Book Stats
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Cosimo Galluzzi
Claire Keane

if i look back, i am lost
untitled
One Nice Bug Per Day
NASA
almost home

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Doug Jones

izzy's playlists!

roma★
Cookie Run:Kingdom Official!

gracie abrams
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🩵 avery cochrane 🩵
The Stonewall Inn
occasionally subtle
Today's Document
Monterey Bay Aquarium

tannertan36

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@lit-crits
Book Stats
2026 - 32
2025 - 18
2024 - 20
(2022) Before We Were Trans: A New History of Gender, Kit Heyam. 13/07/2026 - 25/07/2026
Rating: 6.5
Book swap with my co-worker!
Very interesting read and methodology. Heyam takes an incredibly wide view on trans history and they continually justify it throughout the book. They talk about how history should be able to overlap without it affecting or reducing another group's history - an example being Heyam sees Anne Lister as both lesbian history and trans history. I do agree with the message that histories can and do overlap and that doesn't take away from any of the groups involved, but I understand why people are so defensive and passionate about having separate histories and I also feel the same way in some sense?
I think it is particularly difficult to outline and discuss trans history when the term "trans" is new and tries to encompass every single aspect of difference in gender expression and variation. Trans is the "new" box white Westerners have created to put people in, and Heyam talks about how white trans Westerners use non-white non-Western cultural gender variation to essentially justify the naturalness of being transgender in the West instead of recognising this variation as its own thing with its own authority and history.
Overall, a genuinely interesting read and I'm always thinking about historiography anyway so it was fun to have such conflicting views on the stance Heyam takes.
(2024) Paganism Persisting: A History of European Paganisms Since Antiquity, Robin Douglas & Francis Young. 23/06/2026 - 12/07/2026
Rating: 6/10
This took me so long to get through, despite being short and also something I am super interested in. I think it is written pretty well, I just found it to be a bit of a slog but that might also be me coming out of a reading phase.
I think this was very male focussed, despite trying to not be. It also rushes some discussions like Wicca isn't really discussed outside of being described as a modern pagan religion. The authors don't follow really interesting side paths that they introduce too, for example there was a SINGLE SENTENCE on the historical ties between paganism in general, gay men and lesbians. This has so much more that could be said and I wish they had done a chapter on it in relation to paganism persisting to modern times.
I will say this book taught me a lot about nationalism and paganism, especially in regards to "newer" countries such as Lithuania. I had never really considered that countries could/would have to develop their own folklore and pagan history. It ended with a look to the future and "ambient paganism" which is people essentially picking and choosing aspects of spirituality from various belief systems (religious or not) to subscribe to without committing to any religious adherence - which I think is how I would describe my own spirituality and how I have seen a lot of other people deal with the spiritual side of life.
(2024) The Dream of A Tree, Maja Lunde. 16/06/2026 - 22/06/2026
Rating: 4.5/10
Tommy is incredibly traumatised but also a straight up psychopath! I don't feel sorry for him at all, he actively chose to make his situation worse and he didn't even suffer the real consequences of it really - poor fucking Rakel did. HE WAS SO YUCKY TOWARDS HER!
In general this book didn't really do much for me. This was another one I just picked up randomly from the library. The plot sounded a lot more interesting than it actually ended up being unfortunately.
(1967) The Master and Margarita, Mikhail Bulgakov. 04/06/2026 - 16/06/2026
Rating: 5.5/10
Picked this up on a whim and the librarian told me it was a really good read... I'm not entirely sure if it was but it did definitely grow on me as I got through it.
Book 1 was a bit of a slog for me to get through, it felt like nothing really happened despite so much happening? I LOVE the appearance of Satan when he is first introduced, I haven't really read many descriptions of Satan as a human but this felt really fun with his different coloured eyes and crowns. And he was fashionable!
Book 2 was so much better and made me laugh at multiple points. I love Satan's gay entourage of demons and Behemoth, a massive effeminate black cat. The whole subplot with Yeshua and Pontius Pilate did make me go read about it, I know nothing about mainstream religious history, psuedo-history and myths and I definitely would love to know more so that was a fun thing I got from this book.
