Can’t think of a good caption.
Little Witch Academia by Hideki Kamiya?
That’ll do.
Misplaced Lens Cap

Origami Around
Jules of Nature

roma★
he wasn't even looking at me and he found me
PUT YOUR BEARD IN MY MOUTH
Peter Solarz

Andulka
Xuebing Du
art blog(derogatory)
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Sweet Seals For You, Always

ellievsbear

Discoholic 🪩

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No title available
will byers stan first human second
"I'm Dorothy Gale from Kansas"

if i look back, i am lost
Monterey Bay Aquarium

seen from Malaysia
seen from United States
seen from United States
seen from United States
seen from United States
seen from Italy
seen from Canada
seen from United States

seen from France
seen from United States
seen from Netherlands

seen from United Kingdom
seen from Netherlands
seen from Netherlands
seen from United States

seen from Maldives

seen from Türkiye

seen from United States

seen from Malaysia
seen from United States
@legesag
Can’t think of a good caption.
Little Witch Academia by Hideki Kamiya?
That’ll do.
best op sequence
Unboxing Hideaki Anno Action Figure (Daicon Film’s Return of Ultraman).
quiero esa barbie, mal
Gunbuster Science Lesson 6 Sailor Moon reference
Just love for the biggest Otaku in outer space
W E L C O M E B A C ʞ
I’m so in love!!!!!! 12.07.17 Bunbougu Cafe, Shibuya collab w/ Little Witch Academia╰(*´︶`*)╯♡
quiero caleta la taza de la Charito
たぶんみんなが見たかったもの。 Artist: ねこ。 (@Ygu_delta)
Constanze the digger
Two episodes with Croix Tecnomagik and Where is Constanze?
“Kein Hack, kein Interesse”
Happy Easter.
LWA episode 15
AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAH
Why is the animation so good on MLWA? I feel blessed to even witness it
Honestly, it isn’t even a matter of production quality. Take the following scene, for example.
It starts out with same, what is it, 4 frames? cycled about 4 times, but the cartoony nature of it does a great job at expressing the emotion of the scene. They follow it up with what really makes the shot great: watching the thing blow up as Akko’s face contorts. The thing starts growing in a couple of short bursts to get the viewer’s attention, before quickly expanding. Akko’s face, meanwhile, contorts and deforms in a number of expressive and quirky ways.
What makes Trigger awesome is that they make sure as many scenes as possible are expressive. As opposed to the anime standard of having nearly still shots where the people stay in place and just move their mouths, they make their characters move around as they talk, even if this means they half to use less detailed frames.
When they have people running down a hallway, they make them run down a hallway in a way that is visually interesting. When they are fighting monsters, they fight them in visually interesting ways. Hell, they even make the characters looking into a glass case interesting.
Trigger just straight up knows how to animate better than anyone else in japan. They often times use less detailed frames in order to make sure everything they put forward is dynamic and fun.
But they save a ton of their production budget for a few, important scenes, and boy, when they put their all into a scene…
Boy do they fucking deliver.
EP 13 was TONS OF BUDGET
I love this scene. The theater will never stop showing it.
thanks trigger
Sucy Picture present : LWA ヾ(・ω・)メ(・ω・)ノ