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shark vs the universe
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@lovely-scarlette
complementary piece to @vryfmi's post
[id from alt text: a monotone drawing of Lockwood and Co book trio. the three of them are wearing warmer clothes and rapiers at their belts, they stand in line: Lucy's closer to the viewer, then Lockwood and George. the two are talking to each other, Lockwood is smiling while George has a neutral expression. Lucy's disconnected from conversation, she' shushing at her rucksack on her back. the speech buble that comes from it has a shape of the skull with cartoony faces of George and Lockwood with crossed out eyes making skull's eye sockets./end id]
book trio from magma drawing session with @honorarypines!
Risk
they did butcher skull's character in the show but even if they hadn't, i think a screen adaptation of skull's dynamic with lucy was always just a little bit doomed to fail. it lives so much off of lucy's internal monologue
average skullyle interaction
skull: these people suck. you should kill everyone in this room
lucy: if you don't shut your trap right now you get to find out what death two looks like
lucy narration: as usual, the skull was entirely right
The book dynamic works because to literally everyone Skull is a dangerous, terrifying ghost manifestation but that's only because they can't *talk to him* literally every person who is able to talk to him is like "oh ok, you're a rude little teenager Victorian shit who got himself shanked and stuffed into sewer pipe and frankly it's insulting to Bazalgette that they did that given your attitude"
Lucy forms a relationship with Skull because they are two of soul - two very poor neglected lower class children used by adults and living trapped in a hellish reality. Lucy escapes her hellish circumstances literally and physically by running away but her experience haunts her, isolates her, prevents her from making connections with people, prevents her from having healthy friendships and relationships, prevents her from having a life, from finding love. When she gets that in the end, friends, a found family, a home, interests and hobbies and love, she and Skull are no longer the same. She understands how trapped he is and how trapped she was. And she releases him. And he uses his freedom to save her and Lockwood (thought he is loath to do it) because they free each other. This dynamic is all internal, it has to happen jointly with Lucy's very heavily biased, very unreliable, first person narration. In any adaptation this goes out the window because by definition the interactions are going to be more objective. You don't have that contrast between what Lucy says and what she does, what she perceives and the reality Skull points out and riffs on. I don't know how you could ever adapt that. I don't know if anyone could.
great addition by indelen as always, i just want to double down on it.
both lucy and skull being used by adults in their lives and both helping each other to find their own agencyāin life and in death respectivelyā is very dear to me. ācarlyle & skullā agency might've been played for laughs but i cannot unsee it being a clever nod to them finding their own agency and their identities though each other's company aka tiffs and bickerings
35 PortlandRow.
What lies beyond truth is love.
ē±å³ēēøć
*participation work in 脿å·č®”å 2026
finally got this finished///
i hate skull. i mean.
he's just: "lalala, lucy, I don't care about you, but in every joint case, I'll watch your back. I don't give a fuck about you, lucy, lalala I'll die for you one more time"
I hate them SO MUCH. lucy REALLY trusts him and im just tnekvrkvrnbiyyunyituu!!!!! u understand me?!
she trusts him so much that she doesn't pay attention to these threatening words at all she knows he won't do it.
smiling giggling and kicking my feet
!!!i wanna squeeze them so that they explode!!!
ok i need to be insufferable for a moment but the very first screenshot that op provides is a perfect showcase of the fact that lucy didn't actually trust skull and what lucy's mistrust looks like in her head
'Do you trust me?' the skull said.
I looked at it. I didn't see the hideous, gurning face. I thought of the sardonic, spiky-haired youth standing on the Other Side.
'Yes', I said. 'Sort of.'
lucy didn't trust skull.
but in this very moment you see the cogs of her brain turning, her thinking rewired in real time.
lucy was born in the 4th official decade of the problem, her older sisters before her worked as nightwatch kids, she saw her first ghost when she was only 6 years old, she had one year at school before she became the nightwatch kid herself and later a breadwinner as she became an agent. from behind every corner ever since she was born she was told that ghosts are evil, that she has to be cautious of visitors and never let them get into your head, never trust them. that's why ghosts are referred to as "it", because they're not treated as humans. they are other, they are visitors.
