collaging on my break and reimagining Dante’s second circle of hell as a garden
wallacepolsom

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@logical-haunting
collaging on my break and reimagining Dante’s second circle of hell as a garden
you smell like a memory…
Manuel Amado (1938-2019) —The Harlequin Making Himself Funny and the Devil Watching [oil on canvas, 2004]
Christina Ricci | Buffalo'66 (1998) dir. Vincent Gallo
taken by me
glasgow, scotland
may 2026
it has been a while | Olympus OM-1 | Samsung Prime Color 200 | 2026
Miami Vice (1984-1989)
Zhiyong Jing - Eyewitness
person typing into google search bar: obfuscate meaning
google ai overview: Understood! From now on, all meaning will be hidden from you, and you'll be forced to wade through the dreary vastness. Whether it's things you've always held dear, or new ideas you've yet to discover, nothing will make sense or appear to have any real value. This could be the beginning of a fascinating journey!
"Monster," poem assembled from quotations drawn from Wikipedia articles
I was talking about found poems earlier so I'm reblogging one of my favorite examples of my own work from a few years ago.
Remembering what I said about the original work "haunting" found-language works, I point to an example here. The final line ("You Come Too") comes from the wiki page for Robert Frost, and is referencing a tender and serene poem "The Pasture" in which the speaker is inviting the listener to come with them to clear the pasture spring and fetch the little calf, a request of pure companionship in an activity that is routine necessity but leisurely.
It's a very different tone, isn't it? Many interpretations of the final line are possible, but if it is understood that "The Pasture" is the context it came from, the final line is an invitation.
It was very interesting to me to source my last line from something so calm and peaceful when the rest of the poem is filled with imagery of horror.
As part of "Monster," the line becomes more firm and has a sort of foreboding but it does not lose its reassuring nature. This is because the rest of the poem expresses the necessity of monsters to intervene in the gaps that separate us from recognizing the horrors and traumas within ourselves and the world around us. The monster itself is an invitation, to confront the difficult parts of ourselves and the world that may otherwise be impossible to truly realize. "You come too. Come acknowledge this reality with me. You come too, be liberated by the monster."
Wikipedia is a non-fictional source, so most of the quotations are nonfictional in nature. I mostly preserve the non-fictional tone of Wikipedia in these poems, allowing the words to generally retain the echo of their purpose of defining and providing information about a topic. Wikipedia is also a living document being constantly edited and re-written, so the wording shown in these poems often has changed in contemporary versions of the Wikipedia pages.
This is a poem that makes me honestly really egotistical. "Poetry is what gets lost in metamorphism or deformation" is just one of the lines that fuck like hell.