how to fight with the Warriors of Kyoshi:
When he reached the Northern Air Temple, he was able to tap into the philosophy of the airbenders and realize that the best way to win a battle is to avoid face-to-face confrontation by instead using creative means (and the sky) to take down your opponent:
And finally, when he reached the Fire Nation, Piandao taught him how to forge a unique weapon and hone his swordsmanship:
Sokka learned all four non-bending styles!
Really puts Iroh’s quote into a different context:
“Understanding the other nations will help you become whole.”
Throwback to that time Zuko thought he could take down an airbending master that had fans
And that time he thought he could take down a waterbender, while surrounded by snow and ice, at night, during a full moon.
“Here for a rematch?”
I swear, Zuko is like a dog with no concept of his actual size compared to others.
Guys I found it. The best comment to ever be on one of my posts.
Zuko is that Chihuahua that tries to fight everything and anything and Uncle Iroh is the dog owner who is constantly apologizing for him and trying to stop him/keep him calm and never succeeding
@attackfish
Thank you for @ing me because I want to talk about this, as a mother to small dogs. Here’s the thing about small dogs who try to fight with everything, they know exactly how small they are. This is in fact why they are like that. They bluster and snarl and bite, because they know they are tiny and they want to make sure you know that in spite of the fact that you could crush them, they will make it painful for you and it’s not worth the effort. And if they don’t do this, they assume you will crush them just because you can. Small fight-filled dogs are scared as shit and they’re not going to let that stop them.
And that’s exactly what Zuko is. He knows he has no power, no authority, no respect, and no support from his people, but he has determination and a willingness to fight and he’s not going to back down even when he has no chance, because if he backs down, no one will ever believe his snarl and his barking ever again. So he goes after an airbending master with fans because losing is better than backing down. He’s scared as shit and he’s not going to let that stop him.
This and the other response are like
Avatar fandom: “check out my fun shitpost about characters as dogs”
Avatar fandom: “actually no wait hang on I can definitely use this to make you cry”
Honestly
local military genius pretends to be bumbling comic relief while secretly nurturing abused nephew
Okay, I’ve been sitting on (no pun intended) this theory for awhile now because it’s not even really a theory, so much as it is speculation. (”Uncle, that’s what all theories are!”) Anyway, hear me out:
tl;dr: Iroh was depressed, and thus in a passive state, up until the end of Book One, whereupon Zhao’s act of violence snapped him out of it.
We know that Lu Ten died during the original Siege on Ba Sing Se and it’s heavily implied that losing Lu Ten caused Iroh to “fall apart” and ultimately end the Siege itself:
(Image Descriptions: First two images are of Iroh chained, saying, “I acknowledge my defeat at Ba Sing Se. My men was tired and I was tired.” The third image is of Iroh at Lu Ten’s grave. The fourth and fifth images are of Young Azula talking to Young Zuko: “He found out his son died and he just fell apart. A real general would stay and burn Ba Sing Se to the ground.”)
He didn’t have the mental strength to fight at Ba Sing Se, but that’s not the only time that he refused to fight.
He never tried to take the throne from Ozai. He never once tried to find out what happened to Ursa. And I hate to do this, but he didn’t even put up that much of a fight when a thirteen-year-old asked to attend a war meeting. And when they were in that war meeting, who was the one to speak out against the immorality of war? Zuko. Not Iroh, even though he was sitting right next to him.
(Image description: Zuko standing up at the war meeting. We can see that Iroh is sitting next to him.)
When Zuko was in the Agni Kai Chamber, on his hands and knees, crying, begging for mercy…Iroh just…looks away…
(Image description: Iroh looking away.)
And I’m not going to lie, this theory was originally just going to be a post talking about how guilty Iroh must have felt, but I think it goes a lot deeper than that. I could make a post arguing that Iroh’s misjudgement and lack of action were what led to Zuko being scarred, but to do so would be to blame Iroh, and I don’t want to blame Iroh. Because it’s not his fault. I think that, in this moment, he’s still in a depressive, passive, state from what happened to Lu Ten. Iroh essentially has PTSD. He saw what war can do, so he freezes and backs down at any sign of a fight.
And we see, all throughout Book One, how many times Iroh tries to actively stop Zuko from fighting:
(Image descriptions: Two nearly-identical shots of Iroh breaking up a fight between Zuko and another character, the Pirate Captain and Lieutenant Jee, respectively.)
He only fights when he has to, such as when the Earth Kingdom soldiers capture him in Winter Solstice. Even then, he uses his chains to disarm two of them and knock them unconscious (a waterbender technique btw) while Zuko takes out the third. By all accounts, Iroh is a pacifist during Book One. He’s certainly passive. I really think it’s because Lu Ten’s death (which, remember, only took place a few years prior) is still bothering him. Hence my original claim that Iroh’s essentially in a depressive state during Book One.
