I've decided I must break the seal on this blog so here's a pinned post:
main @jaystrifes, I just have so much to say about Code Geass that I had to make a whole sideblog. I first watched the series in 2013 and at this rate I will be obsessed with it forever.
I intend to make a very comprehensive organizational system for this blog to serve a dual purpose as an archive for fanworks, meta, official art, interviews, and other niche source material I encounter, in addition to my own fandom contributions. My first order of business is to cross-post what I've accumulated on my main blog over the past decade-ish.
For the purpose of interpreting the original series, I'm most interested in primary source material, and what the people who made it said about it (though "word of god" doesn't supersede what's actually on the page/screen, it's valuable context).
Beyond the original series, I'm really only familiar with the Akito OVA, the movies, miscellaneous bits of supplementary trivia, and synopses of some of the other spinoffs. I'm interested in exploring anything I can get my hands on, but I'm especially looking forward to reading the light novels and the Mutuality artbook. (I might make a separate post to track the niche/lost Code Geass media I'm still trying to source in hopes of gathering some links - if anyone else is doing that kind of archival fandom work, let me know!)
Below, a couple housekeeping notes re: major areas of interest, strongly held opinions, ships, etc. Feel free to ignore me if we don't vibe.
Code Geass is obviously a nuanced, imperfect, and problematic work of fiction; I don't stand by it in its entirety.
Suzalulu is real, though obviously repressed in the canon setting.
Lelouch's relationships with women are predominantly informed by compulsory heterosexuality and subconscious paternalism.
C.C. and Lelouch are partners.
Lelouch is gay, to me, but I'm also interested in the fluidity of both his sexuality and gender.
The writing around Lelouch's identity conflicts (for example, his difficulty in reconciling his civilian life with his life as Zero) is enriched when read through the lens of trauma-related dissociation. Hence the username. I'm working on a more detailed analysis dedicated to this topic, but I'm open to questions in the meantime if you're curious.
Zero Requiem makes a perfect finale for Code Geass as a story, but not for Lelouch as a character. It's important for Lelouch to live, for the same reasons as Suzaku. (Re;surrection is... not exactly how I wanted to see that idea explored.)
WIP tag system under the cut

















