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The Devil's Minion (Armand/Daniel): Metas and Info Masterpost -- Part I
This is an updated masterpost containing all links regarding asks I've gotten about Armand and Daniel's relationship (Devil's Minion), as well as metas I've written about the relationship, as it pertains to the AMC+ TV Show, as well as book info about the pair. This post is for quick reference for anyone looking for a specific meta or answer to a question they may have, as well as for myself, as the show goes forward.
You can find the original/old masterposts lists I did for this here and here.
The second masterpost list I did began to contain too many links, and therefore stopped allowing for more updates to be made to it and posted. This new post will, therefore, contain links to all new parts of the masterpost lists going forward.
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Links to other parts of this masterpost:
Part II
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Book Specific References/Questions:
A book-based timeline of the events regarding Daniel and the Devil's Minion story/relationship (created by Lixx) -- here.
No, Anne Rice was not against fanfic because people were writing her characters having gay sex (and isn't rolling in her grave over the gay sex in the show) -- here and here.
Yes, the ship name for Armand/Daniel (as far as book-fandom goes) has always been "Devil's Minion" since at least when the Queen of the Damned book was first published in 1988 -- here.
What we know about Daniel's background from the books (which is not much) -- here.
Overview of Armand's backstory and relationship with Lestat, Louis, and Daniel in the books -- here and here.
Who and what is Armand's endgame (in the books & spec regarding the show during Season 1) -- here and here.
Armand and Daniel's relationship was NOT love at first sight, like it was for Lestat and Louis. Their relationship, in fact, starts out more like a horror movie (but it gave them the chance to see, and fall in love with each other, with no illusions as to who the other one was) -- here, here, here, and here.
David Talbot (aka why the show has likely replaced his character with Louis and Daniel) -- here.
The origin of the "Boss" nickname that many fanfic writers have Daniel call Armand in fanfics -- here.
My thoughts about Daniel not being mentioned in the final Vampire Chronicles book, Blood Communion -- here and here.
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AMC+ Showrunner Rolin Jones talking about The Devil's Minion:
Yes, Rolin Jones did promise Devil's Minion, actually -- here.
What Rolin Jones said at SDCC 2022 about Devil's Minion -- here (YouTube Video).
Rolin Jones speaking at the 2024 ATX TV Festival about Devil's Minion -- here (video).
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AMC+ Universe Specific Reference Links:
Daniel Molloy's LinkedIn page, set up by the AMC+ show -- here.
Daniel Molloy's Practicum Course Website -- here.
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General AMC+ Show Devil's Minion Metas and Specs:
Why I think a large part of the Devil's Minion storyline, particularly the 4-year Chase between Armand and Daniel, as well as their romance after that, all happened in the past, during the book's original 12-year timeline (1973 to 1985); including signs and hints in the show that it did -- here, here, here, here, here, here and here. (And a gifset tags meta here.)
What I think Louis was doing while Armand was chasing younger Daniel for 4 years, as well as very likely the first 3 years (at least) of Armand & Daniel's full romantic relationship after that (in short, IMO Louis was very likely asleep, underground in the earth, healing from his burn wounds) -- here.
Why I think Louis doesn't know -- or remember -- what happened between Armand and Daniel in the past -- here.
Why I don't think it was Armand who erased Daniel's memories of their past relationship -- here and here.
Daniel, Parkinson's Disease, and Dr. Fareed -- here, here, and here.
Daniel's importance to Armand's story (a.k.a. why Daniel won't be killed off ... or at least why he won't stay dead and gone if he does die) -- here, here, and here.
Thoughts on Daniel's sexuality (with commentary about the 1980s AIDS crisis) -- here, here, and here.
About the Armand = Alice theory -- here and here.
What I feel is the most important thing when it comes to adapting The Devil's Minion story/relationship, and why -- here, here, and here.
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Season-specific Metas and Specs are below the cut:
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Season One-Specific Metas and Specs (many of these were either confirmed or disproven by what was shown by the end of the season, or by the end of Season 2):
Rashid is Armand Specs (proven correct!) with spec on Devil's Minion having happened in the past -- here, here, and here.
Shipping Armand based on just aesthetics (because no, Rashid was NOT Armand's true self, just a performance) -- here.
My thoughts on the show's timeline taking place around the time of Merrick (proven false at the end of Season 2) -- here.
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Pre-Season Two-Specific Metas and Specs (many of these were either confirmed or disproven by what was shown during Season 2):
Another ask/meta about the "Endgame" relationships -- here.
Yes, Devil's Minion has their toxic side. And? 🤷🏾♀️ This is the Vampire Chronicles, EVERY relationship has its toxic level to it -- here and here.
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Season Two-Specific Metas and Specs (written as Season 2 was airing, and were either proven correct or wrong by the end of the season):
The purpose of The Chase between Armand and Daniel in the show's universe -- here.
Could Daniel be seen as scraps because Armand couldn't have Louis or Lestat? -- here.
My prediction/meta that Daniel would be turned by the end of the season, (before the screener leaks spoiled it) -- here.
More thoughts/specs on Daniel being turned -- here, here, and here.
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Post-Season Two-Specific Metas and Specs:
Why, IMO, Armand turning Daniel out of "spite" in any way is a bad adaptation of The Devil's Minion story (and Armand & Daniel's relationship) if it's true -- here, here, and here.
Why The Chase, and the romantic relationship that came after, has to have happened in the past, if the show wants to keep to the heart of Armand & Daniel's characters and relationship, post Season 2 -- here.
