[lockesit]

𝕽ᴱ​𐌀ʟℐ𝐓𝒴 IS MERELY 𝓛𝑜̳𝗖ᴷℰ'S FAVORITE 𝕍Ꮻℒ𝐔ᴺ̳T𝙴E𝓡 .❜

EXPLORING . . .  THE MASK VS. THE PERSON.   A LIFE THAT REVOLVES AROUND DECEPTION & ILLUSION, WHAT HAPPENS WHEN YOU NO LONGER KNOW WHERE THE PERFORMANCE ENDS & THE REAL PERSON BEGINS ? ESCAPISM. PHYSICAL ACTS MIRROR EMOTIONAL ONES—THE INSTINCT TO SLIP AWAY.   THE COST OF BEING ENTERTAINING.  A PERFORMER IS LOVED FOR WHAT THEY PROVIDE : WONDER, LAUGHTER, DISTRACTION.  TELLING STORIES FOR A LIVING. SOME ARE TRICKS, OTHERS EXAGGERATIONS & SOME MIGHT BE PAINFULLY CLOSE TO THE TRUTH. USING CHARM & MISCHIEF AS ARMOR. JOKES, CONFIDENCE & THEATRICALITY— THE DANGER OF BECOMING A LEGEND.  THE MORE PEOPLE TELL STORIES ABOUT YOU, THE LESS ROOM IS FOR THE REAL PERSON BENEATH THEM. A LEGEND CAN BE POWERFUL, BUT IT CAN ALSO BECOME A CAGE.

FURTHER INFO 🃏 —  INTRODUCTION . . . A  MAGICIAN.   AN  ESCAPE  ARTIST.   A  PERFORMER  WHO  MAKES  IMPOSSIBLE  THINGS  LOOK  EFFORTLESS.

— GENERAL RP ETIQUETTE APPLIES ! NO GODMODDING. MUTUALS ARE ENCOURAGED TO INTERACT THROUGH INBOX, STARTERS, PLOTTING ANYTIME. — YOUR MUSE CAN REFER TO LOCKE WITH HE OR THEY PRONOUNS UNLESS SHE REVEALS HER IDENTITY ! — NO BIGOTRY IS ALLOWED. PLEASE DO NOT USE KNOWN PROBLEMATIC, ZIONIST PEOPLE AS FACECLAIMS. FREE PALESTINE, CONGO & SUDAN.

LOCKE  VIEL  IS  A  WANDERING  ILLUSIONIST  KNOWN  FOR  HER  CARD  MAGIC,  SLEIGHT  OF  HAND,  AERIAL  PERFORMANCES  &  DARING  ACTS  INVOLVING  FIRE  &  ESCAPE  ARTISTRY.     WITH  A  CHARMING  SMILE  &  A  TALENT  FOR  TURNING  EVERY  MOMENT  INTO  A  PERFORMANCE,  LOCKE  LEAVES  AUDIENCES  WONDERING  WHETHER  THEY  WITNESSED  A  CAREFULLY  PRACTICED  TRICK  OR  SOMETHING  FAR  MORE  EXTRAORDINARY.

BUT  BEHIND  THE  LAUGHTER,  APPLAUSE  &  COLORFUL  LIGHTS  LIES  A  MYSTERY.   RUMORS  FOLLOW  LOCKE  WHEREVER  SHE  GOES.   SOME  SAY  HER  PAST  WAS  MARKED  BY  TRAGEDY.   SOME  SAY  SHE  RAN  FROM  SOMETHING.  SOME  SAY  THE  STORIES  SHE  TELLS  ARE  ONLY  ANOTHER  ACT,  ANOTHER  ILLUSION  CRAFTED  TO  KEEP  PEOPLE  FROM  DISCOVERING  THE  TRUTH.     LOCKE  HERSELF  NEVER  CONFIRMS  ANYTHING—SHE  SIMPLY  SMILES,  SHUFFLES  A  DECK  OF  CARDS  &  CHANGES  THE  SUBJECT.