(2025) Among The Burning Flowers, Samantha Shannon. 02/06/2026
Rating: 7/10
I seriously tear through these books in a stupid amount of time, I really cannot put them down. Shannon NEEDS to write more for the Roots of Chaos series like NOW!!
This was my least favourite of the trilogy, not because it was poorly written or anything like that, it was just not as long or as interesting but it was meant to fill the lore/context gap around the Draconic Kingdom of Yscalin that was set up in Priory. It also had no gays or lesbians in it so I'm not as invested lol.
(2023) The Patriarchs: How Men Came To Rule, Angela Saini. 26/05/2026 - 02/06/2026
Rating: 7/10
When the book opened with a discussion of the absolutely bonkers gender stereotypes in Planet of the Apes I knew it was gonna be a good read. Cornelia (the only female ape in the movies) went from being just a monkey, to being a monkey wearing makeup and jewellery and braiding her hair and only being present in the films when she was giving birth, and later dying as a plot point. Why did this new kingdom of apes end up patriarchal? How did they establish these gender stereotypes?
Anyway yeah this was very informative and it made me think about things in a different way. One of the main points Saini returns to throughout the book is that we, as a species, look to the past for guidance on how to live currently or in the future - in this specific case, for justification of patriarchy OR for the proof that we lived in other non-patriarchal ways depending on your side of the "argument." I definitely look to the past a lot for guidance on a personal level, but Saini's argument that the past is fluid and hard to interpret and not the bedrock ideal of how something should be was really like eye opening. I do think as the book went on, it became less organised but considering the content is trying to pin and track patriarchy in the past I am not really surprised.
One of the big parts of the book is Saini taking you through the development of the feminist idea of a peaceful, female utopia of the past. This idea was initially developed by Majira Gimbutas and it had some supporters, but a lot of critiques. Gimbutas' general idea is that ancient Europe used to have a widespread, peaceful female-lead society that worshipped Goddesses and nature but nomadic tribes from the Eurasian Steppes (she called them the Kurgans) migrated over and violently took over/wiped out this peaceful society and replaced it with a male-focussed, patriarchal society that is still reflected today. When I first read this, I rolled my eyes. I don't think it is helpful or empowering to state that women cannot experience anger or violent emotions, and I think it is an incredibly inaccurate statement to make considering humans, in general, have always had the capacity for violence and this has been documented in actual cold-hard evidence throughout time. What is really interesting is that over time, as DNA research improved, it was actually proven that mass migration from the East into Europe actually did happen and that these Indo-European settlers did eventually out-populate the native Europeans. The Mongol Empire is an example of this, they conquered huge swathes of land and dominated the native populations - there was a stat in the book that modern genetic studies have shown 1 in 200 men worldwide share a common male ancestor (who we believe to be Genghis Khan). This is some serious bottlenecking of genetics and indicates that a smaller, more dominant group of men were having much more children compared to the general man - which makes sense considering elite Mongol men had like 30 wives and 100s of concubines. BUT what makes this EVEN MORE interesting is that Saini mentions Pamela Toler, the author of Women Warriors which I have also read, and her studies into the nomadic tribes of the Eurasian Steppes. Toler found that these tribes were, in general, relatively gender-blind with women being required to learn horse-riding and archery alongside the men, they performed hard manual labour alongside the men and there are instances of them riding into war with the men. Overall, I think it is a muddy discussion, as it is with most of ancient history, but I don't believe that Europe was a big feminist utopia ruined by violent migrants, I don't think it is as easy or simple as labelling the various peoples from the Eurasian Steppes as patriarchs when there is proven evidence of equality and women in power. Obviously women can be in positions of power and encourage or enforce the domination of other women in a patriarchal society, but yeah I just don't see it being the origin of patriarchy or the cause of it spreading (nearly) globally. It also begs the question of, if these people were the origin of patriarchy where did they get those ideas from? How did they form?
It is all incredibly interesting to me, and it is one of those things where we will never know anything for certain. One thing that is for certain though, is that alternatives to patriarchy exist and they can be found around the world today - especially across Africa, the Pacific Islands and in some Native American nations.
(2022) Picts: Scourge of Rome, Rulers of the North, Gordon Noble & Nicholas Evans. 19/05/2026 - 25/05/2026
Rating: 7/10
This has made me realise I should have done fucking archaeology/history at uni instead of sociology/history 😭😭😭
I learned a LOT and have a LOT to say, incredibly informative read and the authors truly know the historiography of the Picts. Really recommend if anyone is interested in Scottish history!
