for your happy prompts ask, perhaps kara is a documentary film maker who follows ceo lena around for a doc and ends up falling in love with her by learning a bunch of little things she finds out during filming? also p.s. i absolutely adore your writing even when it tugs at the heartstrings. thank you for writing what you do! it makes my day everytime i see an update or get an email
She wasn’t allowed to see Lena Luthor until she’d signed so many papers that, if stacked together, would be taller than she was. She wasn’t even allowed to touch her camera around Lena Luthor until the woman herself, CEO extraordinaire, had personally vetted Kara out.
“You know,” Kara said as casually as she could, finding herself nervously adjusting her glasses when Lena’s cold gaze fell on her, “I usually have a whole team with me when I do this.”
“And I agreed to this on the condition that only one nosy filmmaker follows me around, not a whole team.” Lena’s reply was like everything else Kara had learned about the CEO thus far: she was blunt, a little harsh, tone and eyes cold and emotionless. She gave nothing away, not in her walk, in her mannerisms, in the ridiculously healthy food she ate, in the way she spoke to her employees or board members. She was cool, detached, wickedly smart, and utterly composed. “And I must approve the final result,” she added, gesturing to the mountain of paperwork Kara signed.
(Kara sighed internally, a tiny part of her sure Lena was a robot.)
“But it’s everything, right?” Kara clarified. “A total look into your life, no holding back?”
“You may follow me around to your heart’s content,” Lena said, leaning back in her desk chair, studying Kara intently.
“May I ask, Ms. Luthor, what made you agree to this, when you’re usually so distrustful of the media?”
Lena gave Kara a smile that didn’t touch her eyes. “What made you ask to do this when you know I distrust the media?”
Lena hadn’t answered, so Kara knew she didn’t have to either, but she felt it was important to establish some kind of rapport with the woman she’d be following around for the next few weeks. “I’m of the opinion that things are rarely as simple as they seem from the outside, that’s all.”
“Well,” Lena said, looking pleasantly surprised and offering Kara a grin (a real one, one that touched her eyes and transformed her face), “perhaps that’s why I agreed to you doing this.”
x
“You’re one of Ms. Luthor’s closest friends, is that right?”
“Yes.”
“Since before your daughter was born?”
“Yup.”
“So would you say you know her quite well?”
“Sure.”
“Do you plan on answering any of my questions with more than one word?”
“Nope.”
“Okay. So, in one word I suppose, how would you describe Ms. Luthor to a stranger?”
“Flawless.”
x
The rules of her arrangement with Lena were rather simple. For the next several weeks, Lena consented to having Kara around from the moment she woke up to the moment she went to sleep. In return, Kara was not allowed in certain meetings at L-Corp, was not allowed to bring her camera with her at all when Lena went down to R&D, and if Lena asked for her to stop filming at any point, Kara was bound to immediately do so and erase any footage she may have inadvertently captured.
For the first two days of the arrangement, it was actually rather boring. Lena was awake before the crack of dawn, she didn’t acknowledge Kara’s presence as she made coffee and toast (though she did push a cup and a plate towards Kara), and then spent the next fifteen or so hours in her office, sifting through papers, answering phone calls and responding to emails, and forgetting meals. It wasn’t until the third day that Lena’s routine changed slightly.
She received a phone call at breakfast, and whoever it was caused a bright red blush to bloom on her cheeks. Kara zoomed in slightly on Lena’s face as she answered the call. “Now’s not really a good time, Sam,” she began, falling silent at whatever this Sam was saying on the other end. Lena’s eyes flitted over towards Kara, but to her surprise, she didn’t ask for Kara to shut off the camera. “That sounds terrible,” she said, sounding truly apologetic, something about her countenance changing. She seemed softer, more open, calmer than Kara had seen her yet. “And Ruby was so excited too.” Lena fell silent once more, nodding almost as if unaware of it. “I agree with her,” Lena suddenly laughed, still nodding, “it’s not fair at all. But there’s no way I’m not going to visit. Do you want me to bring anything?” Lena laughed again, and Kara wondered if her camera was capturing the change she was witnessing with her own eyes. “As if I could forget Ruby’s chocolate.” A pause. “Give her all my love.” Another pause, a tiny smile on Lena’s lips. “All right, I will. Bye.” As she hung up, she looked over at Kara, as if daring her to comment, everything about her shuttering at once.