Armand turning Daniel did not lead to them "getting together" or some kind of happy ending for them right away in the books. In fact, they broke up for over 15 years after Daniel's turning, and Daniel went mad/crazy (and went to live with Marius), a storyline which I feel the show could still do in some way -- here and here. (Tulane Archive scan, which shows their breakup, that was cut from The Vampire Armand book, where it was only mentioned instead -- here.)
. . . that all said, one way or another, there is something strange and off going on with Daniel and the publishing of the Interview with the Vampire book, per the hints given in Mayfair Witches, Season 2 -- here.
More thoughts on Daniel, Raglan James, and the Talamasca -- here, here, and here.
Armand and The Great Laws -- here and here.
Possible Armand and Daniel episode in Season 3 -- here.
No, I don't think The Devil's Minion has been plotted out fully, down to every single last detail, with regard to the show; because TV show writing is more organic than writing a book or a film, because of its medium -- here and here.
You know, I told myself that I wasn't going to do any fanwanking after I saw the season finale. Because I'm sick of theorizing about things, while the show just constantly sets up things but barely reveals anything.
But with that said...
Until the show says otherwise? I'm going to believe that the reason Armand didn't tell Daniel about their past relationship together was not that he was being sneaky or was hiding things to achieve the goal of his larger plan, or anything like that.
I'm going to believe that Armand didn't tell Daniel (and by proxy, us, the viewing audience) because of two words he said to Daniel back in Season 2: Tabula Rasa.
Clean Slate.
I think, given some things Assad said and the fact that Assad actually took the trouble of writing Armand's apology letter to Daniel, I am going to believe, for now, that the apology Armand tried to give to Daniel was sincere.
That with Daniel, at the very least, Armand did sincerely mean what he was trying to say.
And yes, I do 100% believe that Armand never intended to tell Daniel that he loved him ... until he did it.
So after he did tell Daniel he loved him, what then?
Well, for now, I believe that Armand felt he could tabula rasa his relationship with Daniel.
Because Daniel clearly doesn't remember their past together.
And Armand clearly has some real regrets about what happened with Daniel during their past together.
So why bring any of that past up to Daniel, after you spilled the beans about loving him, when you never intended to do so? However, now that you did, why not just be with Daniel again, right now, while also not having to both carry the weight and regrets of the past that would come with it if Daniel did remember ... or might remember if he were told about it?
So yeah, that's what I'm going with about it, right now. Armand didn't tell Daniel of their past because he wanted to tabula rasa the whole thing between them when going into a companionship with Daniel, again ... for as long as he could, at any rate.
I haven't read all of Anne Rice's books, but know the overall story and have read the Devil's Minion chapter in QoTD. I also knew this season wasn't adapting Queen of the Damned , so I wasn't expecting DM yet, and that's completely fine. My concern is that without Daniel's vulnerability and the 12 year bond that define DM , I'm struggling to connect with Armand and Daniel's current dynamic. I just hope DM isn't just breadcrumb to get fans. No hate to Eric but I am scared we won't see Luke again
Hey! 👋🏾
So, not being able to connect with DM this season is something that I've seen from other comments around the fandom, too, so I don't think that you are alone in feeling that way about them this season.
And that feeling of disconnect was very much because they did not actually show their relationship this season. Because, as I said in another ask I answered yesterday, the show/writers never planned to show it this season, by design:
💬 0 🔁 2 ❤️ 48 · Hello! Don't you think that the show has destroyed the significance of the DM relationship? Maybe I expected too much, but
As to the lack of Daniel's vulnerability, the problem there also stems from the show not exploring in-depth the whole concept that Daniel was going through "transformational trauma" via his turning.
And the reason they didn't explore it was that it would have meant actually, fully going into and revealing, i.e., showing, his turning and everything that happened during and immediately after it. Which, again, is something the show clearly did not want to reveal fully this season.
And honestly, given the look both Jacob and Sam gave Rolin during an interview when he said we'd see Daniel's turning in Season 4, and Jacob's muttering of "Diabolical" when Rolin said so, there is clearly more going on there than what we heard Daniel rant to Armand about it. And it was likely not as straightforward and simple as was implied.
But yeah, because they didn't go in-depth about why Daniel had "transformational trauma" and explore that, particually with Armand, that also left on the table a chance to explore Daniel's vulnerability in any way this season, not just when it came to Armand.
So yeah, even Luke showing up in a flashback scene/sequence this season wouldn't have helped with anything, because if he had shown up, it would not have been a flashback that explored Armand and Daniel's past relationship ... at least, nothing beyond Armand stalking him, which is what happened during the first part of their chase.
Because, as I laid out in my above-linked post, the show had zero plans to really explore Armand and Daniel's relationship this season. Because doing so would have meant revealing things about their relationship -- such as whether there had been a past one between them or not -- and they didn't want to do that.
Which is why we got it all presented in the way we did. And hence, the disconnect with it some people felt about it all season.
Because you can't really connect to an on-screen relationship when you see next to nothing of that relationship. 🤷🏾♀️
The Devil's Minion story is not only going to be just breadcrumbs. The problem right now is, we just don't know how long Rolin and Co. plan to only show us breadcrumbs about it before finally revealing everything and actually showing us their relationship -- in the past and the present.
I Believe "The Failures" Framing Device was Added After the Season was Filmed
I don't have proof of this, someone on the writing team could disprove this, I am saying what I saw in the season:
The framing device of "The Failures" was probably written in late 2025 after initial negative feedback on the season from producers or the network, who did not understand what was happening in the show and demanded a fix. It required limited reshoots to incorporate, allowed the editors to heavily recut previously written sequences to incorporate it, cut down on elements they thought weren't working, and increase the elements they thought were working.
This is value-neutral on whether or not you liked the season or the voiceover. You'll probably pick up on my feelings on both along the way.
