CHARLIE EVANS as HUNTER DAVENPORT in
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@lexiblake25
CHARLIE EVANS as HUNTER DAVENPORT in
- Off Campus | Season 1
Emma Roberts?
ALLIE HAYES AND HANNAH WELLS OFF CAMPUS (2026-)
OFF CAMPUS | Season 1, Episode 2, "The Practice"
MIKA ABDALLA as ALLIE HAYES in OFF CAMPUS (2026)
OFF CAMPUS —1.06 "The Breakaway"
MIKA ABDALLA as ALLIE HAYES Off Campus: Season 1 (2026)
"You lied. You like roller coasters." "No. I fucking love roller coasters." ALLIE HAYES & DEAN DI LAURENTIS | Off Campus
[차린건 쥐뿔도 없지만] EP.29
awooga 😳
Pride and Prejudice 2005 ☼ dir. Joe Wright
PRIDE & PREJUDICE 2005, dir. Joe Wright
The most amazing thing to me about Jane Austen is that she staunchly refuses to leave any woman behind. It doesn't matter if a woman is an antagonist, a side character, or what, the reader is assured that they will be okay. This is so different from fiction at the time or even now.
Marianne Dashwood, living a plot perfect for a tragic death by illness to preserve the beauty of her first attachment and disappointment? Nope, she lives and loves with her whole heart again. Maria Rushworth, the fallen woman who cheated on her husband does not die for her crimes or even fall into poverty or prostitution, her father and Aunt Norris will provide for her. She is punished, but she's protected. Lydia Bennet? Her two sisters will provide for her for the rest of her life. Her husband's debt will not destroy her. Miss Bates? There is an entire community around her no matter what happens and her newly rich niece will provide. No woman is even left as a governess, Miss Taylor is Mrs. Weston, Jane Fairfax becomes Mrs. Churchill instead. Mrs. Smith is pulled out of her indigent state by Anne and Wentworth.
The only woman Jane Austen allows to suffer a terrible fate is off-page and dead long before the novel begins: Eliza Brandon. Eliza Williams, her mother's affair baby, is ruined by Willoughby. Colonel Brandon could easily have washed his hands of her and her affair child, but he doesn't. Eliza Williams is going to be okay. Her child will be okay.
Antagonist women never fall into poverty or die for their crimes, most of them are even in loving marriages. Fanny Dashwood is cruel to her mother and sisters-in-law, one could imagine her falling low in karmic retribution, but no, she's fine. Lady Susan, the delightful anti-heroine, marries a baronet at the end of her novel. No punishment looms on the horizon for her promiscuity and deception. Caroline Bingley has a loving family that will never turn her away and an independent fortune. Mary Crawford has a loving sister. Isabella Thorpe may have lost the big prize, but she has her mother. Never is a woman thrown to abuse or poverty, even when they have attacked other women. The only punishment would come from their own conscience or regret for the goodness they have thrown away.
Jane Austen somehow imagines a world where even the worst women are safe.
Keira Knightley: [Matthew MacFadyen] is just such a nice man. I think that helps [when someone is your love interest]. I think that helps when you meet somebody [who will potentially be your cast mate] and you think, "Well, you're just lovely." And is also such an amazing actor. So, what fun. Rosamund Pike: And when he can completely mask the niceness and put it under the arrogance and standoffish-ness that Darcy appears to have. And then [you] melt. Oh, so good. Pride & Prejudice (2005) Dir. Joe Wright Matthew Macfadyen for CBS Mornings (2024) Keira Knightley and Rosamund Pike for Vanity Fair (2025)
Pride and Prejudice (2005), BTS courtesy of Focus Features in celebration of the 20th Anniversary.
@giftober 2024 | day 4: slow motion ➛ anne with an e s03 e08 "great and sudden change"
you dont get how refreshing anne of green gables is like yes sometimes you really must imagine there are dryads combing their hair in the woods and little girls in the cupboard who love you and places called the lake of shining waters and lovers lane and be glad you live in a world where there are october’s and be full of love and wonder and whimsy and imagination
one thing i enjoy about chasing jade that i didn't fully realize from the webnovel is how objectively, it's silly that changyu always insists on protecting xie zheng (because he's a war hero and general, is as absurdly strong as she is, is incredibly skilled in martial arts, and is prone to violence/is always 10 seconds away from that delicious phrase c-webnovels use, "a murderous/killing aura" asdfghjkl--like it's silly in terms of dramatic irony because we know he's not really a weak scholar refugee, not because changyu's not up to the task; she very much *is* able to protect him)--and yet it's her determination to protect him and take care of him that's framed as the root of his attraction and devotion to her. and so he does need her protection, not physically, but like spiritually/psychically/emotionally. her protection offers him an essential nourishment he's lacked since his parents' unfair and fucked up deaths and which he's never expected of anyone since--and which she offers without his asking.
i also really like that for all xie zheng's violent inclinations, he's basically a decent person, like changyu pointed out to song yan. he's good with changning; he makes sure the comic relief thugs don't steal the deed of her house; he takes note of the ways people demean and cheat her and prepares in advance to argue against them; he's rich and basically clueless about the daily lives of the vast majority of people, but he doesn't treat her with contempt when he realizes she's not fully literate; he's patient, shows thankfulness, is helpful around the house, and willingly fits into changyu's life.