“Who was that?” Kara asked, not really expecting an answer. To her surprise, however, Lena’s eyes flitted to the camera and she let out a soft, resigned sigh.
“That was my CFO, Sam Arias,” she answered, her tone a complete 180 from what she was using on the phone. She studied Kara for a moment and must have read something on her face, because her shoulders deflated and she motioned towards her phone. “Sam is my best friend. Her daughter, Ruby, is my goddaughter. We were supposed to go to the animal shelter today.” Lena smiled softly, almost as if unaware of it. “She’s finally convinced Sam she’s responsible enough for a pet. It’s actually—” Lena stopped suddenly, her eyes shifting to the camera once more, any warmth that had managed to leak out dissipating at once. “In any case, she’s sick. So we’ll have to reschedule.” She waved her hand towards the camera. “Can you turn that off, please?”
“Uh, yeah, of course,” Kara said quickly, making a show of turning the Camcorder off and setting it aside. “Is something wrong?”
Lena shook her head, leaning against her kitchen counter as she eyed Kara with something like curiosity. “You know, I’ve seen all of your other work,” she said after a moment, frowning at Kara like she was a puzzle she couldn’t figure out.
(Had she? Seen all of Kara’s work? A part of Kara was curious as to how, after all, most of her stuff was tucked away in a closet back in Midvale, waiting to be opened up and viewed during Christmas, when Alex would laugh at the films she’d made in high school about how the boys’ sports teams were unfairly given more attention than the girls’. The others were projects for her degree and one or two failed attempts to get a real production company to take the risk on her.
In fact, if not for Cat Grant’s decision as ‘The Queen of All Media’ to get involved in filmmaking, funding a project from a no-name creator, Kara wasn’t even sure she’d have the film she was making now.)
“Oh,” she said inarticulately, not quite sure how to word what she was really thinking. How rich did you have to be to be able to bribe anyone into giving you anything?
Lena nodded carefully, her face a perfect mask. If not for the way her eyes followed Kara’s every movement, Kara would’ve even thought that Lena was bored. “You’re very fond of certain themes. Hope. Love. Endless optimism in the best of humanity.” She said it like it was a bad thing. And it was suddenly Kara’s turn to lean forward on the opposite end of the counter, feeling her head tilt to the side questioningly.
“Is that what you got from my films?” she asked, genuinely curious.
Lena seemed wary of the question, standing up straight and crossing her arms over her chest defensively. “Isn’t that what you intended?”
“You know,” Kara said slowly, “I don’t actually believe in all that creator’s intent nonsense. I think we search for parts of ourselves when we consume art. So if that’s what you got from my films, that says more about you than it does about me.”
If anything, this seemed to offend Lena. “So you’d deny having any sort of intent with your work? What about making something with meaning?”
Kara laughed, shaking her head. “That’s not what I mean, and besides, who says art has to mean anything?”
“Of course art means something,” Lena argued, narrowing her eyes at Kara. “What’s the point of doing it if it doesn’t mean anything?”
Kara shrugged easily, giving Lena a small smile. “I disagree. I think art says something. But meaning is up to the people who consume it.” She picked up her camera and pointed it at Lena without turning it on. “Doesn’t matter what I intended to say with my films, you got meaning from it. So I’d say there was a point in making it, don’t you think?”
Lena eyed her for a moment, apparently not liking that Kara wasn’t giving her an answer, wasn’t telling her what she was trying to say with her work. But then, after several long seconds, she relented, letting out a chuckle and shaking her head. “Well, fine,” she said, her smile touching her eyes. “As long as you don’t try to say anything silly like hope, love, or endless optimism in the best of humanity with this film.”
“I’m afraid I can’t change who you are, Ms. Luthor,” Kara said softly, turning her camera on and effectively cutting off any response Lena may have had.
(And when she looks at the footage weeks later, she’ll freeze that frame, breath catching at the look on Lena’s face: the softness of her eyes, the curve of her lips, and the pleasantly confused crinkle between her brows.)
x
“Do you spend a lot of time with your godmother?”
“Oh yeah, loads! She’s great.”
“What sort of things do you do with her?”
“I mean, normal stuff? She takes me to get ice cream all the time. The other day, she rented that new horror movie that came out and watched it with me when I stayed over. My mom went nuts when she found out.”
“So you like her?”
“No, of course not. I love Lena. She’s my aunt, you know? She’s family.”