(I tried to spoiler tag this correctly, but fyi, this spoils E7)
Point One: So much stock footage.
The overwhelming majority of the voiceover in The Vampire Lestat is played over stock footage, clips from prior seasons, or b-roll. This is not the way a voiceover is traditionally written into a script; for a good example of a traditional voiceover, see the first two seasons of Interview with the Vampire. The voiceover transitions us between scenes or is given actual sequences, longer shots, directly related to what we are hearing, to play over.
"He was in love with my city." We see them in New Orleans. "Lestat had disappeared," and we see the start of a scene of him trying to apologize. This isn't random footage, this is filmed intentionally.
There is an absurd amount of stock footage and season one and two footage being played over voiceover in this season. Several voiceover sequences include no footage we have a reason to think was specifically for this season at all.
Look at the lead in to the strip club scene in episode two: greenscreen + stock footage (likely filmed for the original scene transition), stock footage, b-roll insert:
The opening of episode four: stock footage, b-roll, footage from a prior episode that is unrelated to this sequence:
Is using stock footage or b-roll or reusing footage from prior episodes inherently bad or inherently a sign that the voiceover was added later? I'm not saying that, and don't accuse me of saying that. Stock footage is a normal tool, you film b-roll to use it.
But when a giant proportion of the voiceover is only over sequences like this, I wonder if the editors are having to create visuals for something that wasn't planned when the show was filmed, especially because:
Point Two: The transitions in and out of the flashbacks are filmed as if there wasn't originally a voiceover there.
Here is an extremely common piece of film grammar for a flashback with no voiceover, demonstrated in season one: a character goes to sleep, crossfade into a flashback, wakes up. We don't need a voiceover here because the language is easy to understand. He's falling asleep? People dream about the past sometimes. He's waking up? He was dreaming about the past and is now awake. They're both common transitions between flashbacks and a frame story.
You actually only need one of the two: the transition out in this example is just an additional moment for the Armand reveal to sink in. Especially if it's a natural edit break, (or, let's say, the beginning of an episode?) you only need one device to justify a flashback.
So it's really interesting that The Vampire Lestat, which has a voiceover as a conceit throughout, uses so many other traditional flashback transitions for scenes from Lestat's POV, almost as though the writers needed to justify why we are seeing the flashbacks in a version of the script that didn't have a voiceover framing device for Lestat.
Why does he need to tell us he's going into a flashback in a voiceover (over stock footage) if we're going to see him wake up from having remembered this in a dream afterwards?
Why do we have multiple framing devices to allow him to give us voiceover within the tour framing device? Why is he telling us that he told someone else a story as a pretext to tell it?
There is nothing wrong with using multiple ways to get in and out of flashbacks- but this season uses a lot. In my example from season one, there is a simple reason we can't use the main one we've been using: Daniel is not a POV character, so to see inside of his POV, we need a different device.
All of these flashbacks are meant to be Lestat. If you think about what he is telling us on The Failures, he... needs to explain his mom and then he woke up? He talked to Daniel about Nicki and then told the listener, about Nicki in a fragmented way at that time? He's telling us about how he was attacked by Akasha, but really needed to get back to how his band was bad, and then remembered he needed to tell us the rest of that story when he was telling it to the band? Huh?
To be honest: there isn't really a flashback I can identify where the voiceover is required at all.
Point Three: Style and substance.
If the voiceover was always intended, you would expect it to serve a function within the show, give us information we can't get anywhere else, motivate editing choices, etc. Here is a challenge: watch any sequence with significant voiceover and think about the information you got from it. Then, within the next ten minutes of the same episode, see if there is anything the voiceover told you that they didn't almost immediately tell you again with either visuals or dialogue giving you identical information.
Almost all of the voiceover could be removed and leave the audience with the exact same amount of understanding or confusion as they would have with it.
Example from episode four:
The Voiceover: "It can grind you down or deliver you home. And which would it be for our Marginal Mystery Tour back in the bosom of the nifty 50 United States? Digitally, there was some optimism, as somewhere between the P Diddler and Chipotle's new Adobo Ranch sauce, The Vampire Lestat found itself momentarily trending. Cell phone footage of yours truly went viral as both irrefutable proof of the cloud gift and deepfake Antichrist."
In the framing device, Lestat is told by Christine that a major investor wants to talk to him. In the next scene where the band's popularity is relevant, twenty minutes later, the investor says to Lestat:
Andrew: "I didn't know you were alive three days ago. I watched the video. Did a deep dive on the band, the Beautiful Unwell, flew here to Albany, playing "Long Face,". "Plastic Fiends," and "Loneliness" in a loop on my Beats. Saw the show. It's impossible. Saw the fans waiting outside the hotel. Impossible. I saw the protesters outside the hotel. Impossible."
Seems like we'd have been able to figure out the band went viral from a levitation video that seems impossible.
If it's not giving us a lot of new information, then it could be mostly a stylistic choice: It is a stylistic choice. It's one they likely added afterwards. Deciding on the season was chaotic, and making it more stylistically chaotic by including the voiceover and re-edit made it easier to fix the problem they were trying to fix.
It's especially obvious because the episode that feels the most like the prior seasons, episode six, is the one with the least voiceover. Probably because we are watching something pretty similar to what they thought the episode was when they filmed it.
And I just got to put this out there: re-cutting your project to stylize it to make room for a voiceover you need to include because no one understands the narrative as you filmed it with the footage you have was a literal running joke among my cohort in film school.
It doesn't say anything about how the original scripts looked. I used to put a lot of badly color-balanced footage in black-and-white as a "stylistic choice" in high school, too.
Point Four: The voiceover ruins plot points that were meant to be shocking.
