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art blog(derogatory)

Janaina Medeiros
will byers stan first human second
PUT YOUR BEARD IN MY MOUTH
Xuebing Du
TVSTRANGERTHINGS

@theartofmadeline
tumblr dot com

Origami Around
todays bird
h

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YOU ARE THE REASON

shark vs the universe

ellievsbear
Mike Driver
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JBB: An Artblog!
Monterey Bay Aquarium
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@locomotivator
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Yang qi917 - http://yangqi917.deviantart.com - http://www.weibo.com/yangqi917?is_hot=1
Hello darkness, Phil Hale
by Norwegian conceptual artist Rune Guneriussen
brooklyn nine nine meets tumblr (insp. [x] [x] [x])
someone asked for my brush settings before
i have way too many brushes and dont know which ones i want to get rid of
sorta pink boxed ones i think are the neatest (FOR NOW)
(dai_flat is basically just a line that goes all the way through the elemap circle thing horizontally, a neat flat brush)
Theo Jansen Strandbeest
Side note: These don’t have motors. They’re completely momentum/wind-powered and literally just wander around beaches unsupervised like giant abstract monsters.
these are both amazing and COMPLETELY TERRIFYING
Sou Fujimoto - House NA. Tokyo, Japan. 2010.
Photo: Iwan Baan
Designed for a young couple in a quiet Tokyo neighborhood, the 914 square-foot transparent house contrasts the typical concrete block walls seen in most of Japan’s dense residential areas. Associated with the concept of living within a tree, the spacious interior is comprised of 21 individual floor plates, all situated at various heights, that satisfy the clients desire to live as nomads within their own home.
Sou Fujimoto states, “The intriguing point of a tree is that these places are not hermetically isolated but are connected to one another in its unique relativity. To hear one’s voice from across and above, hopping over to another branch, a discussion taking place across branches by members from separate branches. These are some of the moments of richness encountered through such spatially dense living.”
Via: mooponto
Room Portraits by Menno Aden
Through challenging camera angles Menno Aden abstracts most familiar actual living environments and public interiors into flattened two-dimensional scale models. A camera that the artist installed on the ceiling of various rooms takes pictures downwards of the interiors. The resulting images lay out space in symmetrical compositions that look like assemblages stripped off any kind of objectivity. The views into private homes and secret retreats bring up associations of the ubiquitous observation camera. The notion of surveillance is systematically played out by the artist to hint at society’s voyeuristic urge that popular culture has made mainstream.
-Miriam Nöske
Slide to Unlock by Evan Roth
[available here]
Imogen Poots - Muse Magazine - Spring 2014
for ten years now, leonid tishkov has traveled the world with his moon. here we see him in arctic svalbard magdalene fjord (1,5,7), new zealand, near rangitito (second photo, taken by marcus williams), the tian shang observatory near the border between china and kyrgyzstan (third photo, by po-i chen) and moscow (4,6,8, taken by boris bendikov)
"the moon is a shining point that brings people together from different countries, of different nationalities and cultures - and everyone who gets in its orbit does not forget it ever. it gives fairytale and poetry in our prosy and mercantile world," leonid writes. "the moon helps us to overcome our loneliness in the universe by uniting us around it."
leonid adds, “the ancient ural peoples who lived in my home told a fairy tale about how a shaman goes into the next world, illuminating the path of the moon. so in all of my photos, i can be seen in my late father’s cloak, because he travels with me in this way.”
Balding memo pad.
Ann Marcellino