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“The realism with which Caravaggio treated even religious subjects - apostles who look like labourers, the plump and slightly feminine figure of Christ - met with the vehement disapproval of the clergy.”
Caravaggio (1573-1610)
The Supper at Emmaus, c. 1596-1602 (Detail with Christ’s face.)
Oil on canvas, 140 x 197 cm London, National Gallery
Ingo F. Walther
Masterpieces of Western Art: A History of Art in 900 Individual Studies from the Gothic to the Present Day : From the Gothic to Neoclassicsm
Caravaggio is reported to have claimed that he put as much effort into painting a vase of flowers as he did into painting human figures.
Such an attitude not only calls into question the hierarchy of pictorial genres that had prevailed since Alberti, but also marks the beginning of a tradition of European still life painting that was to develop continuously from then on.
Photo by 1️⃣ZebraPhotography
Artwork The Last Moments of Raphael
Artist Henry Nelson O'Neil (1817–1880)
About 1866
Medium oil on canvas
Measurements H 121.1 x W 182.3 cm
Location Bristol Museum & Art Gallery
Bristol
Accession number
K250
Acquisition method
gift from Walter Melville Wills, 1911
Source information Art UK 🇬🇧
Source photo ©️1️⃣ZebraPhotography
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Artwork: The Virgin of the Rocks (Mary with Christ, the Infant - St John and an Angel)
Artist: Leonardo
Created: c. 1493-1495 and 1506-1508
Medium and Support: Oil on wood
Dimensions: 195.5 x 120 cm
Location: London, National Gallery
#1001beforeyoudiecollection #1friendsofmuseums
Photography credit 1️⃣ZebraPhotography
Artwork: Dancer (Danseuse)
Artist: Matisse (1869-1954)
#hebmatisse #moijesuismatisse
About: between 1931-1933
Medium: #1Pastel
Dimensions: 32.2 x 25.7 cm
Location: Musée National d’Art Moderne, Centre Georges Pompidou, Paris
#frenchartandartists #nakedwomenandmaleinart
“Matisse himself did much to cultivate this upper-class, even professional, air (his fellow students even nicknamed him “the doctor”). The nickname stuck, a cross between Socrates and Pasteur, and he even bore a physical resemblance to the latter. When, in 1813, Clara MacChesney expressed surprise 😦 that such an “abnormal” work of art had been produced by a man who looked so “ordinary and sane”, Matisse replied: “Oh, be sure to tell the Americans that I am a normal person, that I am devoted father and husband, that I have three beautiful children, that I attended the theatre 🎭, ride horses 🐎, that I have a comfortable home 🏡 and a beautiful garden 🪴 I love, with flowers 💐, etc., just like everyone else.”
#MoiJeSuisMatisse
Source: #1TASCHEN (Matisse - #GillesNeret/#Simplifyingpainting/pg #seven)#sourceourcollectionofbook #sourceourbookcollection
————————
#1transcribedtext
Movement: Symbolism
Artwork: Violette Heymann (#details and #whole
Genre: Self-Portrait & Portraits
#selfportraitsandportraits
Artist: Odilon Redon; (French, 1840-1916)
About: France, early 20th Century
Medium and Support: #Pastel on #gray #wove #paper
Dimensions: Unframed: 72 x 92 cm (28 3/8 x 36 1/4 in.)
Framed: 80 x 100 cm ✍️(#sourceourcollectionofbooks)
Hinman B. Hurlbut Collection 1926.1976
Location: Cleveland Museum, United State
Source:
#sourceourcollectionofbooks #frenchartandartists
DID YOU KNOW?
This pastel was acquired by the Cleveland Museum of Art in the same year as several other works by Redon, leading arts writers to describe Cleveland as holding the most important works by the artist outside of Paris at the time.
#sourceourbookscollection #essentialartmovementsandstyles
DESCRIPTION
Although he was known early in his career for works primarily in black and white, such as charcoal drawings and lithographs, Odilon Redon turned to more colorful media, including pastel, later on. In particular, he focused on commissioned pastel portraits of women with flowers, such as this one. Here, the young niece of the Parisian collector Marcel Kapferer appears alongside colorful blossoms as she looks forward, focused as if in the dreamlike state evoked by her surroundings.