Why do you behead a character at the end of an episode? So the audience is shocked and has to wait until next week to see what the outcome of that character being beheaded is.
That really doesn't work if that character is doing an omniscient voiceover we know is in the future.
"Do you think we're really meant to think they're dead?" No, I don't think the users of Tumblr.com the website are meant to think he's dead; I think a random person who doesn't use Tumblr is supposed to argue with their spouse after the episode ends about whether or not he's dead. That's why you do things like this!
You don't fakeout kill a character we know from earlier this same episode isn't dead, because it doesn't mean anything.
This one is more of a broad swing of a theory and assumes they did some fairly significant re-edits to move reveals around, but I also don't think we're supposed to know that Gabriella is his mom by the end of episode one, because they even lampshade how this isn't a good reveal.
If this is true, I don't know when we would have learned about who Gabriella is. I assume it would have been in episode two, because we have to know she's his mother from the flashbacks.
A plausible idea is that the actual kiss there was either from a re-shoot or filmed as an option they could use or not use: after this makeout scene, there is a lot of dialogue in the next episode which could have been planned as a "are they?? are they not??" about the nature of their relationship.
Given this conversation in episode two, it still wouldn't have been ambiguous at all, so it would have been a bad writing choice to assume the audience had any doubt here. Then again, we're talking about fucking Gabriella on The Vampire Lestat, so I'm not assuming a choice being really stupid rules it out as something they were trying to do.
They spent so much of this season on the shocking reveal that Lestat is fucking his mom; it's information we get in the form of a reveal like four times, and then the voiceover adds even more.
Guys... I think there might be incest in this show? Not sure.
It's such a huge element that keeps giving us the same information at the same level of detail, without a twist, without a recontextualization, that I have to entertain the possibility that they decided to make it... more significant later in the process? That's a terrible thought.
Point Five: The way book references are used is really weird.
This adaptation is not made for people with an encyclopedic knowledge of The Vampire Chronicles. As one of those people, I feel comfortable saying this, but also because that's not a market you can sell a show to, because it's too small. Seasons one and two mostly knew that, the Armand reveal being the big exception. The scenes we are watching that aren't voiceover mostly know that.
The way the show deploys book references in the voiceover is really weird.
We know there was a writer's assistant (if you see this: congrats, holy shit, that's a hell of a break, genuinely; also, if I am 100% wrong here and you know, that's hilarious) checking the books for information. I'm not naming them because people are being rude to them about the season (don't do that), but they mentioned this being something they did:
That's a real detail the show gets right: in episode six, at least a lot of the fake names we see are real aliases from the books! It stands out to me, then, that one of the biggest total book-niche fun fact blunders is in the voiceover:
"Picture my five dead siblings, Aristide, Marie, Jules, unbaptized, and Faustin, garden gnomes guarding the undulating domestic bliss of our great hall."
People have mentioned this a lot already, but if you don't know, from Blackwood Farm, Lestat's brother's initials are L-E-S-T-A-T:
"The name [Lestat is] compounded of the first letter of each of my six older brothers’ names."
That isn't proof of anything; it's just interesting to me. It's almost like the voiceover was written after the writers' room was dismissed, when there wasn't someone whose job it was to look up these things anymore. Huh.
It's also very strange to me what level the voiceover thinks you are supposed to be familiar with the books, in comparison to how much they are changing from them.
The show starts with a voiceover that assumes you are familiar with the plot of The Queen of the Damned.
"And I am not saying that the attempted extinction of the Y chromosome across the continents was all my fault."
And in one of the two scenes actually shot in the framing device, we get a shot that assumes you've read The Tale of the Body Thief?
These aren't Easter Eggs- well, they're not good Easter Eggs. Eh, I'll give you the Raglan one if you argue with me.
These are real pieces of information that it's extremely odd to expect some of the audience to know nothing whatsoever about, and others to understand completely. Usually, an adaptation is a different experience if you know the source material or don't, but not on the level of making or not making sense. It's kind of like they want you, when you Google what is happening, to find out the plots of these books via something like The Vampire Chronicles Wiki.
What these references all do is serve an extremely specific function: telling a general audience, if they Google it, that a plot is coming.
I wonder why they felt the need to add a voiceover to clarify that.
Point Six: Episode Seven, The Failures.
I suspected a lot of what I said above from episode one on, and was basically certain from the flashbacks in episode two. I didn't know why they did this exactly, but it explained a lot of what felt odd about the editing.
I figured it was probably a logic issue: something about the show was too vague, and people didn't understand what was happening, so they added the voiceover. It would make sense since a lot of it felt vague even with the voiceover. Maybe the logic issue was caused by something else: maybe something experimental they tried in the script, like more of the "long table," really didn't come across at all on screen; maybe a story element looked or just came across really bad, and they had to cut down on the amount it was shown and fill in the gaps; maybe a block of filming got cut or rushed and they didn't get enough footage.
I don't think I guessed that the logic issue of the season was going to be that the last episode just randomly ends mid-scene with no resolution of any storyline whatsover?
I would love to know what on earth was originally scripted to be the end of season three. Did they write the ending from the book and find out late in the game they couldn't afford to film it? Did they film it, and something was horribly wrong with it? Did they write an eighth episode, only get greenlit for seven, and not rearrange the season at all?
I mean, I can't imagine someone was like, "yep, that's a good way to end a season of television. The people will love that!" Genuinely. For real. I don't think someone said that!
People who know the truth can prove me wrong: send me the teleplays and I'll believe you. Otherwise:
The Vampire Lestat's framing device The Failures, and potentially other significant elements of the season, are a result of significant rework because the season as originally intended was not deemed acceptable to air, possibly because they didn't actually film the originally intended conclusion.
