Broken people create art because they are the ones trying so damn hard to put the pieces back together.
Paige Turner
Xuebing Du
"I'm Dorothy Gale from Kansas"
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art blog(derogatory)
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PUT YOUR BEARD IN MY MOUTH
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Claire Keane
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@lisacomerford
Broken people create art because they are the ones trying so damn hard to put the pieces back together.
Paige Turner
On Sale in 7 Days.
Watch this space.
Cuff me. Snap me. Ring me. Smoke me. Tie me. Blow me. Bite me.
The Irony. The Irony. From BURN A DEBT. Burn a life.
It's Alive! My debut novel BURN A DEBT arrived today. Mumma and bub exhausted. BURN A DEBT. Burn a life.
Burn Baby Burn!
In answer to the question - If you could be anywhere but here?
This is today's response.
Meet BURN A DEBT.
My debut Erotic Thriller.
Think 50 Shades of Pulp Fiction.
COMING SOON
Burn A Debt. Burn A Life.
The trailer for my short story DESTRUCTIVELY HANDSOME.
FREE Read Me on Wattpad.com
"I leaned against her and pressed her against the wall with my body. I pushed my mouth against her face. I talked to her that way."
The Big Sleep, Raymond Chandler
THE BOOK PASSPORT: AMERICA
"Dead men are heavier than broken hearts." The Big Sleep by Raymond Chandler.
Instead of reading this review, you should just read The Big Sleep. It’s the kind of book where no critique will epitomise the experience itself. But if you find yourself here with me sans book - sit down and shut up, the fat lady’s stepped up. "You know what Canino will do - beat my teeth out and then kick me in the stomach for mumbling."
Raymond Chandler's first novel introduces us to Philip Marlowe, the hard-boiled gumshoe who became the yardstick by which all other private detectives were measured. A lone wolf with no ties and no riches, he has a taste for booze and broads and if he’s found dead down a dark alley one night, he’ll be the least surprised. We find Marlowe engaged by the ailing General Sternwood, whose defiant daughters, Carmen and Vivienne, need rescuing from the racketeers, blackmailers and pornographers they knock about with. "She'd make for a jazzy weekend, but she'd be wearing for a steady diet." Marlowe observes, and the more he unravels their unruly behaviour the more corpses he collects.
Chandler hits the gutter running. The plot never stalls as Marlowe careens from frying pan to fire and his adversaries - if not worthy, are worth the ride. The economy with which Marlowe handles himself is alluring; his frank, discerning, agile approach allows for a relentless pursuit of the truth, ugly or otherwise. His calculating dialogue ricochets off characters like bullets over Sunset Strip. ‘What's your name?’ ‘Reilly,’ I said. ‘Doghouse Reilly.’ ‘That's a funny name.’ She bit her lip and turned her head a little and looked at me along her eyes. Then she lowered her lashes until they almost cuddled her cheeks and slowly raised them again, like a theatre curtain. I was to get to know that trick. That was supposed to make me roll over on my back with all four paws in the air.
Chandler’s work heavily influenced one of my favourite genres; Film Noir. I’m constantly drawn to overt intentions buried beneath covert undertones. I’m intrigued by explosive violence between men and the smouldering sexuality of lovers. In a modern world, where nothing is left unanswered or unsaid (lamentably), this implicit style makes one complicit. "The night air came drifting in with a kind of stale sweetness that still remembered automobile exhausts and the streets of the city. I reached for my drink and drank it slowly. The apartment house door closed itself below me. Steps tinkled on the quiet pavement. A car started up not far away. It rushed off into the night with a rough clashing of gears. I went back to the bed and looked down at it. The imprint of her head was still in the pillow, of her small corrupt body still on the sheets. I put my empty glass down and tore the bed to pieces savagely."
If you like your crims sly, your wit dry and your dames inviting distress, Marlowe’s your man, but Chandler’s The Man.
UNDER THE KING DOME: CUJO
"She stared at the dog and imagined she could hear its thoughts. Simple thoughts. The same simple pattern, repeated over and over in spite of the whirling boil of its sickness and delirium. Kill THE WOMAN. Kill THE BOY. Kill THE WOMAN. Kill - " Cujo, Stephen King.
Once upon a time there was a mongrel of a man. His name was Frank Dodd. He lived and killed in Castle Rock. Find him posted to #The Psycho Path.
Welcome to Castle Rock, summer of 1980. For SK’s Constant Readers, Castle Rock is like coming home – if home was a sinister, secretive, epicentre of carnage and sorrow. But we wouldn’t have it any other way. The Rock is home to a plethora of haunting characters running the gamut of good and evil, and the place Johnny Smith (The Dead Zone) ended Frank Dodd’s reign of devastation perpetrated throughout this tightknit community. It is also where we first glimpse the gossamer of SK’s web floating into focus and the labyrinth that would become my King Dome.