“And if you had the chance, what would you want the world to know about her?”
“That she cares, so much. And that she’s funny and super smart and helps me with homework and after my mom she’s the very best person I know.”
x
The visit to Luthor Children’s Hospital was, as far as Kara was aware, unplanned and in fact gave Jess a great deal of anxiety. For her part, Kara was mostly frustrated and annoyed, wondering if this film was worth it at all. Because Lena Luthor seemed to be asking Kara to turn off the camera more and more, especially when her day deviated at all and she was forced to leave her office.
(Walks in the park, lunches with her goddaughter, a touching moment with the child of one of her employees...all locked away somewhere in Kara’s memory, but destined to remain there instead of on film, where it should be.)
She huffed a little bit as she leaned against the wall, watching Lena walk quickly towards the group of nurses and doctors. She didn’t say anything when Jess joined her, a contemplative look on her face. “She always does this,” Jess told Kara after a long silence, rolling her eyes fondly. “She’ll cancel meetings last minute because she heard one of the kids in the hemoc ward has finished treatment or that they’re out of toys to give to the new patients.”
“Why isn’t there any press if she does this often?” Kara asked, turning to Jess but watching Lena out of the corner of her eye. She was talking to one of the doctors now, looking comically out of place with her designer clothes while surrounded by colorful artwork by kids that littered the walls of the Children’s Hospital.
Jess fixed Kara with an unimpressed look. “You’ve met her, right?” she asked rhetorically. “She goes out of her way to hide these visits. She says that she has to keep it under wraps because she wants to keep it about the kids and not her. But I think the truth is she’s just worried people would mistreat the kids and their families for allowing a ‘Luthor’ within ten feet of them.”
“Oh,” Kara said dumbly, a little stunned by the new information, and feeling guilty for her thoughts earlier. “That’s...awful.”
“I’m not telling you this for nothing, you know,” Jess continued, frowning at Kara. “She’s been avoiding lots of her usual charitable work since you’ve been around. The whole point of this was to get everyone else to see the real Lena Luthor, but she’s ruining it by being humble and noble.”
(Kara wanted to groan, roll her eyes, or better yet go over to Lena herself and shake her until she understood what Kara’s job was.
How was she supposed to make a documentary about Lena Luthor if Lena Luthor was so determined to hide herself away from the world?)
“What would you have me do?” she asked, not voicing her frustration, though it seeped into her tone anyway. “We have a deal, and she doesn’t want me to film these things.”
Jess shook her head, looking terribly unimpressed by the answer. “Don’t you have artistic integrity? Would you allow anyone else to boss you around and tell you what you could and couldn’t film?”
Kara looked over at Lena, who was now smiling at a young boy who had ambled up to her with his mother and infusion pump stand in tow. She watched as Lena actually dropped to her knees to talk to the boy, nodding vigorously at whatever he was saying. After a long moment, she turned back to Jess and shook her head. “No,” she said finally. “I guess I wouldn’t.”
And after Jess had given her another significant look before walking off, Kara raised her camera and began to film.
x
“Mr. Spheer, you’re an ex of Lena Luthor’s, right?”
“Ah, I see this documentary is quite personal. Are you sure that Lena is okay with this sort of thing going into her movie?”
“Well, it’s my movie. But she’s free to ask me to take things out.”
“Fascinating. Yes, I am Lena’s ex. I was quite brokenhearted when she broke it off to move to National City.”
“Oh, she broke it off?”
“So curious, Ms. Danvers. Perhaps you’re interested in something beyond a mere film?”
“W-what? No, that’s—please be serious, Mr. Spheer—”
“It’s Jack to you, my dear. What else do you need to know about Lena? Her favorite flowers are plumerias, her favorite food is—”
“—oh that’s really not necessary. If we could just focus on who Lena is as a person. A friend. A former girlfriend?”
“Hmm, yes. Well, just imagine your perfect woman, Ms. Danvers.”
“Oh, um, I—”
“—exactly, you see Lena. That’s an universal experience, I’m afraid. Lena is simply...too good for this world.”
“So you’d say the treatment she gets by the public is unfair?”
“It’s unfair how much people attack pineapple on pizza, Ms. Danvers. The way they speak of Lena without knowing her? That’s a pure travesty.”
x
They were about ten days into filming when Kara saw Lena relax for the first time.