-and if I'm right, I want Mark Johnson to give me a two-year option on the rights to Blackwood Farm for $1 as payment for my suffering.
Not arguing the points in case(!), just adding on that Rolin said so himself (though it might indeed be debatable at which point they made this decision given what you laid out here).
The Vampire Lestat's big change, explained.
Rolin Jones: A lot of it was because of our first take when we were first writing the beginning of it. We made an experiment, and we wanted to say, "What if we don't do it with a voiceover?" And I think, pretty early on, we found out we were having a hard time. We were doing extra work to try to get to the stuff that was inside.
One night, I just went home and started rereading the book again, and I fell in love again with Lestat's voice. I was like, "Okay, well, he's a different person. He sounds very different. He would have a different way of attacking it." But how do we do it? I didn't want him to write another novel; that didn't seem like it fit the Lestat that we had built.
While coming up with this art project and thinking about where he was, which I think was a particularly lonely place, this idea of [the Samuel Beckett play] Krapp's Last Tape really landed for all of us. We were like, "Okay, let's put him with a microphone and let him go ahead and see what comes out." That became a really easy way to shape how information was delivered and how to shape an arc that seems like it's all artifice at the beginning, and then just starts cracking down.
We always had the comfort of going back to Lestat in this particular moment with his microphone and his reel-to-reel, and for all the playwrights in the room, that gave us a sense of comfort.
The one key thing that would tell us when "The Failures" framing device was conceived is when they decided to add in the opening auction scene.
I've seen people confused about why the season opened with the TotBT setting, but I really don't get the confusion about that at all. Stories can be non-linear all the time. There are plenty of stories that start at some future date and are told in flashback.
So, to my mind, there is nothing weird or out of place with starting the season with that opening auction scene.
My question is, when did they conceive of that opening scene? Was it something they came up with before principal photography began, and was it always in the script for EP301? Or was it something added in later, during possible pick-ups?
Because I honestly think all the stock footage used this season was largely due to budgetary constraints, which is the same reason the final episode was the full-on clip show it was.
So much stock footage, to me, screams that they didn't have the money to film many new scenes this season, so they had to be stricter about what they did film to tell the story over the course of the season.
And yes, that might have hurt when it came to the coherence of the story overall. And so, adding in "The Failures" as a narrative device later.
But not knowing when the opening scene was filmed, which is 100% about setting up that narrative device, leaves a question mark for me about it just being a late, pick-up addition.
Because if that scene was filmed during the initial shoot, then "The Failures" was always set to be the narrative device used as the voice-over to tell the season.
And all the stock footage used is just likely because, again, they were working with a much tighter and stricter budget this season than they were during the two previous seasons, because of the long pre-production period (one year plus) that Season 3 had, thanks to all the songs being written and produced.
Heavy stock footage use doesn't necessarily mean the story didn't make sense in some initial pass, and they were using such footage to fix it. Sometimes it really does just mean you are working with little money, hence why things like Clip Show episodes, like the season finale, exist in the first place.
The more I think about it, the more I’m like they should have stopped at episode 6. And then came back with 8 episodes for season 4. I’m still baffled by the finale.
I hated Armand’s storyline, hated whatever they were doing with Daniel. These are my faves here. At least with Louis storyline it was building up to his reunion with Lestat in 3x06 and closure on Claudia, it didn’t just come out of nowhere. But loumand wtf where was this coming from.
They killed Larry for this???? My head is still spinning.
The Larry situation really bothers me when viewing the season as a whole. A lot of choices made this season were executed thoughtfully, with clues being dropped in the prior two seasons. The finale...did not feel thoughtfully written. Why on earth did Larry have to die? What did Larry have to do with Louis? Armand set up Fareed and Regina just to eventually cut Louis' head off?
Even when you think of the last two finales beside one another, you're left even more baffled by the decision. Armand is revealed in the season 2 finale to have manipulated Louis' memories and killed Claudia...then one season later you have him torturing an apology out of Louis? I really do agree that I wish they left it at six episodes and taken more time to think through certain choices. They could have gone in so many interesting directions with Armand's motives...instead we got...this.
Like, in my opinion, the only way you can play the aftermath of this is if Louis told Armand what Armand wanted to hear. And that's it.
Because Louis owed Armand absolutely zero apology. Not after the reveal that Armand did try to kill Louis and did kill Claudia.
He even told Louis here that he was going to kill him via the trial for the aesthetic of it.
Louis owed Armand nothing for that.
The episode is a mess and pointless, but I can see ways to retroactively fix the things it left us with somewhat, going into Season 4. Having Louis say he just finally told Armand what Armand wanted to hear is a way to fix some of the BS that happened with Louis.
The more I think about it, the more I’m like they should have stopped at episode 6. And then came back with 8 episodes for season 4. I’m still baffled by the finale.
I hated Armand’s storyline, hated whatever they were doing with Daniel. These are my faves here. At least with Louis storyline it was building up to his reunion with Lestat in 3x06 and closure on Claudia, it didn’t just come out of nowhere. But loumand wtf where was this coming from.
They killed Larry for this???? My head is still spinning.
So for this, I think this lends credence to my theory that the show uses yellow/orange eyes to show vampire sickness, even if they don't exclusively use yellow eyes to show vampire sickness. (But also... what if they did? We know Santiago, for instance, was made without the permission of a coven leader. What if there was a reason for that beyond just "didn't ask me.")
Not that that's necessarily going to be where they go with it, but @cbrownjc is still pretty certain that Daniel's illness will factor into why he gets transformed into LBF
Hmm.
I don't think Daniel's state of being is an indication of a vampire sickness.