AT  HER  CORE,  LOCKE  IS  A  CHARACTER  ABOUT  PERFORMANCE,  IDENTITY  &  THE  MASKS  PEOPLE  CREATE  TO  SURVIVE.  SHE  IS  PLAYFUL,  CLEVER  &  MISCHIEVOUS,  BUT  BENEATH  HER  CONFIDENCE  IS  SOMEONE  WHO  UNDERSTANDS  THE  VALUE  OF  HIDING  PIECES  OF  HERSELF  AWAY.

[lockesit]

"  I  𝒹𝑜  admire  your  𝐻ouse's . . .  𝒸ommitment  to  𝒻amily, 𝒴our 𝓖race.     ℳost  people  merely . . . visit  their  relatives.  "

✦ ⁽ 𝓢TARTER FOR @sunfyred

[lockesit]

"    a    good    magician    knows    three    things:    misdirection,    timing     &    never    standing    too    close    to    a    lord's    wine    cup.    "

[ohisms]

✱˚｡⋆ ↪ 𝐓𝐇𝐄 𝐅𝐈𝐑𝐒𝐓 𝐑𝐔𝐋𝐄 𝐎𝐅 𝐅𝐈𝐆𝐇𝐓 𝐂𝐋𝐔𝐁.   (   a collection of violence & injury - based action prompts. adjust phrasing / reverse roles as desired. mature themes ahead. absolutely do not use these for non-con.   )

[ 01. ] sender takes receiver down to the ground during a fight. [ 02. ] sender leaves scratches / bruises on receiver's body. [ 03. ] sender cruelly applies pressure to receiver's [ wound / bruise ]. [ 04. ] sender lightly trails a sharp knife across receiver's cheek. [ 05. ] sender wraps a hand around receiver's neck & cuts off their oxygen. [ 06. ] after a long - winded chase, sender finally corners receiver. [ 07. ] sender holds a knife to receiver's throat, blade nicking their skin. [ 08. ] sender pushes receiver into a wall & pins them there. [ 09. ] sender has poisoned receiver's [ drink / food ]. [ 10. ] sender aims a loaded gun at receiver, cocking the hammer. [ 11. ] sender suddenly throws a punch at receiver during a confrontation. [ 12. ] sender hurls an item across the room at receiver's head. [ 13. ] sender forcefully pushes receiver's head underwater. [ 14. ] sender unexpectedly arrives at receiver's home covered in blood & bruises. [ 15. ] sender pleads for receiver to help them with hiding a body. [ 16. ] sender is knocked out during a fight, & wakes up in receiver's home. [ 17. ] sender gently dabs the blood from receiver's face with a wet cloth. [ 18. ] sender crafts a tourniquet from their own clothes to stop receiver's bleeding. [ 19. ] after severely wounding receiver, sender approaches them menacingly. [ 20. ] sender takes receiver by the throat & lifts them off the floor. [ 21. ] sender licks receiver's blood from their fingers. [ 22. ] sender viciously bites receiver during a struggle. [ 23. ] sender draws receiver's blood for the first time. [ 24 ] sender grabs receiver's hair, forcing their bloodied face up to look at them. [ 25. ] sender straddles receiver to pin them to the floor.

[ 26. ] receiver wakes up tied to a chair, sender standing before them. [ 27. ] sender threatens receiver with torture in order to extract information. [ 28. ] sender is severely injured & receiver must dial an emergency number. [ 29. ] sender, bleeding through their bandages, faints in front of receiver. [ 30. ] sender goes to strike receiver with a [ blunt object ]. [ 31. ] finally in position, sender can't make themself kill receiver. [ 32. ] sender intentionally breaks one of receiver's bones to demobilize them. [ 33. ] sender deprives receiver of sustenance for an extended period of time. [ 34. ] sender slaps receiver across the face in a moment of anger. [ 35. ] through [ coercion / force ] sender makes receiver kneel before them. [ 36. ] sender prepares to make the killing blow upon receiver. [ 37. ] sender jumps in front of a strike meant for receiver. [ 37. ] after a third party threatens receiver, sender takes revenge & attacks them. [ 38. ] sender has taken a third party prisoner as an offering to receiver. [ 39. ] sender, in a frenzy, hunts receiver through the vast dark wilderness. [ 40. ] receiver is trapped in a maze-like structure with sender hunting them down. [ 41. ] sender draws receiver a hot bath to soothe their wounds. [ 42. ] sender begs receiver not to succumb to their injuries. [ 43. ] sender harshly takes receiver by the chin, forcing eye contact. [ 44. ] sender is in the hospital, severely injured, & receiver just got the news. [ 45. ] sender is the first person receiver sees after returning to consciousness.