Source photographs and text: https://www.clevelandart.org/art/1926.1976
1279 B.C.E.
——————-
Ramses II Crowded in Egypt
——————-
One of the longest and most significant reigns in world history begins.
“Ramses II began his long reign in 1279 B.C.E. upon the death of the founder of the Nineteenth Dynasty, Seti I, who had restored Egypt’s trading influence and power across the Levant, created the most extensive empire of ancient Egypt. Ramses continued his work, fighting renowned, through indecisive, battle of the borders of the empire with the Hittites at Kadesh in Syria in 1275 B.C.E., which defined the limits of power for both states, and which was described in detail on the walls of the pharaoh’s funerary temple in Thebes known as the Ramesseum.
#a1historyofart #a1culturel
————————————
“I changed all countries while I was alone . . . my chariotry having forsaken me.”
Annals of Ramses II
————————————
#1001beforeyoudiecollection
Later in his reign Ramses faced the growing power of the Assyrians. He also embarked on a series of vast and architecturally interesting building projects at Luxor, Karnak, Abydos, and Abu Simbel.
At the latter, he constructed a rock-cut temple that was supposedly dedicated to the god Amun-Re, but which was fronted by four 65-foot-high (20 m) seated statues of himself. When the Aswan Dam was built across the Nile in 1959, the rising Lake Nasser engulfed the site, and the whole Abu Simbel complex, with its statues, was moved to higher ground.
Through little is directly known of the pharaoh’s personal life, one of his wives. — and purportedly his favourite — was Nefertari, for whom he built a fine tomb in the Valley of the Queens. It is also claimed that he fathered some one hundred children. His his reputation has certainly endured as one of the great pharaohs, and following his reign Egyptian power was never again so widespread.
Ramses’s mummified body was discovered at Deir el-Bayhri in the 1880s, and in the 1970s it was finally unwrapped to carry out necessary preservation work, giving modern civilizations a remarkable glimpse of the physical features of the redheaded, physically powerful, hook-nosed king.”(PF 1001beforeyoudieDays)
🔽ℹ️
About Photography: The remains of three colossal statues of Ramses II from the temple built by — and dedicated to — him at Abu Simbel
Source #sourceourcollectionofbooks 30 • Big Bang - 1B.C.E. https://www.facebook.com/1001beforeyoudie
Artist: Leonardo da Vinci
Year: c. 1495–1498
Medium and Support: Tempera on gesso, pitch, and mastic
Movement: High Renaissance
Dimensions: 460 cm × 880 cm (181 in × 346 in)
Location: Santa Maria delle Grazie, Milan
Source Wikipedia
#europeanartandartists #a1religiousart
#1001beforeyoudiecollections #1001beforeyoudiecollection
#Artwork: Still-life with Parrot 🦜
#Artist: Georg Flegel (1566–1638)
Movement: Baroque
Created: Undated (probably 1630 - source WikimediaCommons)
Medium and Support: #Oil on #copper
Dimensions: 78 x 67 cm
Location: Bayerische Staatsgemäldesammlungen (German); Alte Pinakothek, Munich, Germany
Sources: #Taschen (#ourbookscollection) and https://commons.wikimedia.org/wiki/File:Flegel,_Georg_-_Still-life_with_Parrot.jpg (photography)
#europeanartandartists #webgalleryoffineart
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“Nothing is known of Flegel’s beginnings, but presumably he received his training in the Netherlands. There is evidence that he worked at least from 1594 in Frankfurt am Main , at first as an assistant to the #Flemish #artist
Lucas von Valckenborch, whose painting he adorned with fruit, metalware and flowers.”
#1transcribedtext
“The Child is Father of the Man.”
—————————————————
William Wordsworth
‘My Heart ❤️ Leaps Up’
1802
————————————-
“Wordsworth wrote ‘My Heart ❤️ Leaps Up’ in 1802; it was first published five years later in Poems, in Two Volumes. The poem is also known by the alternative title of ‘The Rainbow’.