And I personally do not think that there is a general sickness, either, sorry.
I think this is their way of showing how much the blood "is them".
In the books, when they lose enough blood to die, they become husks, the skin and eyes change color into transparency.
The show obviously does not go the plastic skin route.
And, if I can just add a note: I'm not sure that it will be, or that it will only be, Daniel's body's illness that will be the thing that ends him.
Yes, it could be a factor, but it also could not be. In the end, it could just be one of many things that compounded over time for Daniel until he reaches the point where... whatever happens happens, that ends up where he "dies bad."
We have no way to know just yet, especially now, given how that cliffhanger ended with him.
I know you've been holding off on discussing Daniel's character this season. The way they left his ending was very ambiguous with him against the talamasca agents for Lestat's head which Raglan got. I'm guessing Armand left to meet him at the bowling alley, but who knows what state Daniel will be in when he finds him, and the audience only left knowing from baby jenks that Daniel will be dying badly. Do you think whatever happens to Daniel will be tied into what Raglan said to him about "the evidence of the soul's existence, meaning beyond mortality."?
Hello! 👋🏾
So yes, I have to say I do not think that line Raglan said to Daniel, about the existence of the soul and what that entailed, was just a throwaway line.
Rolin said all the way back after Season 2 ended that the show had to start setting up the existence of "the soul" and what it all meant. And I think the show has slowly been starting to do so this season.
We saw two instances of it this season, in fact, with Baby Jenks in EP301, and the seance that brought Claudia back as a spirit, which is what her poster labels her as:
Also, notice she only has one shadow? Fits into my poster theory, and why dead vampires only have one shadow on their posters.
Anyway, yes, I do think what Raglan said will tie into what may happen to Daniel before Armand likely gets to him -- assuming Armand was running off to go to him (which is what I'm choosing to believe about it at the moment).
With Daniel's fate being left ambiguous, not just to give a cliffhanger to it all, but maybe because what may come next might need even more explanation than we've only just started to get regarding such things.
Such as Lestat's mention, at the end of his dream/hallucination scene, when he was fading into death, of the "Silver Threads" he was seeing, which were clear allusions to The Silver Cord, which, from the book lore, is the thing that connects the soul to the body.
And it is the Silver Cord that snaps when the body dies, freeing the soul from it. And then the soul continues to live on afterwards "beyond mortality."
Because even vampires aren't really immortal. They, too, can be killed, no matter how old they are. It just takes more effort when you are dealing with a vampire that is, say, thousands of years old.
As we are about to see with Akasha.
Whereas the soul? That is the one thing that continues on and, really, truly is immortal.
Anyway, I also think Armand knowing about the seance Louis and Lestat had Merrick do, which called back Claudia's soul/spirit, might play a role in things as well.
Right now, however, all we can do is speculate and wait. But yes, at the moment, I do not think it was just a throwaway line Raglan was saying there. I do think it was set up, and intentionally so. And set up for things that will continue to be explored regarding the topic of the soul, and what it is, going forward.
What did I say at the start of this, as to the Queen, as to destruction unleashed? Something about the regretful dead and the...hmm, what was it? Traumatized alive. That I had made a contribution. Let me take that back. The fault was mine. All mine.
Hello! Don't you think that the show has destroyed the significance of the DM relationship? Maybe I expected too much, but Season 3 left a bitter taste in my mouth.
Armand admits that he never loved Louis, but he's obsessed with getting an apology from him. He's devised a clever scheme and used Daniel to achieve this goal. Throughout the season we haven't seen any hint of Daniel's significance to Armand or a hint to their past relationship. All we know from the show is that Armand has been keeping an eye on Daniel and occasionally helping him. that's all. "It was love".. well, where is it? What are the showrunners doing with this couple? It's a pity that the actors' potential (both Eric's and Luke's) was wasted. I feel bitter about what they did to the old Daniel and even more bitter about what they did to the young Daniel and canonical DM story.
How after all that they can show the DM relationship in the past and the present and make it meaningful to Armand?
(please forgive my mistakes)
Hello! 👋🏾
So, this might be a strange answer to give to you. But while I feel very much that the show did not destroy the significance of the DM relationship this season ... that doesn't mean you shouldn't feel that way about it.
Because I think, in the end, this all comes down to what your expectations were regarding DM this season vs. what mine were.
Because see, my expectations were, I think, vastly different from not just yours, from what it sounds like, but also from what I think a large majority of DM fans wanted/expected this season as well.
Because for me? I expected next to nothing with DM in Season 3. And, more importantly, those were my expectations right after Season 2 ended, and I (for the majority of Season 3) continued to feel this way about it, expecting next to nothing, even into the Season Finale.
And, well, I already gave a long reason tied to the TV production side of things, as to why I felt this way, and why I expected what I did.
But as to what we all saw -- and saw happen story-wise -- within the actual show itself?
Well, look . . . I thought turning Daniel at the end of Season 2 was a mistake. I said so when I (correctly) predicted that he was going to get turned after EP205 aired.
Because there was just way more story to mine from his character -- and him and Armand together, in my opinion -- if Daniel's character had remained human for longer.
Hell, that was true when it came to the books. Daniel's biggest story and arc in the books, and seeing his relationship with Armand, happened when he was still human.
Whereas, in the books, after Daniel was turned? He did next to nothing.
And what happened after the show turned him?
Yeah, Daniel did next to nothing. And by the end, the season finale just had him hanging out in a bowling alley with Lestat's head, mainly, it appears, to give him something to do and put him in a position for the Talamasca to come in at the end and...
Yeah.
So many people thought that Daniel being turned meant he and Armand would automatically get together, and we'd get some big romantic thing with them in Season 3 because of that.