I looked at it.
lucy calls skull "it" almost exclusively throughout all 5 books. (there are instances when she slips and calls skull "he" but these moments are sparse and are usually following deep conversations that lucy had with skull, when she truly let's skull's words sink in. but then she bounces back to "it". when i reread the books you all know im making a compilation and timeline of it vs he uses in regards to skull. ok i got sidetracked.) and even in this moment, in fittes headquarters, when lucy willingly took skull with her, her first and gut reaction is to strip skull, like any other malicious ghost, of his humanity, to call skull "it".
I didn't see the hideous, gurning face.
but one thing about skull is that he constantly challenges lucy's beliefs and thoughts, to the point that lucy grows uncomfortable at how transparent she is to skull, that she calls every skull's statement a lie, even if she agrees with it or had the very same thought earlier. it became her go to responseāto disagree, to deny, to ignore. but she can't ignore skull right nowā she's bleeding from her wounds and is cowering behind a sofa. and skull is right, she doesn't want marissa to win. she looks at skull with clear mind, resetting her beliefs as she no longer sees a vile visitor at her side but someone rooting for her to win, to bring fittes down.
I thought of the sardonic, spiky-haired youth standing on the Other Side.
she sees a human she was denying this whole time. a human, a boy her age, a youth. in real time lucy's perception of skull changes after she saw skull on the other side, after she talked to him there, after she ended up in the same situation ('How does it feel to be trapped somewhere unpleasant? Bet you wish someone could set you free' ), after it felt no longer right to skull as skull after seeing him with face body and everything. after all that she can no longer see skull as just some visitor. he used to be human and that humanity is still intact, unlike marissa's or ezekiel's.
'Yes', I said. 'Sort of'
but lucy can't bring herself to trust skull completely. right after 'Then break the bloody glass' she doesn't break it, the belt-hammer was too weak for the job. and then lockwood showed up and made lucy believe that luck was on her side again, that she wasn't facing the horrors alone and that she could win. and they did. the two of them overpowered marissa and almost brought her down. but skull kept laying there on the ground in silver-glass jar.
lucy taking skull with her never was her go to plan to defeat marissa, it wasn't even a plan B. she came back and smashed the jar only when victory was seconds away and when she really had nothing else to loseāmight as well fulfil her promise and free skull, whatever happens next can't be as bad as fighting marissa and ezekiel.
it's only when skull saves her and lockwood and acts all nonchalantly, like it was a pure accident that his ectoplasm flexing was of any help. only then lucy's mind is changed, only then she hopes skull will stay with her, with lockwood & co. but it's ultimately too late for that trust to go anywhere. and that is making me sick about them
Iām sorry I know this is terrible maybe I will clean this up one day but I needed to post a Skullyle art before the year ended
I PROMISE IM WORKING ON THIS
[id: two drawings of line-ups of Lockwood & Co book characters standing next to one another. from left to right: the Skull, Lucy Carlyle, Anthony Lockwood, George Cubbins and Holly Munro. George is talking and everyone is looking at him. in the first one characters wear their regular clothes, Skull is contained by the ghost-jar; in the second one they wear their outer clothes and rapiers, Skull's ghost is manifested and stands alongside them./end id]
one thing about me is that i like drawing lineups
being chronically ill and working retail during holiday seasonnnHHHHHHHHHHHHGJKG but I need to draw
Hello world I try to draw again pls bully me into finishing this
sorry i didn't post for a year. it will probably happen again
cuddles
Untouchable.
idea on lucy tried to fix his bone after book 5 before he came back.
Ver. 2
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Also itās a gift to @vryfmi ((my dizzy head keep me forgetting things⦠might be a late mention hope u donāt mind⦠but still tons of love š«¶ā£ļø
[id: a black and white drawing of an apple core, negative space around it forming silhouettes of profiles of Lucy Carlyle and the Skull, both facing each other from either side of the core. the apple is dried up and has two seeds visible at its core./end id]
apples often symbolise the union of the oppositesāthey're associated with forbidden knowledge, death and ways to communicate with the dead, but also, it's a symbol of immortality and love
that apple trend but skullyle
[id: a digital drawing of Lucy Carlyle and ghost of the skull from Lockwood and Co books. Lucy sits on a couch and knits, her head is tilted and she looks concentrated. on the couch there's folded laundry with a present sitting on top of it, and next to Lucy there's a silver-glass jar, a Santa's hat on top of it. from the jar come swirls of ectoplasm that take shape of skull's human appearance, he leans on the back of the couch and points at what Lucyās making. text next to him reads, āI've seen things in graves with better knitwear.ā/end id]
a gift for @/sprucetea for L&Co discord Secret Santa exchange š