So, what happens?
Zhao happens.
This image has haunted me for a decade and a half:
(Image description: Iroh looking absolutely devastated.)
This is right after Zhao kills the Moon Spirit koi fish. Something about this has always gotten to me. It’s just so intense. It’s like you see this other side of Iroh that you had never seen before. (Remember, at this point, any viewers wouldn’t know about Lu Ten.) And what happens right after?
(Image descriptions: #1: Iroh attacking multiple soldiers. #2: General Zhao looking horrified. #3: A shot of Iroh standing over multiple bodies on the ground.)
Iroh starts actively attacking them all, to the point where Zhao backs away, horrified, because he’s never seen this side of Iroh. Neither has the audience. For the first time, Iroh is actively attacking someone, triggered by Zhao’s violence. I don’t know if it was just the cosmic stakes of the spirit being killed that triggered his anger, if it was the straw on the ostrich-horse’s back, if the way that the koi fish was killed was somehow reminiscent of Lu Ten’s death, or if it was a combination of reasons. Either way, Zhao snaps Iroh out of whatever passive funk he was in.
From that moment on, Iroh acts like a man who was a general for years. In the very first episode of Book Two (the next canonical episode), we see that Iroh doesn’t trust Azula and is on guard, even jaded:
(Image descriptions: Two shots of Iroh looking around suspiciously.)
Then, when it’s revealed that Azula had tricked them, Iroh wastes no time in attacking multiple guards:
(Image descriptions. #1: Iroh kicking a guard off the ship entrance. #2: Iroh firebending at three separate guards surrounding him.)
In a later episode, when Zuko thinks that Iroh’s going to say that he should be nice to Azula because she’s family, what does Iroh say, instead?
No. She’s crazy and she needs to go down.
This Iroh is a completely different person than the Iroh that we saw in Book One, because this Iroh has been snapped out of his depressed, passive, funk by the senseless act of violence that he witnessed. This Iroh is willing to fight and be an active participant in creating change. This Iroh is a General. This Iroh is the Dragon of the West. Incidentally, we see Iroh call himself that when he actively attacks a full room of Dai Li soldiers:
(Image description: Iroh breathing fire onto a room filled with soldiers.)
And we all know how fitting it is that Iroh is the one to liberate Ba Sing Se, but just think about the difference. The original Siege on Ba Sing Se took him 600 days, nearly two years, and he still wasn’t able to break through. In the final battle (albeit with a little help from the comet), Iroh was able to effectively create a fireball and blast through the wall in a single moment:
And that is my speculation…analysis…theory…thing of how Iroh went from being a fighter to being a depressed pacifist to being a better fighter, all in the background of a series that focuses on a dozen other well-rounded characters. It really is the show that keeps on giving…
THIS is why Iroh is one of my favorite characters. I believe you’re absolutely right!!! We know Lu Ten’s death significantly rocked Iroh’s world (causing him to essentially, if passively, change sides) so it makes complete sense he would also be struggling with depression, ptsd and even dissociation. He wants peace for the world and his nephew in Book One, but I think lacks confidence in himself to be an active agent of change, choosing instead to go with the flow and keep the peace. The killing of the moon spirit likely would’ve caused a flashback for Iroh, another innocent casualty, only this time he’s there to DO something about it, and boy does he do just that. Another food for thought is I believe Aang gave him hope. At the North Pole, Iroh gets to see the Avatar for the first time up close, and how he serves as a bridge to the spirit world and the power he possesses in the Avatar state. I think this helps him feel less alone, and yeah the world is falling into chaos and his nephew is deep in unhealthy thinking patterns from his trauma, and the Avatar is just a child, but MAYBE there is hope this war can end. And that spurs Iroh to take more of an active role in his life and his nephew’s (notice how in Book One Zuko calls all the shots and Iroh just goes along with it but it’s the opposite in Book Two) even if it’s first abandoning his old identity as a Fire Nation General and becoming a refugee. I adore Iroh and think he had just as much growing to do as Zuko, but was more graceful about it.
Since it is pride month and due to recent events I am challenging all transphobes to an Agni Kai. I have my hairspray and lighter ready. Get in line.
Oh and all homophobes can meet me at earth rumble VI where I am happy to throw stones at you
Btw biphobes don’t feel left out, meet me in the knife section of your nearest Ikea for a proper duel
zukka au where aunt wu looks straight at sokka and instead of telling him that his future is full of pain and anguish caused by his own hand, she tells him that he’s going to marry the fire lord and sokka is like “EXCUSE ME?”
sokka, whispering to himself: omg my ability to making royalty fall in love with me has come too far
sokka, immediately writing a letter: dear firelord ozai, I am flattered, but since you are pretty old and super evil, I-
Sokka, while yelling insults at s1 Zuko: And tell your dad I'm not interested in having a jerk like you as a step-son!!