I, however, in honesty, never did. Because that isn't even how it went in the books with them. In the books, Armand and Daniel spent more time together as a couple when Daniel was still human than they did after Daniel became a vampire.
"Brief, incidental life as a vampire." That line of Lestat's was not a throwaway, in my opinion. I never thought so when I first heard it, and I still don't now.
Because we didn't really go into Daniel exploring his "transformational trauma." We didn't go into the little things the show was hinting at regarding his shaking or why he was taking antibodies.
His big moments were really in EP303 and EP304, and that was all.
In my opinion, and yes, I still believe this, the show never intended to keep Daniel a vampire for very long in the first place. I began to think so last year.
And, in my opinion, it is why it was something that was barely explored with him this season, I feel.
And, in my opinion, it's one of the reasons why he and Armand were kept apart for the first part of the season, and then were barely shown together once they finally did meet up again, and Armand made his love confession.
Hell, after Season 2 ended, I at first thought they'd be kept apart for the whole season until the Season Finale. So them actually interacting, starting from EP304 onward, was way more than I had initially expected.
But because all of this was things that, again, I expected regarding DM this season, the "tell, don't show" stuff with their interactions, no flashbacks with Luke, not getting to see Armand teach Daniel to walk in the sun (which as I've said before, shouldn't have been possible anyway, but I digress), never made me angry or frustrated because I never expected to see any of that with them this season in the first place.
Because even when I thought we WOULD see Luke and get a flashback with him playing Daniel, I didn't think the flashback would be a romantic one. I thought it would just be one showing the beginning of The Chase. Not the romance.
Anyway, when Armand directly told Daniel he could teach him to walk in the sun, I honestly thought to myself, "And they are not going to actually show them together doing that, or anything else, because showing it would mean having to write them actually interacting together, which means they'd have to commit to revealing that Armand is telling the truth about loving Daniel. And they are not going to reveal that yet."
And lo and behold...
Actually showing anything of them interacting together post-park scene would have meant they would have had to actually focus on Armand and Daniel's relationship together. Which would have meant revealing what the actual dynamic of their relationship was, was becoming, was growing to be.
And even reveal that there was likely a past part to it as well.
Showing anything would have meant fully committing to revealing and setting in stone that it was a real romantic relationship, revealing if it happened in the past or not, and a whole bunch of other things.
Which would have meant revealing all of that to regular viewers who have no idea about DM, and that Armand was telling the truth when it comes to loving Daniel.
It would have meant committing to showing actual romance and romantic things with the two of them. You know, the little things that we see with Loustat right now, gazes, light touching, things like that.
And I knew, from everything said and shown prior, that the show was not going to do that with them this season.
Like, I am not kidding, I knew we were not going to get to actually see anything romantic or romance-coded between them this season, and why.
That it would all be left in the realm of ambiguity this season.
Which, doing so, was always going to mean a lot of "tell, don't show" and barely showing them interacting together all season as well.
Which, again, I explained in another post, which I made only just last week, as to why I expected that when it came to the production side of it all.
And which, in the end, yeah. Is exactly how the show played it with them this season, within the actual story it presented with them.
Even Eric noted this in a recent interview about what he didn't get to do in that regard, regarding romantic stuff:
That "millisecond" that he did get to do? It was in EP304, with the showing of Armand and Daniel's vampire bond, which is the one thing regarding their romance that we actually got to see.
Because it was something that could be read as ambiguous if people wanted to read it that way. Because vampire bonds, and how they work -- why some are stronger than others -- have yet to be explained in full just yet.
Anyway, we got to see Armand and Daniel's vampire bond and how it works. They showed us their unique vampire bond; they didn't just tell us about it.
And yes, the way their bond works absolutely floored me when I saw it, for reasons that I've already explained before.
Anyway, in my opinion, we got to see that moment with their bond because it is something that makes it clear -- in an underlying way -- that there is something deep between these two. But it is NOT something that gives the whole game away when it comes to them, either.
Because, again, they never intended to do so this season. They were never going to reveal or show anything more regarding their relationship and romance this season.
Which, doing so, was always going to mean leaving the majority of the DM story ambiguous and limiting what we saw on-screen of Armand and Daniel interacting with each other.
And, as we now see at the end of the season, that is exactly what happened. And what the writers did.
* * * * *
So yeah, I never, at any point, went into this season expecting them to kiss, or have sex, or anything.
I never expected any sort of deep dive into their romance together, via story and interaction, either.
Now, because of the shooting leaks we got, I mistakenly thought for a time that I had been wrong and that they would actually reveal the full extent of their past relationship together, but I should have known better and stuck to my original gut feeling that they weren't going to do that. So the disappointment I felt about that was on me.
But even when I did think they were going to reveal that much about it, I still thought there was going to be something within the story that was going to keep them either fully apart or their interactions to a bare minimum, until the season finale.
So, I honestly never even blinked when it came to the show telling and not showing us so much with them this season. Because, again, I never expected them to show us anything when it comes to those things.
I always viewed it as something that was never going to happen or be shown this season.
So that is why, when it comes to this season and what we got wrt DM? I don't see it as having been destroyed. Because I never expected it to have reached its full construction going into Season 3 anyway.
And I figured Rolin and Co were going to play these kinds of games regarding DM this season. I knew going into the season that they were going to withhold and not show much of anything between them, and I felt I knew exactly what game they were fully playing with it after EP305.
Which is just another reason why I personally feel confident that DM wasn't destroyed.
* * * * *
However, for those who were expecting all of that? Who were expecting to see them interact more, to actually see the romance play out between them on screen this season? And for the full past relationship to be revealed and maybe even explored, some?