She was using the word ‘relax’ rather loosely, of course. Lena didn’t do what Kara did after a long week—put on a pair of sweatpants, order loads of junk food, and watch so much Netflix that it eventually felt the need to ask her if she was still watching. In fact, Lena’s idea of relaxing was more work. Just, fun work.
She was dressed in jeans and a blue shirt, knees pulled up to her chest as she sat at her desk, mumbling under her breath as she did whatever she was doing. (She hadn’t bothered to explain to Kara, had just sighed and acquiesced to the presence of the camera in her home office.) Perched precariously at the tip of her nose were a thick black pair of glasses, her hair falling to her shoulders in gentle waves.
She looked different. Softer, somehow. Gone was all the trappings of a badass CEO, and all that was left was a clever (and beautiful) young woman, working on the things she loved in her spare time.
Kara zoomed in slightly, focusing on Lena’s face, on the furrow between her brows, her lips twisted in concentration. There was something there, something different, and Kara just wanted to—
“Is that camera heavy?” Lena asked, looking up suddenly, a curious expression on her face. She was good at that, the polite looks, gently asking for more information. Tiny eyebrow raises, nearly imperceptible softening of her eyes, lips quirked the slightest bit, all intended to disarm her quarry, making them drop their guard long enough that they give everything held close to their chest away.
“Not really,” Kara answered, grinning at Lena. This made the other woman blink in surprise, clearly not the response she was looking for, that expression on her face shifting suddenly, becoming more calculating. “I work out,” Kara went on to explain, shrugging easily, careful not to jostle the camera. “Besides, it’s not that heavy, I think about five pounds.”
“What kind of camera do you use?”
“Oh, it’s a Panasonic AG-HVX—” she cut herself off. “It’s not that interesting.” Kara adjusted her glasses and made sure Lena’s face was still in focus. Somehow, this made Lena’s tiny smile reappear. She stood up and circled her desk, and Kara was forced to back away to maintain focus.
“You love filming, don’t you?” Lena asked, and Kara blinked, not quite sure where she was going with this.
“Ms. Luthor, as I’m sure you’re aware, this film is about you.”
If she thought this would in any way cow Lena, she was wrong. Lena just grinned, looking like she’d somehow won something.
“Do you know what I don’t understand?” she said with faux casualness, crossing her arms and tapping a finger against her elbow. “Why would you, someone Cat Grant speaks so highly of, be willing to agree to this assignment? Something most people wouldn’t touch with a ten foot pole.”
Kara frowned, not thinking as she responded. “It wasn’t assigned, Ms. Luthor. I pitched the idea. I wanted to do this.” Lena’s words sank in a moment later. “Wait. Cat Grant spoke highly of me?”
“Why?” Lena asked, no longer smiling.
Kara blinked at the change in tone. “Why what?” she asked, genuinely confused. This was, apparently, the wrong answer, because Lena chose that moment to begin pacing in front of her desk, looking more than a little bothered.
“I don’t get it,” she said as she paced. “I tried to figure it out, looked into you, into your work. I thought maybe you were doing this to build fame, but I’ve seen your work and even without a movie about the last Luthor, I have no doubt you’ll be very popular—”
“Oh, that’s nice of you, thank y—”
“—then I thought maybe you have a vendetta against my family and just want me to look bad,” Lena continued, barreling over Kara’s words and ignoring her entirely, “but the only connection between you and my family is your cousin, Clark Kent, and he’s the journalist who broke the story on my brother, so if anything I should dislike you—”
“That’s not exactly...Clark and I aren’t—”
“—so I really need you to explain it to me. Why did you want to make this film?” She paused her brisk pacing as she asked the question, meeting Kara’s eyes with a fierce look, one Kara was infinitely glad she was capturing on film. Because this, this glint in Lena’s eyes, was why Kara wanted to do this.
“Do you remember the speech you gave when you came to National City?” Kara asked, and judging from the way Lena’s eyebrows rose in response, she was rather thrown by the question. “Because I do. I watched it maybe a few dozen times. All those horrible questions, all the absolute certainty that you were like your brother, and you kept your head up and you promised to prove them all wrong, to make up for what he did.” Kara sighed, shutting off the camera and setting it aside gently. “I’ve never seen anything quite like it. I was...interested. I wanted to see more.”
“And?”
“And what?”
“Did I meet your expectations? Disappoint you? What?”
