• Ray Johnson, The Portland Museum of Modern Art.

@theartofmadeline
d e v o n
noise dept.

Janaina Medeiros
let's talk about Bridgerton tea, my ask is open

⁂

Product Placement

祝日 / Permanent Vacation
Jules of Nature
tumblr dot com
Monterey Bay Aquarium

No title available

JBB: An Artblog!
No title available
h
Mike Driver
taylor price
Cosmic Funnies

No title available
hello vonnie
seen from United States
seen from Japan

seen from Maldives
seen from Malaysia
seen from Kenya
seen from United States
seen from United States
seen from United States

seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from Germany

seen from United States
seen from United States

seen from Türkiye
@linchius
• Ray Johnson, The Portland Museum of Modern Art.
This one was a little bit more challenging to do than I thought it would be – and that was mostly in all the detail (RIP) ,as well as figuring out ways to adapt a Klimt-esque look to Howl. It was really tempting to put him in his pink jacket since it lends itself to rectangular form so well. However I just had to go and make things difficult for myself… because I love his transformed version!
Based on Klimts ‘The Kiss’ (1907-1908)
Art doesn’t have to be big. Here’s a letter/envelope by Geninne D Zlatkis on flickr, who has impressed me immensely with her beautiful and inventive work! Somehow it reminds me of Salvador Dali’s small drawings. Go to his Museum in St. Petersburg Florida. You will be amazed.
Salvador Dalí - Study for Sentimental Colloquy, 1944
Les amours imaginaires (2010) dir. Xavier Dolan
Henri Matisse’s studio, 1952
Gone Girl (2014) dir. David Fincher
“They make you feel cool. And hey. I met you. You are not cool.”
Almost Famous (2000) dir. Cameron Crowe
A Ship Engaged in Battle, in Rough Waters, near a Stronghold, Attributed to Aert Anthonisz
“I wonder if the three of us would’ve been friends in real life. Not as brothers, but as people.”
The Darjeeling Limited (2007) dir. Wes Anderson
Shutter Island (2010) dir. Martin Scorsese
Collage
Paterson (2016) dir. Jim Jarmusch
“I must say, I find that girl utterly delightful.”
The Grand Budapest Hotel (2014) dir. Wes Anderson
“From here on out, I am only interested in what is real. Real people, real feelings, that’s it, that’s all I’m interested in.”
Almost Famous (2000) dir. Cameron Crowe