Pong Lee by Giseok Cho for Vogue Korea Magazine - Dec 2020
todays bird
Show & Tell

Origami Around

Product Placement
RMH
d e v o n

Love Begins
trying on a metaphor

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shark vs the universe
let's talk about Bridgerton tea, my ask is open
Lint Roller? I Barely Know Her
macklin celebrini has autism

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I'd rather be in outer space 🛸
noise dept.

gracie abrams
Sweet Seals For You, Always

PR's Tumblrdome
PUT YOUR BEARD IN MY MOUTH
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@leemcqueens
Pong Lee by Giseok Cho for Vogue Korea Magazine - Dec 2020
Eva Herzigova and Alexander McQueen backstage Givenchy Spring Summer 1997 photographed by Ann Deniau (x)
backstage at Alexander McQueen fall 1996
Alexander McQueen Fall Winter 1996
Alexander McQueen by Ann Deniau (x)
Alexander McQueen at the end of his Spring Summer 2003 “Irere” Show
Kate Moss at Alexander McQueen Spring Summer 1998 Show
Kate Moss at Alexander McQueen Spring Summer 1998 and Maggie Rizer at Alexander McQueen Fall Winter 1998
“Irere”
Alexander McQueen Spring Summer 2003
Kate Moss at Alexander McQueen Spring Summer 1998 Show
Nick Knight for Vogue, Stella Tennant modeling an Alexander McQueen dress from his ‘Dante’ collection, 1996.
Untitled (Originally The Golden Shower)
Alexander McQueen Spring Summer 1998
highlikefashion:
A previously unseen fragment from Alexander McQueen’s final collection - the last he touched as a designer - photographed by Richard Learoyd for Dazed & Confused
Tattooed on Alexander McQueen’s upper right arm were the words ‘Love looks not with the eyes, but with the mind,’ a quotation from Shakespeare’s A Midsummer Night’s Dream. Spoken by the lovesick Helena, who has been abandoned by her beloved Demetrius because he loves the more beautiful Hermia, the soliloquy considers the erratic and irrational nature of love. In her contemplations, Helena believes that love has the power to transform something ugly into something beautiful because love is propelled by subjective perceptions of the individual, not by objective assessments of appearance. This belief was not only shared by McQueen but also critical to his creativity. As in A Midsummer Night’s Dream, the themes of love and beauty were central to his vision of fashion, which reflected upon the politics of appearance by revealing both the prejudices and the limitations of our aesthetic judgments.
Andrew Bolton, Alexander McQueen: Savage Beauty (via goneril-and-regan)
Alexander McQueen Spring Summer 1995 Backstage by Gary Wallis
Irina Pantaeva for Saks, 1999 (source: bellazon)
Devon Aoki by Satoshi Saikusa for Vogue Paris, March 2000