Cujo is the story of ordinary folk confronted with an extraordinary run of rotten luck. From young Brett Camber’s Saint Bernard chasing a rabbit into a cave and being slashed on his muzzle by a bat; to Brett’s mother opportunistically separating him from his abusive father, but also his now rabid dog; to the failing Pinto sedan that Donna Trenton and her son Tad, drove into the Camber’s property that blistering summer’s day, only to have it conk out on arrival. "How could so many events have conspired together?"
Society is obsessed with insight into a killer and SK has done unique job of giving us the canine perspective, without satire or devaluing Cujo’s instinct, “He wanted to drink the water; kill the water; bathe in the water; piss and shit in the water; cover it over with dirt; savage it; make it bleed.”
There is a poignant story of betrayal and desperation subtly mirrored between the middle class Trenton’s and the working class Camber’s that SK unravels here, but let’s face it - rabid jaws of fury are going to butcher that heart. We want Dog versus Man! “'Nice boy -' To Cujo, the words coming from THE MAN meant nothing. They where meaningless sounds, like the wind. What mattered was the smell coming from THE MAN. It was hot, rank and pungent. It was the smell of fear.”
The claustrophobia of that Pinto and the psychology employed by Donna Trenton are spot on. Her fear gave rise to much terror and paralysed her - all the times they could have made their escape kill you inside. But it’s her ordinariness, her normality that resonates so maddeningly. She is a mum dropping her car off at the mechanic, not a super-hero, not a retired covert-operative, not Buffy. “Tad buried his face against her breasts just as Cujo struck the windshield again. Foam smeared against the glass as he tried to bite his way through. Those muddled, bleary eyes stared into Donna's. I'm going to pull you to pieces, they said. You and the boy both. Just as soon as I can find a way to get into this tin can, I'll eat you alive; I'll be swallowing pieces of you, while you're still screaming.”
Kudos to the film for a mostly faithful adaption - Dee Wallace and Danny Pintauro are utterly convincing, as is Cujo. However, trust the King over any cinematic production, to gut you senseless at the end. The master of horror succeeds brutally, where Hollywood fears to tread.
Cujo, the book, is a tragedy of errors. Cujo, the dog, is legend. We all know someone who has named their Chihuahua, Cujo.
A Different Season blows through next, Under The King Dome.
"Just as soon as I can find a way to get into this tin can, I'll eat you alive; I'll be swallowing pieces of you, while you're screaming." CUJO.
Taking a love bite out of the big dog 14.2.14 - my rabid valentine.
Bounce Benedict Cumberbatch - From the BBC series Sherlock, with Martin Freeman.
"It was worth a wound - it was worth many wounds - to know the depth of loyalty and love which lay behind that cold mask."
Dr John Watson from The Case-Book of Sherlock Holmes by Sir Arthur Conan Doyle.
THE BOOK PASSPORT: SCOTLAND
The Case-Book of Sherlock Holmes by Sir Arthur Conan Doyle
‘"You see everything.” “I see no more than you, but I have trained myself to notice what I see."’
In 1882 Arthur Conan Doyle established a medical practice in Southsea, England. To occupy his time between patients he created the idiosyncratic consulting detective, who applied the laws of science to the law of the land, as well as his steadfast companion, Dr John Watson. This was a new strain of detective novel defined by empirical evidence, requiring the theory to fit the facts and not vice versa. No interpretive gut instincts were tolerated. Data, data, data… in which the facts were deduced, until only the culprit remained.
The Case-Book presents the final 12 short stories with Holmes at the helm (4 novels and 56 short stories were published between 1887-1927). Conan Doyle killed Holmes in 1894, but his public decried Sherlock’s demise and thus a resurrection was fashioned. Conan Doyle confesses in the preface, “I fear that Sherlock Holmes may become like one of those popular tenors who, having outlived their time, are still tempted to make repeated bows to their indulgent audiences. This must cease and he must go the way of all flesh, material or imaginary.” Respect.
This collection is often considered a lesser entry into the cannon, the familiar pattern now easily identified, however I am continually delighted by Sherlock’s assessment of the obvious, while I flounder along with Watson to see the whole picture until the last piece of the puzzle is placed.
Curiously, Conan Doyle’s work does not linger long. I am intrigued by the mutually beneficial, symbiotic relationship between Holmes and Watson - how the fanatical intellect is assuaged by the staunch charismatic, "I am a brain, Watson. The rest of me is mere appendix." But I never remember the cases! My own deduction? Conan Doyle’s focus on process overshadows the clients themselves. And it is characterisation that resonates with me. Story is the messenger but character is the message.
It would be remiss of me not to highlight, in amongst all this technique, his ease of astute observation, "He has breeding in him - a real aristocrat of crime, with a superficial suggestion of afternoon teas and all the cruelty of the grave behind it.” Insight, wit and menace.
