on the beach at night alone (2017) dir. by hong sang-soo

ellievsbear

bliss lane
★
I'd rather be in outer space 🛸

Game Changer & Make Some Noise
Interview Vampire Daily
Cosimo Galluzzi

Andulka
occasionally subtle

if i look back, i am lost

roma★
YOU ARE THE REASON
official daine visual archive

#extradirty

Origami Around

izzy's playlists!
🩵 avery cochrane 🩵
h

Jar Jar Binks Fan Club
🪼
seen from Nepal
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seen from Türkiye
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seen from Ukraine
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seen from United States
@lickingyoureyefreckle
on the beach at night alone (2017) dir. by hong sang-soo
conceptual sketches for a record store day poster i never saw into fruition, ever since they’ve just sat littered across my notebook margins
yay for making oddly out of proportion hands work
It’s hard for me to come back to or look at this blog and think about having an internet presence because I feel so disconnected from who I was in my early twenties. I’m 28, the last time I used this platform I was maybe 22, insecure, dealing with a lot of pain and looking for sources to externalize and project that onto, “reasons for being”, preoccupied with identifying with concepts, virtues, pursuits rather than enacting behavior, which are all a natural part of growing up and coming into yourself though less than fortunate to have relayed publicly. Just something on my mind recently as I think about wanting to share or publish recent work.
This footprint is largely an amalgamation of adolescent “stories we tell ourselves to live,” spending a long time away from it while being judged in earnest rather than reinforcing a self-concept, becoming enmeshed with earnest unrewarded curiosity (I study soil biology), building things to lose and losing them, has left me far removed from the “I am this, I am that, you are this, you are that” tendency I spent formative years cultivating. It can leave you with some bright, catchy things to say and even string together if you’re halfway witty and observational but lacking in true meaning and actualization. Quippy, defensive, ad-copy writing that falls apart at the seams because as long as we know everyone else better than ourselves no one can hurt us.
That’s what’s on my mind right now, I hope you’re well.
“Perfect Lover I” & “Perfect Lover II” by Can Sun
Nick Knight: Sleep (2001)
Office women in bathtub?
by nelson pernisco
Nicely laid-back blue-eyed soul
Prime 2005 Ben Younger
only recently have I come to appreciate why there’s a whole tumblr named after this song @guessimdumb
this goes everywhere a melody should and Glen makes it sound much more anachronistic and hammy than if The Beach Boys had ended up recording it …
I think also such a clear inspiration for What A Fool Believes … a male melody that TAKES YOU THERE … my song of 2022
Angel Guts: Nami *1979* Noboru Tanaka
By German textile artist Beatrice Oettinger, who uses hair, natural fibers, and things found in nature to make wearable clothes
They pulled out all the stops for this part didn’t they
Nick McLean Behind the Camera: The Life and Works of a Hollywood Cinematographer
Old Boyfriends • 1979 • Joan Tewkesbury
Tewkesbury’s first and only feature as director, Old Boyfriends tells the story of a woman in crisis driving cross-country to visit ex-boyfriends.
If you think Michael Bay’s Ambulance seems like at all something special I highly encourage you to watch Runaway Train instead, same basic plot except it has Eric Roberts and Jon Voight doing the most heightened, Freeway II-esque white trash convict routines I’ve ever seen, it’s set on a runaway train in a snowstorm, it’s written by Akira Kurosawa and directed by the co-writer of Andrei Rublev