Kara smiled, unable to help it. “Does my opinion on you really matter?”
“Do you always answer a question with another question?” Lena shot back, eyes narrowing.
Kara’s smile just widened and she began to gather her things, preparing to leave for the night. Impressively, Lena didn’t question her further, just watched her then followed her to the door, looking rather cross. Pausing briefly to adjust her glasses and the strap of her bag, Kara turned suddenly and met Lena’s eyes. “You exceeded them. My expectations, that is,” Kara added when Lena offered only a quizzical look in response.
For a moment, Lena didn’t react, then that same look from her office—the softness of her eyes, the curve of her lips, and the pleasantly confused crinkle between her brows—overtook her expression, and she let out a laugh.
“Well, good then.”
x
“You went to boarding school with Ms. Luthor?”
“I don’t think that’s public knowledge, how do you know that?”
“Um, Ms. Arias told me about you. She mentioned your relationship with Ms. Luthor is unique.”
“Well, Sam would know, wouldn’t she?”
“Ms. Rojas, if you don’t want to speak to me, you don’t have to.”
“It’s fine. Look, Lena and I have been estranged for a while now. I...I did something to break her trust.”
“So would you say that Ms. Luthor is difficult to get along with?”
“No, I’d say that Lena values things like honesty and trust, and—you know that Austen novel? With the man who says that once you lose his good opinion, it’s gone forever?”
“Pride and Prejudice?”
“Exactly. Lena is like that.”
“Ms. Luthor is like Mr. Darcy?”
“No, she’s classic. No matter what’s going on, she’ll endure.”
“So...you were the one difficult to get along with?”
“Have you ever thought about taking your work to a whole new level, Kara? How do you feel about virtual reality?”
“Oh, um, I don’t have particular thoughts? But I’d love to know yours about Ms. Luthor. For the film.”
“She won’t believe this, or that I’m saying it coercion free, but Lena is...a visionary. More than that, she’s just a decent person. Which is more than most of us can say, don’t you think?”
x
After their conversation, Lena opened up dramatically.
(Well, dramatically was a stretch, but considering how closed off she’d been before, the difference was rather drastic.)
Kara filmed Lena’s visit to an animal shelter, capturing the way her fingers gently ran over the fur of the dog that immediately trotted over to her, placing its head in her lap. Lena had then explained that she went to shelters often, just to volunteer, as she was unable to adopt for fear of not having time to give the dog the attention it deserved.
Later that week, Lena let Kara stay later than usual, putting on some music as she got to cooking, going as far as to teach Kara the basics of the dish, laughing when Kara admitted that her skill in the kitchen was limited to making sandwiches. At one point she grabbed the camera and set it aside, dragging Kara into the kitchen, giving instructions and lessons as she swayed her hips to the music.
(It was silly, it was lighthearted, it was fun, and Kara couldn’t help it.
She forgot she was there to make a film.)
And as the days and weeks dragged on, when Lena showed off her skills at the piano—apologetically explaining she hadn’t had time to really play in months—or when she told Kara about her very ‘nerdy’ stamp collection or even when Lena seemed to ignore there was a camera between them and she began to talk about her day and her hopes for the weekend, Kara forgot that it was a job. She forgot that she was supposed to be making something, paying attention to more than Lena’s smile or the way her eyes lit up whenever she mentioned work she was particularly passionate about.
Somewhere along the way, Kara cared more about the opportunity to spend time with Lena than she did the film itself.
More worryingly, that realization didn’t even bother her.
x
“Why filmmaking?” Lena asked one morning, pushing coffee and toast towards Kara with a tiny smile. The camera was still in its bag, untouched since Kara had arrived nearly an hour earlier. “Why not journalism like your cousin?”
“My cousin and I,” Kara began awkwardly, adjusting her glasses, “well, our relationship is a little strained, I guess.” She didn’t need the slight tilt of Lena’s head to know that Lena wanted her to keep going, to explain further. She let out a soft chuckle and rubbed her forehead with the tips of her fingers. “Um, so my parents died when I was twelve. And Clark sort of...left me? I went to live with the Danvers instead, and they bought me a camera for my birthday.” Kara grinned at the very memory, still able to feel its weight in her hand, the eyepiece against her eye. “It was one of those old camcorders, do you remember? The ones with the tapes? I drove them nuts, filming literally everything. I don’t think they ever saw my face for the first few months I was with them, it was constantly behind the camera.” She didn’t explain why she wanted to document every moment with her new family, but judging from the way Lena’s eyes softened, she understood anyway. “From there it became serious. I started making films. School projects, etc. Now I’m here.”
