The AristoCats (1970) | animation keys by Ollie Johnston, Milt Kahl, and Frank Thomas (x)
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The AristoCats (1970) | animation keys by Ollie Johnston, Milt Kahl, and Frank Thomas (x)
Lighting your Painting: 4 Ways to Solve the Lighting Problem
Fundamentals of Painting
“Most of the time when we are painting, we get so overwhelmed with all the info, which is why practicing the lighting fundamentals beforehand will be beneficial for future work. This will be a pretty lengthy article, but it is pretty comprehensive in terms of necessary fundamentals.
Fundamental #1: Importance of the Plane
When painting and using light, you need to switch from the form build-up approach to thinking about the right plane structure to make the right lighting decisions.
If you can simplify the elements into the proper planes you will understand the structure better and you will be able to assign the right values (when lighting).
Fundamental #2: Light Properties
There are some consideration to make when thinking about lighting. I will try my best to explain some of properties and explain how the lights affect the values and colors of a scene.
Light-Shadow Ratio: The light-shadow ratio determines how much of a contrast there is between light and shadow. A higher contrast is created due to sunlight, and a lower contrast due to overcast weather for example. This is caused by different intensities in light.
Value Keys: Value keying is mainly a design technique used to adjust the value scale while maintaining the light-shadow ratio. Depending on the light situation we have a specific value key in the scene.
Value Compression: Value compression is needed, because we as painters can´t get the full range of light into our paintings. We need to decide, if we want to expose for the light side or shadow side and sacrifice the values on the other side
Light Color: The first thing to understand about light is that it constantly changes it´s wavelengths, therefore changing it´s color. To simplify the process just identify the light as a warm or cold light.
Shading Components
Fundamental #3: Light Set-up
Now that we know how values and colors and affected by light, let´s look at how to set up lighting situations. These lighting situations are always used, and can be divided into natural and artificial light:
Light Types: There are only 3 basic light types you need to know to light your scene. Key Light, Fill Light and Rim Light.
Light Sources: There are only so many light sources that exist. Knowing about them will help you identifying them in any given reference and use them creatively.
Global Illumination: The characteristics of global illumination is the use of bounced/reflected light. It is used to calculate where reflected light is coming from, so we know which planes receive what light in any given scene. You need to treat it as a diffuse light source. It is most effective when there are a lot of shadows.
Fundamental #4: Material Behaviour
Many Material renders disregard the properties of Light. The reason we have learned about light in the first place is to convey materials in different lighting conditions and make them congruent to the scene. Let´s look at the materials and how light interacts with different surfaces.
Learn how to think about shapes, value, color and edges and understand it to apply the knowledge of physics to adjust your values and colors. A proper artist knows both the mechanics of painting and of physics.”
For full explanations complete with image examples, go to the article.
rossiprojects:
Sad Monkey
The Furniture of Time & Second Thoughts (1939) by Yves Tanguy
I canât stress enough the importance of stretching your hands, and forearms every morning and every evening, spend 5-10 minutes going through a stretching routine. These are very easy to do, takes little time to do them. Itâs VERY common in all animation studios. Conditions can slowly develop, the most typical one is Repetitive Strain Injury, itâs a prevalent condition resulting from overusing the hands to perform a repetitive task, such as typing, clicking a mouse, writing, and of course drawing. In simple medical terms, repetitive strain injury (RSI) stems from prolonged repetitive, forceful, or awkward hand movements. The result is minor damage to muscles, tendons, and nerves of the neck, shoulder, forearm, and most commonly hand and wrist, which can cause pain, weakness, or numbness. If youâre feeling some pains, tingles, weakness, or numbness in the wrist/forearm; one of the best ways to heal quickly are âContrasting Bathsâ. What crazy voodoo am I speaking of? A couple different physiotherapists and massage therapists had recommended this technique to me several years ago, and for anyone I knew that tried it, they all say the results are fast and effective. Commonly used by carpal tunnel suffers, itâs a method of treating muscle soreness, swelling and inflammation, itâs also known as Hot/Cold Immersion Therapy. You can use the double sink in your kitchen at home, if you donât have one, then get your hands on two very large identical bowls, it needs to be big enough to submerge your entire forearms from wrist to elbow. Fill one up with ice cold water (with a couple dozen ice cubes floating in there). The other with very warm water, not tea-kettle boiling hot water, just hot tap water, or as warm as you can handle, no sense in burning yourself of course. Have a stop watch or clock ready, and submerge your arms for 30 seconds in the hot, then switch to doing 30 sec. in the cold, and repeat a few times back and forth, 30 sec. a piece. After only a few times youâll notice the hot water getting cooler and the cold water getting warmer, so then the technique grows to be less effective, but by then, the job is done. The idea is that the extreme heat and cold contracts and expands your blood vessels, promoting greater blood flow to circulate and flush through your arms, and increased blood flow is what aids in healing faster! Enjoy!
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oh my gdO CAN YOU DRAW GODZILLA MOMMA CARRYING LIKE A HUNDRED LIZARD BABIES ON HER BACK FOR TAKE YOUR CHILD (lizard) TO WORK DAY
oh SHOOT well i cant swing 100 but how bout
This is so unbelievably cool. There's so much expression!
Beautiful inspiring
disney + emotions
I really appreciate the palette consistency through these.
Some school work from this past semester! Our first assignment was to do a beach scene, and the last was to take a previous assignment and do it in a new style.
I chose to redo it in the style of Disney’s Atlantis
The relaxed, semi-cupped hand: as an artist, you will draw this a billion, zillion times. Print these out for practice and reference.
Storyboards from Mulan, Lilo & Stitch, and Brother Bear by Craig Grasso
More old stuff from like 2009/10 so.. Late high school early college. Man I haven’t drawn in ballpoint pen in ages.
I’ve been animating this way for the past half hour and shoot me now okay.
Max just want your baby to be happy. Whatever means necessary.
Bonus:
MAXINE CAULFIELD! YOU BETTER BRING THAT BACK!