The basic idea is the simple, nine-lines lyric is that the poet liked rainbows 🌈 when he was young, that he still likes them in adulthood and he hopes to go on enjoying them for as long as he lives. The suggestion is that the preference of youth - in this case, for the wanders of nature - determine the tastes of maturity.
Nothing original here, perhaps, but the above line is the most widely used exemplar of the paradox - for a moment, the reader may think, ‘that’s absurd: it’s the wrong way round; obviously the man is father of the child’; but then, a moment later, the real meaning dawns.
Another English poet, Gerard Manley Hopkins, later wrote an eight-line verse in which he responded to the Wordsworth original as fallows:
“The child is father to the man.”
How can he be? The words are wild’.
But is clear that Hopkins was joking; he knew perfectly well what ‘My Heart Leaps Up’ really meant.”(LW in 1001 Questions | 34 | 1001 Quotations to Inspire your Life Life and Death ☠️ #1transcribedtext #1001beforeyoudiecollection
⬇️Wordsworth’s handwritten letter of sympathy to the nephew of his old friend Samuel Taylor Coleridge on the latter’s death.
#1001beforeyoudiecollections
“The Child is Father of the Man.”
—————————————————
William Wordsworth
‘My Heart ❤️ Leaps Up’
1802
————————————-
“Wordsworth wrote ‘My Heart ❤️ Leaps Up’ in 1802; it was first published five years later in Poems, in Two Volumes. The poem is also known by the alternative title of ‘The Rainbow’.
The basic idea is the simple, nine-lines lyric is that the poet liked rainbows 🌈 when he was young, that he still likes them in adulthood and he hopes to go on enjoying them for as long as he lives. The suggestion is that the preference of youth - in this case, for the wanders of nature - determine the tastes of maturity.
Nothing original here, perhaps, but the above line is the most widely used exemplar of the paradox - for a moment, the reader may think, ‘that’s absurd: it’s the wrong way round; obviously the man is father of the child’; but then, a moment later, the real meaning dawns.
Another English poet, Gerard Manley Hopkins, later wrote an eight-line verse in which he responded to the Wordsworth original as fallows:
“The child is father to the man.”
How can he be? The words are wild’.
But is clear that Hopkins was joking; he knew perfectly well what ‘My Heart Leaps Up’ really meant.”(LW in 1001 Questions | 34 | 1001 Quotations to Inspire your Life Life and Death ☠️ #1transcribedtext #1001beforeyoudiecollection
⬇️Wordsworth’s handwritten letter of sympathy to the nephew of his old friend Samuel Taylor Coleridge on the latter’s death.
#1001beforeyoudiecollections
“Whenever you do a thing, act as if all the world were watching.”
——————————-
Thomas Jefferson
Letter to Peter Carr
1785
—————————-
“ ‘Whenever you are to do a thing, though it can never be known but to yourself, ask yourself how you would act were all the world looking at you, and act accordingly’.
These are the words of advice that Thomas Jefferson wrote from Paris to his nephew Peter Carr.
While in France, Jefferson learned of the death of his youngest daughter, Lucy, from hooping cough. He insisted that the best way to protect her older sister, Mary, was to have her join him in France and asked that someone responsible should accompany the child.
The person chosen was fourteen-year-old Sally Hemings, a slave. Jefferson was then forty-four years old. He began a relationship with Sally soon after the arrived, and by the time she was sixteen, she was pregnant. It is likely that Jefferson fathered all six of Sally’s children. At first sight, the above quotation may seem like advice along the same lines as Jesus Christ’s ‘Do as you would be done by’. But in the light of Jefferson’s personal conduct it could be advice to take steps to avoid violating the so-called ‘Eleventh Commandment’: ‘Thou shalt not get caught’.”(LW in 1001 Questions - Life and Death | 33)
1001 Quotations to Inspire your Life
#1001beforeyoudiecollection #1001beforeyoudiecollection
Source photography from book 📖.
⬇️Thomas Jefferson was the third president of the United States.
His words here could be taken more than one way.