“Why documentaries? Why not something like...oh, I don’t know, action movies?” Lena prodded, looking curious, looking interested, looking like the answer mattered.
Kara just shrugged, suddenly not able to look Lena in the eye. “I guess there’s a part of me that wanted to take after Clark.”
x
“How long have you been working for Ms. Luthor?”
“Um, this December will make seven years.”
“As her assistant, you have remarkable access to her. What’s she like?”
“Driven, ambitious, works way too hard. I don’t think she’s ever taken a holiday or even a break...but um, maybe don’t say that in the film.”
“Artistic integrity, remember? She works hard, that’s clear. But what about personally? Her relationship with you and the other employees? What kind of boss is she?”
“She cares a lot. A few years ago, before Lex Luthor, well. You know. Before all that, LuthorCorp was facing serious losses. Mr. Luthor wanted to just get rid of entire departments, but Ms. Luthor said the research was vital, and more than that, the researchers were important. She convinced her brother to keep them on—she won’t admit it, but it was more than being persuasive. She paid for it out of her own pocket.”
“So you’d say she’s charitable?”
“No, she’s passionate. And she fights for the things she believes in. Ms. Luthor likes to say that charity implies pity, and she doesn’t do anything out of pity. She just does what’s right by people.”
“Some would disagree, they’d argue that LuthorCorp, and by extension its new iteration, L-Corp, don’t care about people, but about profits. Do you think that’s a fair assessment of the company you’ve devoted seven years to?”
“Look. I get it, people are suspicious of L-Corp because it used to be LuthorCorp. But it’s not just a name change. When Lena took over, she gutted her company. There’s not a single program left from Mr. Luthor’s time as CEO. L-Corp is all Ms. Luthor.”
“So if L-Corp is Ms. Luthor, who is Ms. Luthor?”
“She’s a woman who’s been hurt all her life, Kara Danvers, and whose only goal is to keep as many people as she can from hurting too. Sometimes I just wish she realized she doesn’t deserve to be hurt anymore either.”
“Oh.”
“Also, I don’t care about your artistic integrity, that last bit does not go in the film.”
x
One afternoon, when Kara was dangerously close to dozing off on the couch in Lena’s office—camera turned off and set aside, not really needing more footage of Lena working at her desk—Lena suddenly jumped to her feet, an excited gleam in her eyes.
“They’ve done it,” she said, the smile forming on her lips so wide that Kara found herself smiling back.
“Done what?” Kara asked, fairly sure this would lead to Lena’s refrain of ‘that’s company business and I’m afraid you’re not privy to that information’ but instead, Lena looked at her appraisingly, then rolled her eyes.
“If I allow you to bring your camera in R&D, do you swear not to film my ongoing projects?”
“You’re going to let me film in R&D?” Kara said excitedly, jumping to her feet and grabbing her camera.
“Kara, do you swear?”
“Yes, yes, of course, Ms. Luthor. I absolutely swear.”
And the next thing Kara knew, she was filming in the one place she’d been told was off-limits, capturing the lab and Lena talking to her researchers animatedly about the advancement they’d made in gene therapy, not entirely surprised when Lena shoved the scientists towards Kara and urged them to brag about their achievement—while also warning them to be as vague as possible—and then sank into the background, clearly thrilled to have her scientists as the center of attention.
And later, when Lena decided to actually take a lunch hour as a ‘reward’ for the great strides L-Corp had made, she took Kara along, bought three different appetizers, and smiled her wide smile before she said, “It’s Lena, by the way. Just Lena.”
Mouth still bulging with the three potstickers she’d practically inhaled, Kara couldn’t manage much more than a nod, but later—when she was alone—she tried saying the name aloud, and it sent a shiver down her spine.
x
“Mrs. Luthor—”
“It’s doctor, actually.”
“Oh, I’m sorry. Dr. Luthor. You adopted Ms. Luthor when she was four, is that correct?”
“I’m afraid I don’t have time for this nonsense. I consented to this interview only to say one thing: Lena was always the more clever of my children, but she’s foolish and soft, and this silly film is yet another example of that.”
