Isabelle Adjani in NOSFERATU THE VAMPYRE (1979) dir. Werner Herzog
hello vonnie
let's talk about Bridgerton tea, my ask is open

#extradirty

if i look back, i am lost
we're not kids anymore.
trying on a metaphor

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he wasn't even looking at me and he found me
occasionally subtle
ojovivo
todays bird
taylor price

Jar Jar Binks Fan Club

titsay

Origami Around
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will byers stan first human second
Sade Olutola
Stranger Things

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@lostwisdom
Isabelle Adjani in NOSFERATU THE VAMPYRE (1979) dir. Werner Herzog
Do you laugh while screaming, is it cold outside?
Detail : Christ Blessing. 1485. Hans Memling. German 1430-1494. oil/oak. (the snake is a modern addition not in the original painting) http://hadrian6.tumblr.com
– Enrique Alcatena
The darkest sun, the darkest hours,
Everyday feels like midnight,
When the secret pathways of my mind
Find a place by the bed of the waters.
There lays a mighty rock in the sky,
With the strength of a thousand giants,
With the light of the stars,
Brightens the temple of my soul.
Some beautiful imagery taken from this documentary about The Romantics’ fixation on death.
L. Crepon.
Stefan Georgiev - The Key  (oil, acrylic, gold, lacquer on canvas, 2016)
Great stuff by Nick Keller - I discovered the artist cuz he did the cover-art for the upcoming beast called Nihl forged by Altarage (last pic).
Min Jung-Yeon — 4 Minutes  (acrylic on canvas, 2009)Â
Human Plant, Odilon Redon, 1870, Art Institute of Chicago: Prints and Drawings
David Adler Collection Size: 473 × 342 mm Medium: Charcoal with black pastel, stumping, scraping and erasing, on ivory wove paper, now discolored.
https://www.artic.edu/artworks/90318/
green landscape (2018)
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A winged skeleton, 1779, etching by Jacques Gamelin (French, 1738-1803)
First illustrated edition of Paradise Lost, 1688. Illustrated by John Baptist Medina.
Piero Fornasetti, The Sun King, design used for a lacquered aluminum tray, 1962. Via Graphis. Source