TWIN PEAKS s02e07 "LONELY SOULS" + faceless

if i look back, i am lost
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YOU ARE THE REASON
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@lodgedodge
TWIN PEAKS s02e07 "LONELY SOULS" + faceless
“Quit trying to hold on so tight. I’m gone. Long gone.”
Twin Peaks: Fire Walk with Me dir. David Lynch (1992)
TWIN PEAKS | 1×08 ‘THE LAST EVENING’
[Video Transcript:]
An outtake from Twin Peaks. Agent Dale Cooper (played by Kyle MacLachlan) and Sheriff Harry Truman (played by Michael Ontkean) are sitting in a car at night, during a stakeout. Cooper is carving a piece of wood to pass the time. The two discuss a secret society known as The Bookhouse Boys. At the end of the scene, David Lynch praises the pair for chemistry.
Cooper: "So what's the story behind this Bookhouse anyway?"
Harry: "Jake Morrissey owns the Bookhouse and the Roadhouse. The Bang Bang Bar - anybody calls it the Roadhouse."
Cooper: "And these motorcycles, that some kinda gang?"
Harry: "Well, not really exactly a gang uh- or... we go way back."
[Cooper glances at Harry, a small grin on his face as he returns to his carving]
Cooper: "You're part of the Bookhouse."
[Harry smiles at him in return]
Harry (flirtatiously): "Whyncha whittle on that for a while?"
[Cooper's grin widens, and he briefly looks back at Harry]
[Kyle MacLachlan - breaks character and looks directly at the camera, as if waiting for instructions.]
David Lynch: "What a beautiful, beautiful thing! Cut it."
[Kyle MacLachlan and Michael Ontkean laugh]
this aired on network television in 1990.
@ibsdoll
Twin Peaks: The Return 2017. - Lynch’s message to Transphobes, “fix your hearts or die”.
“Quit trying to hold on so tight. I’m gone. Long gone.”
Twin Peaks: Fire Walk with Me dir. David Lynch (1992)
Twin Peaks: Fire Walk With Me (1992) David Lynch
scenery + details appreciation
TWIN PEAKS | 1.01 ‘PILOT’
establishing shots northwest passage, 01x01
breaking the fourth wall in twin peaks
There is a sadness in this world.
“Log Lady Introductions" | David Lynch | Twin Peaks
Twin Peaks— 2.09 ‘Arbitrary Law’
Leland (Palmer), like Anakin (Skywalker) and Norman (Osborn) before him, is part of a tradition of disavowal in popular culture, where evil becomes a separate persona, that abrogates the protagonist's responsibility. Like the classic Dr Jekyll/Mr Hyde archetype, the dual personality takes on a completely different physical form, often enabled by mental illness and thus insulates and absolves the perpetrator from blame for his crimes.
—Dr. Jason Bainbridge, Blaming Daddy: The portrayal of the evil father in popular culture