[rpmemepalkia]

Fight Sentence Starters

Change verbiage, pronouns etc as needed.

Fight with our muses on one side and a common enemy on the other

"They're about to attack! Get down!"

"Take cover! It's coming!"

"Remember, (thing) can't hurt it."

"My bullets aren't doing a damn thing!"

"I'm the only one who can harm it."

"There are too many of them! We have to get out of here!"

"There are two of us and only one of them. We've got this."

"Stay hidden behind cover. If they see you, they will kill you."

"How the hell do we beat them?!"

"Ready! Aim... Fire!!"

"I hit right on target! How the hell isn't he stopping?!"

"When my attack hits them, I want you to run like hell. Don't look back."

"We need a plan of defense."

"What's our plan of attack?"

"I'll run in and distract them, and when I do, you strike. Got it?"

"They're coming right for you!"

"She's got a gun. Be careful."

"They have a fucking (weapon). We're screwed!"

"No matter what happens, don't tell them a word."

"Please tell me you know what the hell you're doing."

"Do you have a deathwish? They'll kill you!"

"If I go out there, I'm dead."

"It's me they want. I can end this right now if I surrender."

"Draw your weapon and get ready."

"How's that for an opening strike?"

"God, I hope this works!"

"Let (receiver's name) go, you bastards!"

"Help! I'm pinned!"

"I'll hold them off! Save yourself!"

Fight between our muses

"You think this hurts, (receiver's name)? It's nothing compared to what's coming."

"I shot you where you won't die. The next time I pull the trigger, you won't be so lucky."

"Did you just shoot at me? Are you insane?!"

"What the hell are you doing, (receiver)? I'm on your side!"

"The more you struggle, the more it'll hurt."

"You 'don't want to fight'? Do you think I'm an idiot? Pick up your weapon and face me!"

"It's useless to struggle. You're not getting out of this hold until I decide."

"There are five different ways I could kill you right now. I'd advise you start talking."

"You came prepared. Where'd you learn that new trick?"

"I underestimated you. You're more resilient than I thought."

"Take that!"

"Surrender. If you don't, then your body will."

"You underestimated me. I can do this all day."

"This is for everything you did to me!"

"You don't stand a chance. If you don't surrender, I will kill you."

"Why won't you die already?!"

"Your underhanded tactics won't work on me."

"You're good, but I'm better."

"Is that the best you can do?! I expected more of a challenge from the great (receiver's name)."

"This is suicide. You don't stand a chance against me!"

"But how? Any other human would be dead right now."

[ohisms]

✱˚｡⋆ ↪ 𝐀 𝐘𝐄𝐋𝐋𝐎𝐖 𝐒𝐔𝐍𝐑𝐈𝐒𝐄 .    (  a collection of  mixed action prompts.   adjust phrasing as desired.   potentially mature content within.  )

[ 1. ] sender steps between receiver and an aggressive stranger, voice low and steady: "walk. away."

[ 2. ] sender teaches receiver self-defense, hands firm on their hips as they adjust their stance.

[ 3. ] sender presses their forehead to receiver's, voice breaking as they murmur, "i don't know how to fix this, but i'm not leaving."

[ 4. ] sender shoves receiver out of the way of a projectile.

[ 5. ] sender combs their fingers through receiver's hair in the aftermath of a traumatic event, whispering words of comfort.

[ 6. ] sender whispers, “i’ve thought about this all day,” before pinning receiver against a wall for a searing kiss.