The Picts as a group most likely spoke a whole range of different languages including Gaelic, Latin, British (which is not English) and Pictish which indicates that speaking the same language was not central or important to the Pictish identity
We basically don't have any real idea about the Pictish language, there are only a few surviving "pure" Pictish words and names. One example is "catit/cartait" which was a Pictish style penannular brooch. Aberdeen, Dundee, Perth and Atholl are all thought to be surviving Pictish place-names with very little change from the original root word. Fun fact: Atholl = New Ireland/Second Ireland, a lot of the saints and missionaries from Ireland established churches and monasteries in this area of Scotland.
One thing we know for certain with the Pictish language is that they, as a culture/society, placed high value on certain symbols (such as the Pictish Beast, double disc and z rod) and repeated these symbols through the centuries therefore teaching the meanings and craft of making them through generations. Even when Pictland became Christianised, these symbols were incorporated into Celtic Christian imagery. Historians have a lot of different theories about what these symbols mean but the most agreed upon theory is that these symbols were nouns mainly used as a Pictish naming convention which is SO FUCKING COOL! HOWEVER! I feel like the (male) authors of this book fall into the trap of conducting their research with gender stereotypes because they discuss the idea of the combination of comb and mirror symbols indicating a female name. This idea is based on their research of burials with nearby carved stones having a combination of the comb and mirror, but only 1/5 of these burials were female which seems like a reach based on stereotypes of women. Additionally, when you look at (extremely rare) instances of grave goods in Pictish burials both men and women were buried with "feminine" things like combs, brooches and jewellery. To me, we don't know enough about Pictish culture to be making assumptions about gendered naming practices, especially when the evidence for it is lacking.
Speaking of women, there are carved stones depicting armed women on horseback. Historians believe these to be portraying elite women partaking in the high-status pastime of hunting rather than riding out to battle. There are recorded instances of Pictish kings being chosen through their maternal line but this does seem to be the exception rather than the rule, and the mothers of kings are not recorded in the contemporary king lists.
Pre-Christian Picts did follow the general Celtic trend of regarding their gods/spirits, particularly the natural ones, as female. For example, the Don and Dee rivers in Aberdeenshire were named Dēoúana ("female divine one") and Dēoúa ("goddess") respectively as water spirits. Blacksmithing, and most likely blacksmiths too, were regarded as divine or at the very least magical - the Rosemarkie Man is an example of, what we believe to be, ritualistic murder/sacrifice for blacksmithing. He was killed in an extremely violent way in the recess of a cave, then his corpse was pinned down with boulders and sacrificial animal bones scattered around him. Studies of his diet and build show it was very protein heavy and he was a healthy, muscular man which leads historians to believe he was of Pictish royalty and was chosen as a sacrifice/submitted himself as a sacrifice because of his high-status. The cave he was killed in was in use, before and after his death, as a major blacksmithing site, indicating he was killed to appease some spirit tied to blacksmithing or fire.
Pictland eventually became the Kingdom of Alba in the 9th or 10th century, (which originally meant Britain rather than Scotland as it does today) which was a union of all the different tribes and kingdoms at the time. Alba is interesting because it is a geographical term rather than an ethnic one. Pictland at the time was experiencing significant social and cultural changes: Viking raids from Dublin and the North of Scotland, Irish missionaries and refugees fled East to Pictland from the Vikings, and Northumbrians fled North also away from the Vikings. All of these different peoples merged together in the big melting pot that became Alba, so Pictland was no longer the land of the Picts and did not make sense as a place-name.
A final note, related more to archaeology rather than the Picts, but this book taught me that sometimes archaeologists record but do not excavate sites because they believe future generations will likely have better technology to explore and research the remains. I don't know why I didn't think of this practice, but it makes a lot of sense and honestly is a good idea considering a bunch of Pictish sites were excavated in the 18th and 19th centuries and it has mostly all been lost or destroyed due to poor practices and maintenance.