You are totally valid for thinking the show completely destroyed DM.
Because, in my opinion, they baited you with the expectation of seeing all of that. Likely on purpose, in my opinion.
Now, they didn't bait you into thinking they are doing a ship that is never going to happen. It still very much is, and I think that is clear about it, even after the finale.
But they baited you into thinking it was all going to be revealed and explored in full this season. That all the expectations that many people had wrt DM were going to happen in some way this season, at some point, specifically after the love reveal in EP304.
When, in truth, it wasn't even DM shippers they were writing towards with all of this this season.
Because the truth is, they've never been writing them with an eye towards people who currently ship DM, meaning they know the full depth, scope, and story of Armand and Daniel's relationship.
They were and are writing this whole thing with DM -- this season and going forward -- with an eye and scope fully trained and focused on the people out there who know nothing about Devil's Minion. Who, at most, might have heard a little something about it, but don't know the exact details about it all.
That is the audience the show was playing to with all of this.
And that audience?
Well, you can see their reactions on YouTube. And they think Armand is either lying to Daniel and/or using him, even if he might love him in some twisted way that isn't really love.
And they think Daniel is being a gullible fool to have fallen for it ... if they are not also busy hating him and wanting him dead for the revenge porn release and the head lopping off for being stupid in following Armand with all of this.
I said, I knew, before the season started, that this was the angle they were going to play, in-story, with DM, because it is the exact opposite of what the truth of it all is. Also, because doing it this way fits seamlessly into presenting Armand as an antagonist, which I was also pretty sure they were going to do with his character this season as well.
And that, only if we were lucky, would they reveal the truth of it all in the final episode of the season.
Which, they didn't.
So yeah. That is the main audience the show was playing to wrt DM this season. The General Audience who doesn't know anything. They are a much larger share of the viewing audience than those who have read the books. And so the writers were always going to deliberately play this all to that audience in a way that builds off of the "turned out of spite" comment at the end of Season 2.
And then, once that was dismantled (because it was), it would still leave them questioning the sincerity of Armand's love confession, given his actions regarding everything else this season, including with Daniel.
Like I said in my review of the finale episode, I feel pretty confident that Armand was running off to go to Daniel at the end there. But I bet anything the majority of General Audience viewers aren't going to be thinking that.
Because, at this point, they really have no reason to.
But yeah, in the end, those DM fans who were hoping and anticipating seeing more with them, seeing their romance fully play out, even in a little way ... were baited, in my opinion. And were, on purpose, being baited, starting after EP304.
Because the writers were never going to actually show any romantic stuff between them this season. And Rolin and Co. were totally playing on the expectations of DM fans that they would.
Because that is how Rolin Jones rolls, as the story Assad told in After Dark EP 4 shows. Rolin purposely played on Assad's wish and desire for Armand to go full gremlin this season by having Armand's first real appearance in Season 3 be at an AA meeting.
That story basically told me everything I needed to know about how Rolin Jones moves when it comes to people having wishes and expectations when it comes to a story he's writing.
Namely, that he starts out such things by giving you the opposite of what you want before he gives you the real thing.
So again, I knew after Season 2 that we were never going to get the full, real thing this season wrt DM. I knew things with DM would be made ambiguous and left up in the air by the end. And everything I saw and figured out between the end of Season 2 and before Season 3 premiered only reinforced all of that for me.
Which, once again, is why I, at least, can feel the way I do about it all. Which is no, I don't think DM was destroyed.
The only thing that I think is that DM is just now one among many story threads on this show that have been set up, but that the full reveal of it all is being held back until ... whenever Rolin feels ready to do so. 🤷🏾♀️
And honestly, before now, I would have said that reveal was coming in Season 4. But with the way this show has constantly dragged its feet in fully revealing things... I'm now just hoping we get it in Season 4. 😑
* * * * *
But yeah, if you do feel DM has been destroyed, if anyone feels DM has been destroyed after this this season, I don't think there is anything I can say that can really persuade you or anyone else differently about that, given the different expectations you may have had about DM going into this season than I did.
Like I said, I never expected anything that was of a real romantic nature to be shown or explored between them this season. The end of Season 2 left me with that impression, and nothing between then and the start of the season changed that for me. Even if I did, at a point, think we'd get more of a reveal of their past together in EP305 than we got.
Others, however, I am sure, felt very differently going into Season 3 and now just feel -- rightfully, I think -- sad, angry, and that the whole thing was, as you said, destroyed.
And it is a valid reaction to have about it all, in my opinion, if you did go into season 3 expecting all of that and wanted more than we got.
And, in my opinion? It is now up to the show itself to prove to you that all isn't the case.
* * * * *
Oh, and Armand wanting an apology from Louis, in my mind, has next to nothing to do with any feelings he holds for Daniel. The way that was all written, that was all about Armand needing some personal closure regarding his and Louis' time together, and needing to hear some self-affirmation that he was worthy of being loved by someone in a way that Louis could never give him.
Which, in my eyes, is ... okay, fine, whatever, but it was still a nonsense plan that Armand wanted an apology from Louis and did all of that to get one. 😒
But also, wanting "closure" with your ex before you fully move on and fully commit to someone else, finally letting go of all your hangups about love and wanting to be loved -- that is a pretty standard romance trope thing in many stories, isn't it? Because that is what the show was basically doing with that whole thing between Louis and Armand.
And which is just massively eyeroll worthy, in my opinion, when it comes to all of this with these characters vs how things like this -- in this world -- are in the books, but okay, fine, whatever. Hannah wanted to play around and use romance story clichés with all of this in a gothic horror way, so we got that. Nothing to do about it now. 🤷🏾♀️ 😑