[ 7. ] sender wipes away the receiver’s falling tears with their thumb and whispers, “i’m here."

[ 8. ] sender patches up receiver's wounds, hands trembling as they whisper, "you can't keep doing this to me."

[ 9. ] sender shoves receiver into a hiding spot, hissing, "stay here or i’ll kill you myself."

[ 10. ] sender finds receiver drunk at a party, sighing. "let’s get you home."

[ 11. ] sender is discovered sleepwalking by receiver.

[ 12. ] sender steals receiver’s weapon and presses it to their own chest, daring: “go ahead. prove me right.”

[ 13. ] sender ‘accidentally’ flashes receiver while changing, purring, "see something you like?"

[ 14. ] sender whispers, "you’ll ruin me," before biting receiver’s lip hard enough to draw blood.

[ 15. ] sender takes over while receiver is giving themselves stitches, promising to handle it.

[ 16. ] sender frantically grips receiver by the shoulders, "don't you dare close your eyes."

[ 17. ] sender fixes receiver’s crooked [ tie / jewelry ], teasing, "nervous?"

[ 18. ] sender shakes receiver out of a nightmare, comforting them in the aftermath. "same nightmare again?"

[ 19. ] sender brings hot tea and medication to a [ hungover / ill ] receiver.

[ 20. ] sender invites receiver to dance with them, insisting, "what? this song's perfect."

[ 21. ] sender leaves a single rose on receiver’s windshield with a note: "you’re being followed. smile."

[ 22. ] sender pins receiver’s wrists during a sparring match, grinning, "yield."

[ 23. ] sender playfully steals something from receiver, initiating a chase. "come and get it, then."

[ 24. ] sender drapes a blanket over receiver, accidentally waking them. "sorry, go back to sleep."

[ 25. ] receiver returns home only to find sender already there. "finally."

[ 26. ] after a pleasant night out together, sender asks: "can i kiss you goodnight?"

[ 27. ] sender wipes the blood from receiver's face, murmuring, "let's get you cleaned up."

[ 28. ] sender shoves receiver against a vending machine to dodge security, breathless. "act natural."

[ 29. ] sender wakes receiver in the throes of a nightmare, reassuring them, "it's okay, it's not real."

[ 30. ] sender purposefully antagonizes receiver, hurling insults; "what are you gonna do about it?"

[crownmemes]

Questioning Sentences, Vol. 56

(Questioning sentences from various sources to ask all kinds of muses. Adjust phrasing where needed)

"Do you see something behind me?"

"Where do you get such faith in yourself?"

"What do you hunger for most?"

"Ah, you're trying internet dating? Is that, ah... Grinding? Or whatever it's called?"

"Why are you dressed like me?"

"Who are we if not the stories we tell ourselves?"

"Is it true that you really don't drink anymore?"

"Isn't it all just a bit busy inside your head?"

"I've paid for the sins of my past. What about you? Can you say the same?"

"This is how you let people speak to you?"

"Are they the same clothes you were wearing yesterday?"

"Knowing how this ends, was it worth it?"

"Have you not seen things so bazaar they left you speechless?"

"So, when are you going to tell me your name?"

"For the record, how long have the two of you been shagging?"

"Is this a reconciliation thing?"

"You've got a real big mouth on you, you know that?"

"Why do you hate me so much?"

"Do you know the meaning of love?"

"How could you make me do this?"

"How about you? Did your father love you?"

"Do I need to know what that is?"

"I haven't been able to stop thinking about the other night. Have you?"

"Are you so self absorbed you don't realise the position you've put me in?"

"Not dead, then?"

"Didn't anyone ever teach you any manners?"

"If you could, would you choose not to love me?"

"What if the plan fails?"

"Aren't we all just pretending to be other people? Isn't that part of human nature?"

"Why do you stay here?"

"Do you want to do the job properly, or do you just want to look nice?"

"How long are you going to keep up this wounded silence?"

"Is that why you came here? To get information?"

"Yesterday you didn't believe me. What changed?"

"Are you sure you can't fix me?"

"Why do you have to disagree with everything I say?"