(1987) Fried Green Tomatoes at the Whistle Stop Cafe, Fannie Flagg. 16/05/2026 - 19/05/2026
Rating: 7.5/10
Watched the movie before I read this, it is very different but I still really liked it. I love Idgie, I love that her family are just like "welp... she's gay", I love that her dad sits her down after Ruth comes back to the Threadgoode home pregnant and essentially says you have a wife and child now so you gotta go get a job to support them.
I did read a review of this book that said Idgie was super butch and always out "whoring", which wasn't really the case at all. Idgie is described as a wild woman and it doesn't really go into any detail about her appearance, and her "whoring" is just her having sex with the town's """"""""loose"""""""" woman regularly.
Idk I just like Idgie a lot, she is a great character that looks out for her community, especially those who are "outcasts" like her - the "trampers", the unconventional women, and her black neighbours/friends.
I did think the death of Buddy and Ruth were a lot less emotional in the book, Ruth especially was brutal in the film. The ending is also completely different, with the film only implying Idgie is still alive at the end whereas the book shows her and her brother selling honey to people. The film is gay, but the book is GAY!
Dahling you simply must read this book! It’s all about this devious little caterpillar who simply gorges himself on all manner of divine things
(2019) Women Warriors: An Unexpected History, Pamela D. Toler. 11/05/2026 - 15/05/2026
Rating: 7/10
A bit all over the place time period wise, but the chapters were set up based on themes so that makes sense. I liked this! There was a decent geographical span of women discussed, it wasn't just focussed on the stereotypical Vikings or the West. I do wish the book was longer, it was relatively short and Toler states at the end that she had thousands more examples she could have included.
Multiple bits stuck out to me:
Chess was brought to Europe by Muslim invaders in/around the 8th century (I knew this), the original game did not have a queen piece (I did not know this) which is arguably the strongest piece in modern chess. In the 15th century, the "Great Chess Reform" happened (what a time to be alive) and the queen was added, creating "mad queen's chess" - there is no explicit link between any singular European queen and this change, but Isabella of Castille is thought to be a reason behind this change because she was so capable.
One of the first doctors to successfully perform a c-section was Dr. James Barry AKA Margaret Buckley - a woman (?) who purposefully passed as a man to gain an education and enter the medical field. She enrolled in a Edinburgh medical school and obtained her degree 50 years before the first woman officially obtained her degree in the UK. I feel like there is a plaque in the Surgeon's Hall Museum talking about Dr. Barry!
Between the 17th and 19th centuries, the West African kingdom of Dahomey (now Benin) had full-time all-female regiments of specialty soldiers called Minos (meaning our mothers). They were given the same freedoms as men, and were allowed to drink and essentially be rowdy when they were off-duty. Their units were commanded by other women, they fought alongside men but men were not permitted to join the Minos. Multiple European travel writers wrote about how capable these women were as sharpshooters - they fought with flintlock pistols, which were apparently notoriously hard to aim with, and machetes. At their largest, their regiments numbered between 3,000 and 8,000 soldiers.
In WW1, Russia (reluctantly) created the "First Women's Battalion of Death" an all-female unit of front-line soldiers - this unit was the result of a mix of things, Russia was suffering heavy losses/didn't have enough men to repopulate their ranks and low male morale. There is a picture of the Battalion in the book and all the women look like teenage boys, it is really strange to see. There was a 15yo girl in the Battalion, despite her being under the legal age, because all of her family had died in the war and she had nowhere else to go.
Interesting, but infuriating, discussion on the assumptions historians and archaeologists make when discovering burial sites. General Fu Hao was a female warrior during the Shang dynasty in Bronze Age China (Toler mentions that she is the earliest example found in her research - her history was written on oracle bones!), she was massively successful and celebrated, and she was buried with a vast amount of incredibly expensive grave goods such as weapons, THOUSANDS of ornaments made out of jade, opal and ivory, the remains of 16 slaves and a total of 1.6 metric tons of bronze in various forms. Chinese archaeologists immediately assumed her tomb to be one of a rich and important male ruler, until they found her name inscribed on various vases. This also happened with the 834 Oseberg ship burial where two Viking women were buried within their ship, with weapons. Historians and archaeologists assumed these women were related to, or wives of, powerful men because of the sheer honour and power associated with their burial. They even argued that some of the weapons were actually kitchen utensils, because that obviously made more sense. This still happens now - in 2014, it was revealed that the "Birka Man" (a skeleton found in a very very very wealthy and honoured warrior's tomb in the town of Birka in 1871) was actually a woman through DNA testing. Historians immediately went from the Birka Man was an incredible warrior to arguing the weapons found in the tomb actually reflected the status and role of the family rather than the individual, some even went as far to say there WAS a man buried with the Birka Woman but his remains were removed at some point for some reason.