Conan Doyle has given us the template for the modern Yin-Yang detective duo - the arrogant protagonist of astonishing intellect as tolerated (and translated) by the amicable side-kick. Consider the 21st century offerings (screen depictions as no one reads anymore) – Law & Order: Criminal Intent; Elementary; Sherlock Holmes (the Guy Ritchie films); and Sherlock, the BBC series (a sublime contemporary). You can even see the formula in Jonathan Creek, House and Lie To Me. And these are just the ones I follow.
Sherlock Holmes made science an art, but it is Conan Doyle that made his art from science, a legacy.
UNDER THE KING DOME: FIRESTARTER
"She was a little girl, not a doomsday weapon." Firestarter, Stephen King
I’m a sucker for an opening on the run - the conflict has occurred, the fight or flight response has kicked off and all that tedious setup crap is negated. Hit it running, motherfather! And thus SK brings us to Andy and Charlie McGee, mid-flight, fleeing for their lives from that most adamant evil – the secret government branch.
In 1969, 22 year-old Andy McGee was a typical college student; idealistic and poor. Encouraged by a mate to participate in a psychology experiment for $200, he couldn’t resist the cash. The research involved a mild hallucinogen called Lot Six, testing for potential psychic phenomena. Also volunteering was the enchanting Vicky and long after the experiment was completed, their love endured. “They told each other things that a man and a woman don't tell each other until they've known each other for years... things a man and woman often never tell, not even in the dark marriage bed after decades of being together. But did they speak? That Andy never knew.”
Once married, Andy and Vicky gave birth to a beguiling girl named Charlie, all sunshine and smiles… and the ability to affect the balance of power on a global scale! Lot Six was a synthetic clone of a pituitary extract, possessing a painkiller-hallucinogen. Years post the experiment Vicky retained mild telekinetic abilities, while Andy exhibited moderate mental domination. And Charlie, if provoked, could burn down the house. Her genetic lottery created the Z factor. In the decade since the experiment, most of the 12 college students died. An off-the-grid US Intelligence Service called The Shop had been monitoring the participant’s progress and now it was time to bring the final chickens home to roost.
This is wicked read and one I would highly recommend if demonic gore-fest is not your cuppa. Firestarter scalds with the paranoia of government conspiracy and smoulders inside the torment of never being able to fully rest your head. The father/daughter relationship is simultaneously tender and tense with the role of guardian oscillating, depending on Andy’s strength. The backlash of his mental domination is paralysing migraines. “Thud, thud, thud, riderless black horse with red eyes coming down the halls of his mind, ironshod hooves digging up soft gray clods of brain tissue, leaving hoofprints to fill up with mystic crescents of blood.”
Witnessing Charlie come to grips with her ability echoes a puberty of sorts, although at six-years-old she should not have to face more than dance lessons and eating her greens. After levelling her rage with fatal consequences, she makes the decision to never use her power again. But The Shop has other ideas, and other weapons. So once again, Charlie is betrayed. “The anger had gusted through her - anger that was fanned by the hideous unfairness of it, the way that it never ended, the way they had of being there at every turn, blocking every lunge for escape. Almost at once she felt it start to come up from inside her. It was always so much closer to the surface now... so much more eager to come bursting out.”
This is my 7th offering from Under The King Dome and it’s about time I ventured off onto The Psycho Path… I need a little perspective on the horror thus far. As I wander down this oft-beaten path, signposted with psychos, I wonder what our fascination with the fractured nature is. Having thus far encountered psychic phenomena, religious zealots, vampires, possession, a demon in double denim and (God Bless) human beings, it’s time to sort the shits from the ghouls.
Stephen King delineates the villainous states: The Gross-Out: Think fluids - when your insides become outsides, copious slime, blood, ooze and dismemberment. The Horror: This is the monster oeuvre, where the unreal take corporeal form – zombies, werewolves, 1958 Plymouths. The Terror: Someone’s behind you and they are going to rain down unmentionables on you... and the sheer terror – you know them!
Meet John Rainbird: The Terror. Hitman for The Shop, a Vietnam veteran with an imposing physique, of Cherokee descent with a ragged scar instead of an eye. He also loves shoes. I’ll leave the insights to SK, “Dealing death had always been his business and was the only trade that he ever excelled at. He became more and more interested in it as he grew older, as an artist will become more interested in the qualities and level of light, as writers will feel for their character and nuance like blind men reading braille.” The Shop engaged Rainbird’s services in dealing with the youngest McGee. He was the only one who understood she was a force beyond nature and controlling her was inviting annihilation. But he had other plans. He wanted her moment of death, the leaving of her soul, the passing of this life into whatever lay beyond.
He coveted those moments and thus created them.
Inevitably when Under The King Dome concludes there will be a list of favourites - probably a top ten list. (Kill your darlings Comerchick!) I know some solid contenders already, but I did not think Firestarter would be a starter. I stand corrected. Andy and Charlie McGee have seared my soul.
Time to take a bite out of the big dog.