Ginger Rogers dines at the Beverly Hills Hotel in Hollywood, 1940s
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Ginger Rogers dines at the Beverly Hills Hotel in Hollywood, 1940s
Ginger Rogers photographed in promotional picture for Carefree (1938)
Ginger Rogers at Cannes Film Festivals, 1956.
Ginger Rogers in Tales of Manhattan (1942) dir.Julien DuvivierÂ
Ginger Rogers (1933)
“The night of the Academy Awards, I dressed in a black lace and gray peau-de-soie gown dressed by Irene and was ministered by Louise, my hairdresser. Eddie Rubin, my dear friend and publicist, also helped prepare me for the ordeal by bolstering my morale. I wish deep inside me that I didn’t have to be a part of this parade. However, I bit my tongue and pulled up my long silk stockings, along with my courage.”  – Ginger: My Story.
May 6,1940: Ginger Rogers attend a Polo Match in Los Angeles, California. (Photo by William Grimes/Michael Ochs Archives)
Update: accurate year is dated 1938. Getty lists it as 1940. I was wondering really hard why was her hair blonde in 1940.
Ginger Rogers frame by frame: Carefree (1938)
Ginger Rogers in a grecian evening gown, photographed by Horst P. Horst for Vogue Paris, 1936.
Cary Grant and Ginger Rogers in Once Upon a Honeymoon (1942)
"Ginger Rogers was grace and endurance. She has achieved celluloid immortality, dancing always in beauty, present tense. And she was a fine gal." -- Maureen Dowd writes for The New York Times (1995)
Happy Heavenly Birthday Ginger!Â
Ginger Rogers frame by frame: I’ll Be Seeing You (1944)
Every Fred Astaire & Ginger Rogers Dance Number “Let’s Call the Whole Thing Off” in SHALL WE DANCE (1937)
Ginger Rogers in promotional photos for Primrose Path (1940)
May 6,1940: Ginger Rogers attend a Polo Match in Los Angeles, California. (Photo by William Grimes/Michael Ochs Archives)
“As for Ginger Rogers, her lips are like a rose in full bloom. They are full and reflect her joy in living and her exuberance. Because most of her parts are of the joyous type, we give her lips a little more up-tilt than they naturally have so her mouth will be in harmony with her role” (x)
KATHERINE HEPBURN and GINGER ROGERS in STAGE DOOR (1937)
—Don’t you ever get tired of quarreling?
—What’s the matter, can’t you take it?
—Oh yes, I can take it, if you want it that way.