The final closing chapter of the book states that we, as historians, view women warriors as the exception rather than the rule - and Toler agrees that, historically, women were involved in combat on a much smaller level compared to men. But she also makes the really interesting point that we reinforce this view of women warriors being the exception when we talk about figures such as Joan of Arc because we make them larger-than-life and we set their actions outside the reach of ordinary women. She argues that as long as you focus on one historical woman, or one historical period, it is easy to believe the woman warrior was outside the norm of her time - but when you step back and look at women warriors across geographical and historical boundaries, larger patterns and parallels appear across cultures and time periods e.g. horse-based cultures, honor cultures and tribal societies (Mongols, Scythians, Huns and other groups in/around the Steppes of Central Asia) all had women warriors as a default alongside the men. It seems to be that when larger armies are formed, especially armies formed to defend a static territory like a city or kingdom, the general rule is women warriors are not as common.
(2018) Female Masculinities, Jack Halberstam. 20th Anniversary Edition. 01/05/2026 - 11/05/2026
Rating: 4.5/10
I thought this was gonna be a crazy eye-opening read for me when I read "what of a biological woman who presents as butch, passes as male in some circumstances and reads as butch in others, and considers herself not to be a woman but maintains distance from the category "man"?" in the introduction but it started going downhill quite fast. It did bring itself back a bit with the chapters on butches in films and drag kings but yeah.
Incredibly interesting but also difficult/confusing to read, and definitely showing its age. I went into this thinking it was going to be more of a social history book, but it is written like an academic essay - which is normally fine, but in this case the introduction specifically was such a slog to get through and the writing style is hard to follow. Each chapter talks about the methodologies used, different theorists drawn upon and what the author is going to talk about in that chapter but then it doesn't seem like Halberstam really talks about his own ideas? It is a lot of "I am going to dispute this idea/I am going to develop this idea/in this chapter I am going to talk about" throughout the entire chapter, with the "I have talked about xyz" at the conclusion and I'm left thinking that he didn't really discuss much but other people's theories.
He definitely has some "hot takes", and this is where the book shows its age for me. The chapter on stone butches was... not great lol. He essentially argues that there is more than likely some gender dysphoria/discomfort with stone butches (which is fine and fair to say) because of their masculine presentation in public, and their discomfort with being "female in bed." I don't love the connection with receiving sexually and femaleness, and I don't love that he brushes on the idea that stone butches are actually self-hating misogynists who can't cope with their bodies so they abuse women. He does make a really good point, however, that stone butches are the only sexual identity/category that is described based on what they DON'T do, he asks why men, who often don't involve penetration of their own bodies in their sex, aren't called "stone men" and why this is an identity placed on a woman who doesn't want to be penetrated.
I feel like he also contradicts himself a bit in his core ideas. For example, the entire preface and introduction stresses that female masculinity is its own thing, its not a mimicry of men, it doesn't automatically = transgender, and that it is so varied and not just tied to butches/masculine lesbians/masculine bisexual women. But then he writes "it is difficult to know today which masculine young women will identify as lesbian or butch and which will become transsexuals" - which is just reducing female masculinity down to butch or transgender as the only outcomes when in reality it is this big beautiful thing that presents itself in so many different ways across so many different women and non-women. He also lightly suggests the idea of a connection between female masculinity and fascism lol :))))
He asks the question of whether the term butch, and the social group that it describes, is outdated and being replaced with "transgenderism" which is a frightening thought but ultimately is not happening imo. I do think, in some cases, the line between being a butch woman/lesbian and being a transgender man is incredibly thin but I also think assuming that as the blanket experience of both groups is inaccurate and also harmful. Being both at various points in my life, I think we share similar problems and experiences, but also vastly different ones - and ultimately, the individual person's identity is the most important thing. Butchphobia is mentioned too, which up until now I've only seen in online jokes etc, but it is very real, and has been a thing for centuries, if not longer. Halberstam talks about how modern feminists (writing in 1998 originally) take the view that butch women are actually oppressive rather than radical, because they either want to be men or they embody patriarchy. This is BONKERS to me, like unimaginably stupid I can't even lie? You're trying to tell me that the butch woman who stands out to everyone as a beacon of difference and non-conformity, and suffers the numerous consequences of this, isn't radical? She's contributing to misogyny and female oppression??? HUH???????? As a teenager, I was being cat-called by men more than double my age while also being heckled for not looking like a conventionally attractive girl, I was being HOUNDED by misogynistic beauty standards and then being told by other teenage girls I would never relate to their struggles because I didn't look like them. CRAZY! Anyway he also mentions that he had previously done an essay on transmasculine identities and got called out for it, for similar reasons of merging butch and transmasc masculinities and identities, and its interesting that he brings it up because he is, to me, essentially repeating the same offence in this book.
