Margot Robbie as Harley Quinn in Birds of Prey (2020)
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Margot Robbie as Harley Quinn in Birds of Prey (2020)
During one of Birds of Prey’s fight sequences, Harley Quinn (Margot Robbie) identifies a teammate’s vulnerability and provides a critical assist — by lending her a hair tie. This small act of sisterhood is as familiar in an everyday context as it is surprising in the DC Extended Universe. It’s one of the many ways that Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) differs from its superhero movie forebears: It not only stars women, it was made by them, too. “There’s more women in front [of] and behind the camera than any movie I’d worked on, which is pretty incredible,” says Robbie, who also produced the film. “It was partly a conscious decision, but it also always felt like the organic, right choice to make.”
—Entertainment Weekly: How the R-rated, women-powered Birds of Prey flips the bird — and the script — in high-flying style
Apparently Mary Elizabeth Winstead in Birds of Prey wielding a crossbow isn’t sexy according to a man ??
it’s almost as if men are used to seeing women in film through a male gaze where they are sexualized and objectified for male pleasure and approval.??
huh anyway MEN are weak and ladies enjoy Mary Elizabeth Winstead looking hot and powerful as Huntress
like THAT ^^^^^^^^^ is sexy men need to grow up
Hmmmmm I wonder why
I know this isn't specifically about Harley Quinn, but since it's her movie, I gotta make the comparison. I mean I wonder why all men were drooling over this Harley
But I havent heard a single male praise for her hotness since the trailers for her movie came out and they find out now she looks like this
I MEAN
I W O N D E R W H Y
the difference a woman makes thank god
so fucking true
BIRDS OF PREY (2020) dir. Cathy Yan
Mary Elizabeth Winstead as Huntress will cause many, MANY gay awakenings, i know this.
Helena Bertinelli in Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn
Céline Sciamma, Adèle Haenel & Noémie Merlant photographed by Thomas Laisné in Cannes 2019.
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