Harrowing by Maggie Smith

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Harrowing by Maggie Smith
Self Portrait by David Whyte
House in the Winter    -    Scott Prior , 2008.
American, b. 1949 -
Oil on panel , 16  x  20 in.
Kate Bush, Running Up That Hill single art photoshoot (1985) — photographed by John Carder Bush
American sonnet for my past and future assassin by Terrence Hayes
“It’s all I have to bring today -- ...”
by Emily Dickinson
It’s all I have to bring today — This, and my heart beside — This, and my heart, and all the fields — And all the meadows wide — Be sure you count — should I forget Some one the sum could tell — This, and my heart, and all the Bees Which in the Clover dwell.
Celestial Music
by Louise GlĂĽck
I have a friend who still believes in heaven. Not a stupid person, yet with all she knows, she literally talks to god, she thinks someone listens in heaven. On earth, she's unusually competent. Brave, too, able to face unpleasantness.
We found a caterpillar dying in the dirt, greedy ants crawling over it. I'm always moved by weakness, by disaster, always eager to oppose vitality. But timid, also, quick to shut my eyes. Whereas my friend was able to watch, to let events play out according to nature. For my sake, she intervened, brushing a few ants off the torn thing, and set it down across the road.
My friend says I shut my eyes to god, that nothing else explains my aversion to reality. She says I'm like the child who buries her head in the pillow so as not to see, the child who tells herself that light causes sadness -- My friend is like the mother. Patient, urging me to wake up an adult like herself, a courageous person --
In my dreams, my friend reproaches me. We're walking on the same road, except it's winter now; she's telling me that when you love the world you hear celestial music: look up, she says. When I look up, nothing. Only clouds, snow, a white business in the trees like brides leaping to a great height -- Then I'm afraid for her; I see her caught in a net deliberately cast over the earth --
In reality, we sit by the side of the road, watching the sun set; from time to time, the silence pierced by a birdcall. It's this moment we're both trying to explain, the fact that we're at ease with death, with solitude. My friend draws a circle in the dirt; inside, the caterpillar doesn't move. She's always trying to make something whole, something beautiful, an image capable of life apart from her. We're very quiet. It's peaceful sitting here, not speaking, the composition fixed, the road turning suddenly dark, the air going cool, here and there the rocks shining and glittering -- it's this stillness that we both love. The love of form is a love of endings.
bringing a gun to Chekhov’s house by Robert Wood Lynn
anne boyer
Anyway.
Hand on my heart. Hand on my stupid heart.
Aubade
by Louise GlĂĽck
There was one summer that returned many times over there was one flower unfurling taking many forms
Crimson of the monarda, pale gold of the late roses
There was one love There was one love, there were many nights
Smell of the mock orange tree Corridors of jasmine and lilies Still the wind blew
There were many winters but I closed my eyes The cold air white with dissolved wings
There was one garden when the snow melted Azure and white; I couldn’t tell my solitude from love —
There was one love; he had many voices There was one dawn; sometimes we watched it together
I was here I was here
There was one summer returning over and over there was one dawn I grew old watching
HAMMOND B3 ORGAN CISTERN by GABRIELLE CALVOCORESSI
The Conditional
by Ada LimĂłn
Say tomorrow doesn’t come. Say the moon becomes an icy pit. Say the sweet-gum tree is petrified. Say the sun’s a foul black tire fire. Say the owl’s eyes are pinpricks. Say the raccoon’s a hot tar stain. Say the shirt’s plastic ditch-litter. Say the kitchen’s a cow’s corpse. Say we never get to see it: bright future, stuck like a bum star, never coming close, never dazzling. Say we never meet her. Never him. Say we spend our last moments staring at each other, hands knotted together, clutching the dog, watching the sky burn. Say, It doesn’t matter. Say, That would be enough. Say you’d still want this: us alive, right here, feeling lucky.
The Words Come, They Choke Me
by Leila Chatti
for Deah, Yusor, and Razan
Too many times I have written this poem: blood a dark ink, moon a bullet hole.Â
My tongue flaps useless as a bird. The words come, they choke me.Â
Somewhere, always, smoke. Somewhere, always, something burning, something snuffed.Â
The sun set again, bled like a wound. I stood; nothing couldÂ
move me. The world went on spinning tiredly, & like that I survived another day.Â
I breathe & life keeps coming. It feels simple enough
that I know to be suspicious. Tonight, dark as a flint chip, candles each a pinprick. I swallowÂ
a flame within me, shelter it as the sky dons her black veil.
The Untrustworthy Speaker
by Louise GlĂĽck
Don’t listen to me; my heart’s been broken. I don’t see anything objectively.
I know myself; I’ve learned to hear like a psychiatrist. When I speak passionately, that’s when I’m least to be trusted.
It’s very sad, really: all my life, I’ve been praised for my intelligence, my powers of language, of insight. In the end, they’re wasted —
I never see myself, standing on the front steps, holding my sister’s hand. That’s why I can’t account for the bruises on her arm, where the sleeve ends.
In my own mind, I’m invisible: that’s why I’m dangerous. People like me, who seem selfless, we’re the cripples, the liars; we’re the ones who should be factored out in the interest of truth.
When I’m quiet, that’s when the truth emerges. A clear sky, the clouds like white fibers. Underneath, a little gray house, the azaleas red and bright pink.
If you want the truth, you have to close yourself to the older daughter, block her out: when a living thing is hurt like that, in its deepest workings, all function is altered.
That’s why I’m not to be trusted. Because a wound to the heart is also a wound to the mind.
Gabrielle Garland (American, b. 1968, New York, NY, USA) - Untitled, 2023, Paintings: Acrylic, Oil on Canvas