ALSO! You're telling me you're gonna write a book about female masculinities, lesbianism and the impact of female masculinity on sex/sexuality and NOT write about B4B???? Butch/butch relationships, sex or preferences are not mentioned at all. Butches are entirely framed through their difference to, and preference for, femmes, it isn't even considered that masculine women can prefer other masculine women. You could argue that he's talking about butch-femme bar culture and that's the reason why, but Stone Butch Blues focusses on the same thing and Feinberg still includes butch/butch attraction (even though it is viewed as shocking by the main character). Outside of this glaring gap, there are some really fun interviews about butch women's sexual activity in 1897, including "Miss H" who has "distinct sadomasochistic tendencies that often involve her as the "bottom", and she has a definite "love of domination." She seems to like voluptuous women who will dominate her." GOOD FOR HER!
There is the wider discussion of recording and interpreting masculine women's history which is so so so so interesting to me. Halberstam talks about Radclyffe Hall as an example of historians arguing over whether she was 1. a lesbian or 2. transgender (he does not talk about a third option of her being both!) - realistically, we/historians can't confidently say we know what she was, because most likely only she knew that. It does make me think of what is happening on the "other side" of this discussion? From what I know, historical feminine men don't seem to have the same arguments of: is this person gay or is this person transgender. Halberstam mentions Oscar Wilde, off the top of my head I cannot think of any academic work or general discussions on whether he was actually transgender. Why is this? Like probably misogyny lol but it is really interesting to me and I need to read more about it. There is a theorist mentioned in the book, I don't remember his name and honestly he does not deserve to have it mentioned, that argues that every historically great woman (Catherine the Great, Cleopatra, Boudicca etc) was actually just a man in a female body, because women couldn't be so competent and heroic naturally. This guy also argued that women who show "masculine" traits such as intelligence should be emancipated and not restrained like feminine women because, again, they were actually men. Is this in a similar vein to this whole dilemma historians have with masculine women? I don't know.
Overall, I guess I am glad I read it? But it was disappointing.
Karl Benjamin, #19, 1971
Icons representing saints from the Styrian farmers' calendar (Bauernkalender / Mandlkalender), published with regularity since the early 18th century.
The figures represented here are (L to R, top to bottom): Leo IX, Afra, John of Nepomuk, Augustine, Felix and Regula, and Lazarus.
Sepp Walter, Der steirische Mandlkalender. Seine Zeichen und Bilder (Graz: Leykam-Alpina, 1992)
(2014) Stone Butch Blues, Leslie Feinberg. 20th Anniversary Author Edition. 27/04/2026 - 31/04/2026
Rating: 10/10
I read this first as a teenager and certain parts resonated with baby butch me, but it is crazy reading it 10+ years later and seeing my EXACT feelings and lived experiences written on a page in front of me. I think everyone should read this at least once in their life, it is an incredibly important piece of work not just for lesbians and trans people!
Feinberg died in November 2014, her author notes were written when she was in hospice care and very unwell. Even when she was dying, Feinberg was advocating for and writing about transgender rights, and highlighting the struggles and injustices of her trans sisters - specifically CeCe McDonald and LaTeisha Green. Things are bad enough now, but I think people forget how bad things really used to be and should be more concerned at the way we are slipping backwards to a place where the everyday violence in this book will become a reality for anyone who does not look "like they are supposed to" - cis and trans alike.
shrews on my mind
Kimagure Buta