The fact that the GOT fandom has becoming a version of the shipping war in Smallville doesn’t please me one bit.
But the similarities between the theory that is political!Jon and the “Lois Lane will die, Chloe Sullivan will take her name, her job and her soulmate Superman and become the real Lois Lane” theory are too much for me.
If there are SV fans who’re watching the political Jon theory evolve and remembers “Chloe is the real Lois. She sat in front of a name plate that said Lois Lane! Let’s ignore and demonize the actual Lois Lane” theories, hit me up.
I can’t get over the toxicity of these fandoms that support such toxic theories for the sake of propelling their preferred ship and their preferred female character. I mean, things worked out for Lois Lane, Clark Kent, and the ship. But I’m not happy about seeing a version of that grossness again.
What is similar in these instances?
I’m someone who was in the heart of that stupid Chlois debate when it came to SV fandom. And yes, this whole Political!Jon (and Dark!Dany) stuff is totally just the Chlois shipper theory of GOT fandom. I noticed the similarities right away. In fact, I noticed it even before those theories started being made after Season 7; I noticed it back before Season 7 started with some of the theories that were being made then, especially after the massive spoiler leak happened.
One of the main similarities between the two is that both GOT and SV were/are adaptations of a pre-written source material. So basically the canon is set in stone as to what the major romantic relationship are in it. Jon and Dany may not have met yet in the book but, honestly, I’m still surprised at people who didn’t see the relationship coming with all the story and character parallels between the two. I’ve said before that I figured out the two of them would get together before I ever read the books, or watched the show. Maybe some people really did just miss it, but I think a lot of it just came down to not wanting to believe it. Maybe because their hatred of Dany (because it’s usually always Dany) blinded them to the inevitable. Maybe they’re just weirded out by the incest; which is fine, but it’s clear GRRM isn’t making any moral judgement about incest in his work, especially when it comes to the Targaryens. And he’s the author of all this, so anyone using their personal opinions on the issue to determine where the story is going wrt Jon and Dany? Well, it was always going to lead them down the wrong path wrt the Jon/Dany relationship. (And will continue to do so wrt S8 BTW).
So yeah, Jon/Dany is going to happen in the books too (if Martin ever finishes them). No matter how many times some people keep trying to put it on “fanservice” or just something that will be “show only” and still denying the reality of it, I didn’t need director Alan Taylor confirming that GRRM told them back in S1 that the story would all come down to them and them meeting was the point.
So because D&D aren’t making this ship up, and it’s something that is weaved into the overall narrative by the source material the show is adapted from per word-of-the-author, there is a need for some people to try and twist the set canon into something that will give them what they want. Which is just like the Chlois theory was - trying to twist the set-canon into something that will give a certain group of shippers something they desperately want. Lois and Clark’s relationship, at the time SV was on, was a relationship that had over 70 years of canon behind it. From the first ever Superman comic book back in 1938, it has been set in stone who Clark Kent’s main love interest is. So there was no way Chloe Sullivan was ever going to get him in any permanent way just by being Chloe Sullivan. She would have to be twisted into someone else, made to BE someone else, for the ship to ever happen and be endgame. So came the Chlois Theory.
Now, because we don’t have the final books, this all happening in GOT fandom isn’t about turning Sansa into the set love interest via having to become someone else (because people can still happily be in denial if they wish about it happening in the books for now). It’s about twisting the two characters who are the canon relationship into different people in order to argue how a break up “twist” will happen and then get them the ‘ship they so desperately want.
Sansa, just like Chloe, has become a self-insert character. Which is something I DO blame on D&D, because they decided to move Sansa away from her book storyline and give her Jeyne Poole’s, which makes her way more sympathetic compared to what the sample chapters from Book 6 show her doing as Alayne Stone. Just as the Chlois theory had nothing to do with Clark except to make him a prize for Chloe to win and get everything she ever wanted back in S1 of SV, this political!Jon and Dark!Dany theory stuff has nothing to do with who Jon and Dany are as the actual characters they are, and everything to do with giving Sansa “everything she ever wanted” back in S1 of GOT, with Jon as the prize to be won. (A handsome prince and becoming Queen).
Anyway, this is all going to go down just like Chlois did after the final season of SV aired. The crack theories aren’t going to happen. And while some will admit they never expected it to after it doesn’t (even though they argued otherwise all though hiatus), I expect more will start arguing it’ll happen in the books, even though the books hold even more evidence than the show that it won’t.
So yeah, as a veteran of the Chlois Theory and debates, I’ve seen this movie before. It’s why I’ve barely been in GOT fandom during this hiatus, because I could see this stuff coming, and it all felt way too familiar. I, frankly, just don’t have the patience to argue against crack theories that were clearly created in the same vein as the Chlois theory was. Not again. And I know, just like with Chlois, it’s going to take the airing of the final season before the majority of it will all finally just go away, and proven to be nothing but the crack shipper theories that they are.
It’s very familiar. Thank you for this great post.