“You agreed to meet with me to just say...that. Okay. That’s um. Fine.”
x
As the weeks dragged on, Kara had little reason to continue filming. Her deadline with Cat Grant was fast approaching, and she had more than enough footage. All that really remained was editing, of putting the final pieces together. But she found herself filming anyway.
Every day, she’d make her way to Lena’s apartment, making flimsy excuses about how certain footage was no good, or had been corrupted, and that she needed retakes of Lena doing ordinary things (like reading the paper, cooking dinner, or talking about her day). She knew that Lena could tell her excuses were just that, but mercifully, Lena didn’t seem to want to call her out on it, merely gave soft reminders not to stay up so late every night to edit (the ‘you could just as easily stop wasting your time here and be editing during normal hours’ going unsaid).
(Jess had rolled her eyes when Kara came by L-Corp and Lena mentioned offhandedly that Kara somehow hadn’t gotten a shot of Lena entering her building in all the time she’d shadowed the CEO, and wasn’t that odd?)
But what Kara knew, what made her stretch out these moments as long as she possibly could, was that once the final product popped into existence, once she showed Lena and got her okay to send off to Cat Grant, that was it.
No more Lena.
And that terrified her.
(So she gathered more footage, fruitlessly hoping that the final product would never be ready, dragging her feet at every step.
She edited, studying Lena’s every expression, tried to pinpoint the exact moment she’d started to fall for the not-so-detached CEO extraordinaire, and wished it didn’t all have to come to an end.)
x
Two days after Kara had sent Lena the finished film, she got a curt email from the CEO herself with only three words: come see me.
Jess gave no indication about how her boss was feeling when Kara arrived, merely stared evenly at Kara and gestured with her head for her to just go on in. When Kara tried to ask her, Jess shook her head, pointed at the door to Lena’s office, and made a shooing gesture.
“It’s odd to see you without a camera,” Lena said when Kara sat down across from her, trying to keep her hands from fidgeting.
“It’s odd to be in here without a camera.” Kara took a deep breath. “Did you watch it?” she blurted, unable to keep it in. “What did you think?”
“You’re really fond of certain themes,” Lena said, then she raised her eyebrow. “You also filmed quite a bit when I had asked you not to.”
“Artistic integrity?” Kara tried, and Lena...laughed.
“I don’t know if I agree with the way you portrayed me,” she said slowly as her amusement faded. “You took a lot of liberties.”
“I was very faithful to the subject of the film, Lena.”
“What do you think you were trying to say?” Lena asked, waving off Kara’s comment.
“What meaning did you get from it?”
Lena studied her for a moment, as if she was trying to read Kara’s mind. “I’m not some selfless genius, Kara.”
“Is that what you think the film is saying?” Kara asked her, not rising to the obvious bait. “Like I said, Lena. I was very faithful to the subject of the film.” For a long moment, Lena didn’t respond, and Kara felt the worry she’d managed to push away since sending the film to Lena creep back in. “Does this mean you don’t approve of the film?”
“Hmm?” Lena said, distracted. “No, I’ve already sent it along to Cat Grant, giving my okay. Even though you broke our agreement, I can’t deny the final result was very favorable to me.”
“I wouldn’t have made something that wasn’t completely true,” Kara said, somewhat hotly, most of her irritation bleeding away with the knowledge that Cat Grant was in possession of the final product, that the rest was up to her.
Lena smiled, eyes soft, and she nodded her head almost incredulously. “No, you wouldn’t. I know that.” She cleared her throat, seeming a bit nervous. “But I was thinking. I’ve been missing our talks about your work, and I know you don’t like talking about what you’ve made, but perhaps you’d make an exception for me. Would you be willing to give me a private showing of your film? Give me all the insider secrets? I know your subject quite well, it would be a fun exercise.”
Kara’s heart slammed to a stop, the jump-started at the sight of Lena’s amused eyes, that tiny curve of her lips. “A private showing, huh?” Kara mumbled, feeling a little dazed. “I still won’t tell you what I was trying to say.”
“That’s completely fair.”
“But I suppose I could give you some insight on my thoughts.”
“Only if you wanted.”
“It may have to be more than one session,” Kara said, trying and failing to stop the spread of her smile. “There’s a lot of footage you know.”
“So it’s a date?” Lena asked, and Kara couldn’t help her eager nod.
“It’s definitely a date.”
