by bjmstudioflowers

Discoholic 🪩
official daine visual archive
tumblr dot com
Stranger Things
I'd rather be in outer space 🛸
Sade Olutola
One Nice Bug Per Day
sheepfilms
KIROKAZE
he wasn't even looking at me and he found me
art blog(derogatory)

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Not today Justin
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if i look back, i am lost
Claire Keane

Janaina Medeiros

oozey mess
Misplaced Lens Cap
seen from United States

seen from Kenya

seen from Malaysia
seen from Switzerland
seen from Russia

seen from United Kingdom
seen from United States
seen from United States
seen from United States
seen from United States

seen from Malaysia

seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from Malaysia
seen from United States
@lettresduparadis
by bjmstudioflowers
Edge of Renewal by Erin Kate Archer ~ erinkatearcher
Palazzo Davanzati, Florence, Italy. 14th century.
As Catedrais, (Playa de las Catedrales) one of the most beautiful beaches in the world, known as beach Augasantas in the area. Galicia, Spain. -wikipedia
Weeping Willow, 1919, Claude Monet
Preparing for Lunch - Mike Hall
British, b. 1960 -
Acrylic on canvas , 50.8 x 50.8 cm.
Nasturtium - Leah Gardner
American , b. 1995 -
Oil on cradled wood panel , 8 x 10 in.
The longer I live, the more deeply I learn that love — whether we call it friendship or family or romance — is the work of mirroring and magnifying each other’s light. Gentle work. Steadfast work. Life-saving work in those moments when life and shame and sorrow occlude our own light from our view, but there is still a clear-eyed loving person to beam it back. In our best moments, we are that person for another.
-James Baldwin
long exposure picture of a plane taking off
Ravens in Love by Wandering Sole Images
Capitalism and Schizophrenia Deleuze and Guattari state that reading a text is never a scholarly exercise in search of meaning. Instead, “it is a productive use of the literary machine, a montage of desiring-machines, a schizoid exercise that extracts from the text its revolutionary force” (106). I want to use this reading practice in order to extract the liberatory force within the literary machines constructed in Anti-Oedipus and A Thousand Plateaus. Although they center on “the revolutionary” as a driving force in their project, I argue that the term “liberatory” is more appropriate. While reading this set of books can be at times a disorienting process with seemingly disparate ideas floating throughout, there are certain concepts that share similar qualities and functions. The schizophrenic and becomings are two concepts which possess a freeing potential and that allow for an escape of rigid, oppressive, molar structures. Even though the oppressive structures that Deleuze and Guattari are trying to dismantle vary throughout Capitalism and Schizophrenia —the first volume geared towards psychoanalysis as opposed to the expanded focus of the second volume—the schizo and becomings have a unique role within their politics of subversion. I am interested in tracing the co-presence of the concepts of the schizophrenic and becomings in these volumes. While the concept of the schizophrenic is heavily present in Anti-Oedipus, it does not completely disappear in A Thousand Plateaus. Conversely, the concept of becoming as well as the rhizome are already at work in Anti-Oedipus. Given that Deleuze and Guattari associate several writers and their literary machines to these concepts, I will trace these connections using the continuous references to Artaud in both of the volumes, along with literary examples of Proust, ending with a consideration of the presence of Joan of Arc in these works to note how these concepts might transform throughout Capitalism and Schizophrenia, and the ways in which they contribute to Deleuze and Guattari’s liberatory project.
tgbuonomo
By Samantha Cavet
Tu me déchires de l’intérieur