[lionfloss]

source

[bobdylanyaoi]

[feminine-gurl9]

[thequietedge]

📍Istanbul, October 2025

📷 Fujifilm X-T5 / XC15-45mm

[metmuseum]

Beads. 19th century. Credit line: Gift of J. Pierpont Morgan, 1917 https://www.metmuseum.org/art/collection/search/194466

[vacuiterror]

[arksluvr]

lookin' out my window, 2002

[miamaimania]

Savior Convent, Voronezh region, Russia — rock-hewn Orthodox cave church with painted icons and onion domes carved into a chalk cliff.

[redlipstickresurrected]

Clotilde Olyff (Belgian, b. 1962, based Brussels, Belgium) - Stone Alphabet, 1994. She collected these over a 14-year period from the banks of rivers and oceans.

[shootsay]

眠っているねこさん。目はどこにあるの？ まったくわかりません（笑）

Where are your eyes? I have no idea.

[pinkneonvanilla]

[c0ld1995]

[kosmogrl]

[polkadotmotmot]

Annieo Klass - Daydream no. 5, 2025 - Oil on canvas

[rrondo]

[iamwizzzzz]

[unehistoiredelart]

Kwame Akoto

[e-n-d-a-s-h]

Liz Toohey-Wiese, 2024.

"A sign installed in the largest wildfire burn I’ve ever seen, along the BC/YK border. Borrowing the aesthetics of BC Recreation Site signs, once again pointing to the overlaps of outdoor recreation, resource extraction, and the consequences of the climate crisis. Most recreation sites in BC exist along previously built logging and mining roads.

“Forced into a great and difficult transformation” was a line I heard in a lecture on Buddhist philosophy I was listening to on my drive up north. But it became another mantra I thought about while living in a place that’s been utterly transformed by resource extraction over the past century, and as I thought about the burnt landscapes I drove through."

More here.