to become the consumption itself

loutka. 30s. she/her. femme lesbian. agalmatum / objectum.

[loutkari]

private crimes (1993), dir. sergio martino

[aninainkwich]

[achillesinhighheels]

janicemascarenhass via IG

[theplantqueer]

[ID: Janice, a brazilian artist, drifting in the street with their wheelchair, with sparks flying out behind them and a whole rig of speakers modded onto the chair. The back of the chair says "Chillwave cripple punk". They're in a brown halterneck and ripped jeans, with braids and metal pieces attached like arm braces. /end ID]

[thegikitiki]

It hurts me to say it...

Gitanes Cigarettes, 1981

*I can verify the "hurt." IMO, they were like inhaling razor blades.

[thegikitiki]

Source: The Giki Tiki Archives

[lookcaitlin]

[jareckiworld]

Igor Mitoraj (1944-2014) — Icarus Blue (bronze sculpture, 2013)

[perfectnarrator]

Club kid shoes circa 1993 :)

[gouged-doll]

appearance of body without consciousness (body) → statues → dolls → mannequins → automaton | projected consciousness (spirit) → idol → puppet → animatronic → virtual character → AI companion | embodiment of projected consciousness → android

[material sequence of projected consciousness: idol → doll → puppet → animatronic → android]

[spirit → vessel → animation → autonomy → integration]

[projection → embodiment → movement → intelligence → union]

[spockvarietyhour]

Rooms to go insane in

[loutkari]

private crimes (1993), dir. sergio martino

[loutkari]

in-between the lines. vladéna/adela. nancy drew and the seven keys. rated m. 3,985 words.

[chainedbed]

anatomy puzzle - silent hill: origins

[n1singaq]

Yumi's apartment

[lifeundersiege]

Antoine d’AGATA

Yama

[loutkari]

christians are pulling all the stops to convert agalmatum to christianity. someone tell the press, this is dire

[loutkari]

then what is the ‘mother’? the mother is a seducer who tempts us toward god, she is even god herself. she is well aware that she is the only path through which one is seduced to the highest trust, the path of sensuality; and this path must lead to derangement. her love is cruel, she does not lose herself but leads the other party astray, leads them to the border of destruction. whipping them mercilessly, she severely demands of them the last arousal of their desires, be they of the flesh or the spirit.

— yukio mishima’s introduction to georges bataille’s the mother/madame edwarda/the dead man

[loutkari]

got asked to do some concept art for a video game, the summer projects are flowing ladies