I need a whole plotline of Sokka wondering who this fire lord person is going to be
Season 2
Aang: I wish that Iroh guy was the Fire Lord, he seems pretty nice
Sokka: Yeah the Fire Nation would probably be better off with him as Fire Lord, but he’s so old and more of an uncle figure, you know? Not really my type.
Aang: What
Early season 3
Sokka, waking up in cold sweat: Oh no. What if... Azula is the future Fire Lord
Late season 3
Katara: Sokka what should we do? The invasion failed, we’ve been hiding in this temple for weeks and Sozin’s comet is almost here
Sokka, mumbling to himself: I hope Zuko becomes Fire Lord he’s pretty cool
Katara: what?
Sokka: I said we need to defeat the Fire Lord soon
Sokka internally having a Firelord tier list during the series is something that I never knew I wanted.
*when zuko and katara arrive right before azula's coronation during sozin's comet*
Zuko: Sorry. But you're not going to be the one marrying Sokka.
Azula: What.
Sokka, trying to convince Aang to learn firebending: Aang, you need to learn firebending and defeat the Firelord so I can marry someone who isn’t terrible
Wait No Sokka already thinks Wu's prophecys are wack so after being fully disgusted by the thought of marrying loserlord ozai he doesn't think too much of it and moves on with his life
Then a few years later Zuko's the firelord and they're dating but right when Zuko proposes Sokka Remembers and has an existential crisis then and there
Zuko: Sokka, will you marry me?
Sokka, remembering Wu's prophecy: motherfucker
Zuko, very confused but still hopeful: is that a yes?
after clearing up stuff up he said yes of course
That’s rough buddy
Sokka: *carrying all the supplies with both arms*
Suki: *reaches out to help him*
Sokka: *switches all supplies to one arm to hold Suki's hand*
Suki: that's not what I- okay
This is soft and I approve
imagine having to travel the world with your little sister and two twelve year olds who are all extremely powerful, traumatized, and stubborn, and you have very tangible goals with real stakes but to get them to do anything you have to know how to apply a very delicate touch. and you have to do that for months with absolutely no one to vent to. the fact that sokka didn’t lose every single shred of sanity he had is a testament to his fortitude and strength of character. im just saying.
and then the second you’re about to spend a nice, romantic evening with your awesome girlfriend who is your peer, zuko fucking barges in and demands you describe to him in vivid detail how your mother was murdered. like that won’t kill the mood. smh
everyone always goes on about how katara had to grow up too fast and was so motherly for being a very young teenager and that kind of thing has real psychological consequences but like also: goddamn, sokka was a fifteen year old boy who had the care and feeding of three deeply wounded kids who each had the capacity to kill him on accident, plus zuko. water tribe culture might have some rigid, sexist bullshit to get past, but holy shit does it apparently raise good boys.
Honestly I think that Zuko joining the Gaang was excellent for Sokka- he was no longer the only adult, no longer the oldest. You can't vent to your younger siblings, and let's be real a 15 year old can't vent to a 12 year old either. But the moment Zuko, a 16 y/o, joins up, they sneak out to rescue is father and girl friend and end up actually talking to each other. Even if the best Zuko can offer is "that's rough buddy" he's still listening to Sokka's struggles in a way that the rest of the Gaang can't.
IIRC Zuko’s arrival marks the first time we see Sokka leaning on someone else for support. He sorta does it in The Runaway but that’s also on his sister’s behalf in an attempt to mend the rift between her and Toph.
But Zuko’s like...I would argue in a very similar position to Sokka. Obviously Hakoda and Ozai are nowhere near the same in terms of parenting, but they were both 13 year old boys who were asked to do the job of adults. He can’t lean on Aang or Toph or Katara because he feels responsible for them and, well, good “parents” don’t lean on their children for support; they provide it.
And he tries to step into that role with Suki in the Serpent’s Pass, tries to take on the burden of protecting her but she pretty effortlessly reminds him that she’s not going to make him responsible for her safety or ask him to sacrifice his emotional well-being to be with her. I don’t think it’s any coincidence that Sokka’s love interest is someone who doesn’t need him but wants him for the kind of person he is and not the things he can provide for her.
A lot of boys lacking fathers get thrust into the “man of the house” role before they’re even teenagers which plays havoc on a growing boy’s sense of self-esteem and development, effectively reducing their worth to how well they perform the role of “man of the house”.
Sokka’s journey throughout the series is in part him putting down the responsibility of being a “team dad” at sixteen and pursuing things that interest him (mechanics, strategy, swordplay, meat). Only by doing that does he grow into a hero who helps to save the Earth Kingdom and a world leader.