My winter lambs
2025 on Tumblr: Trends That Defined the Year
No title available
d e v o n
PUT YOUR BEARD IN MY MOUTH

No title available
tumblr dot com
Cosimo Galluzzi
official daine visual archive
No title available
The Bowery Presents
sheepfilms
Keni
No title available
🩵 avery cochrane 🩵
Fai_Ryy
let's talk about Bridgerton tea, my ask is open
Misplaced Lens Cap

Origami Around
Show & Tell

PR's Tumblrdome

seen from Malaysia
seen from India
seen from United States

seen from Lithuania

seen from Malaysia

seen from United States
seen from United States

seen from Singapore

seen from Indonesia
seen from Canada

seen from Kenya

seen from Malaysia

seen from Argentina
seen from United States

seen from United States
seen from India
seen from United States
seen from United States

seen from United States

seen from Russia
@lenacorporations
My winter lambs
do you ever feel yourself fail a charisma check in real time
DOOMSDAY IS COMING. Avengers: Doomsday 12.18.2026, dir. Joe Russo, Anthony Russo
MEAN GIRLS (2004) dir. Mark Waters
There seem to be a lot of people who don’t understand why Lobo was in the movie, so I’m just gonna say it: Lobo is who Kara is at risk of becoming.
Kara is at a crossroads, and one road leads towards Clark and one leads to Lobo. Or rather, one path leads to embracing the responsibility of the life and powers her parents gave her, and the other is continuing to drink her life away, not caring about anything or anyone but her and hers.
Lobo is immensely powerful, and the last of his planet. Just like Kara. And when we meet him, he’s passed out drunk in a bar, oblivious and uncaring of violence and exploitation around him. Just like Kara was trying to be when she first met Ruthye.
Lobo is Kara’s future if she gives up on trying to be good. Drunkenly stumbling through the galaxy not helping anyone or anything and only caring about herself. Maybe not mindlessly cruel, but not kind or good or caring of the pain of the people around her.
It’s why they both get Ruthye’s spiel, it’s why Lobo’s whole introduction mirrors what Kara was just doing demanding to know about the Brigands, it’s why they’re both “the ditz from the bar”, it’s why they both have the gag with the space suit collar.
It’s why Lobo crops up each time Ruthye and Kara are faced with choices, sometimes acting as a devil on their shoulders, sometimes just a big lurking ominous warning of their bleak future if they make the wrong choices. It’s why Lobo says “let Ruthye have her revenge”, uncaring of how the violence might haunt Ruthye for the rest of her life. He’s a big constant reminder why Kara cannot let this thirteen year old girl be consumed by violence, and of who her parents didn’t want her to be.
Lobo is Kara’s foil and shadow.
I don’t think the movie always executed this well, it could have been done better, but I don’t think it was subtle either. The parallels between Kara and Lobo are right there in every scene and always highlight the choices Kara makes to be kind, and I do wish people would take the time to actually think about them before writing Lobo’s presence off.
clark taking everyone to the beach for a day out and him + the justice gang + lois watching in horror as krypto swings kara around by her foot and skips her across the ocean into the horizon like a flat rock
Melissa Benoist as Bree Buckley The Waterfront • 1.02 Taking Control
That was her magic; she could still see the sunset, even on those darkest days. — Atticus Poetry, Love Her Wild
In today's Fig Tree, Heather Chandler gets to learn some things about herself. It might not be the best time, but hey, it's educational. Do mind the content warnings for this one, friends.
“The last son of Krypton” yeah. Yeah, that’s what Clark is—he’s the last surviving child to be born on Krypton. But he could not be farther from “the last Kryptonian”
And it honestly makes me so mad whenever he’s referred to like that
Because to Clark, Krypton is a concept. It’s an idea. It’s like how we grow up with myths like Atlantis—we have never and (most likely, in our case, but I’d like to hold out hope lol) will never experience it in real life.
And Clark was never really Kal-El; he was always just. Clark Kent. The human boy from Krypton.
And then you have Kara.
Kara Zor-El, who grew up speaking Kryptonese.
Kara Zor-El, who grew up celebrating their holidays.
Kara Zor-El, who grew up eating their food.
Kara Zor-El, who, on the day that she left Krypton, had school the next day.
Kara is the last person alive who remembers a dead planet and actually lived on it.
Whereas to Clark, Krypton was a story, an ideal, a concept, to Kara, it was her entire world.
And she’s just. She’s such a heartbreaking character.
Because, think about it; she was fifteen years old. The ground was shaking. Buildings were collapsing. People were screaming, people were crying, people were scared, people were confused, and people were dying—her people, her friends.
And her parents told her to get into a pod. Told her that she needed to protect Kal-El. Their last request to her was to make sure that he was safe.
And they sent her away.
And she wonders why? Why her? Why, out of everyone, was she chosen to get to live, when everyone—everything that she knew was going to die, and there would be no one left to remember it but her?
And then she’s knocked off course.
And she spends two decades—two long, agonizing decades—alone in the dark.
And then she finally she finally manages to make it to Earth. She hasn’t aged a day—she’s still fifteen years old, and she’s lonely, and she’s confused, and she’s terrified, and she hurts, and she wants to go home, she wants her parents, she wants her friends. But she knows. She knows that she’s never going to see them again.
And when she gets to Earth, she’s still alone. She doesn’t understand what anyone is saying and no one understands her. And she doesn’t find Kal-El. Because Kal-El doesn’t really exist. She finds Clark Kent, all grown up. Clark Kent, older than her. Clark Kent, who doesn’t need her to protect him.
And…she failed. She failed her parents.
She wasn’t there. She didn’t see him grow up. She didn’t protect him, she didn’t keep him safe.
And her home, her family, everything she ever had and everything she ever loved is…gone. But she’s still there.
And she must resent her parents, because who wouldn’t? If they hadn’t sent her away, it wouldn’t have made a difference in her cousin’s life. Really, the only difference that it would’ve made is that she wouldn’t be alone. She wouldn’t be suffering. She wouldn’t have to live knowing that everyone else was dead. She wouldn’t feel the guilt of it.
But she does. She does and she misses it and she misses them and she dreams of it. No matter how long it’s been, she’ll still dream of Krypton, and she will until the day she dies.
Sorry, went off on kind of a tangent there lol. I just love psychology and I love Kara and she’s just so tragic.
(almost) every penelope bridgerton scenes (548/???)
When we first met
prev dont leave this in the tags
Literally the definition of imperialism and classism. Doesn’t matter how many peasants you sacrifice as long as the most powerful piece is left standing
Proximity of bishops to the rulers promotes theocratic oppression
the horse is so fuckable
THE SHEEP DETECTIVES (2026) dir. Kyle Balda